The 2020 Online Film Critics Society (OFCS) Winners

By Matt Neglia 

The Online Film Critics Society (OFCS) have announced their winners representing the best in film for 2020.

​Click below to see the winners.

​
Best Picture
1. Nomadland
2. Da 5 Bloods
3. Promising Young Woman
4. Never Rarely Sometimes Always
5. First Cow
6. Minari
7. Sound of Metal
8. I’m Thinking of Ending Things
9. Soul
10. The Trial of the Chicago 7

Best Animated Feature
Onward
Over the Moon
Soul
The Wolf House
Wolfwalkers

Best Director
Emerald Fennell – Promising Young Woman
Eliza Hittman – Never Rarely Sometimes Always
Spike Lee – Da 5 Bloods
Kelly Reichardt – First Cow
Chloé Zhao – Nomadland

Best Actor
Riz Ahmed – Sound of Metal
Chadwick Boseman – Ma Rainey’s Black Bottom
Anthony Hopkins – The Father
Delroy Lindo – Da 5 Bloods
Steven Yeun – Minari

Best Actress
Jessie Buckley – I’m Thinking of Ending Things
Viola Davis – Ma Rainey’s Black Bottom
Sidney Flanigan – Never Rarely Sometimes Always
Frances McDormand – Nomadland
Carey Mulligan – Promising Young Woman

Best Supporting Actor
Sacha Baron Cohen – The Trial of the Chicago 7
Chadwick Boseman – Da 5 Bloods
Bill Murray – On the Rocks
Leslie Odom Jr. – One Night in Miami
Paul Raci – Sound of Metal

Best Supporting Actress
Maria Bakalova – Borat Subsequent Moviefilm
Olivia Colman – The Father
Talia Ryder – Never Rarely Sometimes Always
Amanda Seyfried – Mank
Youn Yuh-jung – Minari

Best Original Screenplay
Da 5 Bloods – Danny Bilson, Paul Demeo, Kevin Willmott & Spike Lee
Minari – Lee Isaac Chung
Never Rarely Sometimes Always – Eliza Hittman
Promising Young Woman – Emerald Fennell
The Trial of the Chicago 7 – Aaron Sorkin

Best Adapted Screenplay
First Cow – Jonathan Raymond, Kelly Reichardt
I’m Thinking of Ending Things – Charlie Kaufman
Ma Rainey’s Black Bottom – Ruben Santiago-Hudson
Nomadland – Chloé Zhao
One Night in Miami – Kemp Powers

Best Editing
Da 5 Bloods – Adam Gough
Mank – Kirk Baxter
Nomadland – Chloé Zhao
Tenet – Jennifer Lame
The Trial of the Chicago 7 – Alan Baumgarten

Best Cinematography
Da 5 Bloods – Newton Thomas Sigel
First Cow – Christopher Blauvelt
Mank – Erik Messerschmidt
Nomadland – Joshua James Richards
Tenet – Hoyte Van Hoytema

Best Original Score
Da 5 Bloods – Terence Blanchard
Mank – Trent Reznor & Atticus Ross
Minari – Emile Mosseri
Soul – Trent Reznor & Atticus Ross
Tenet – Ludwig Goransson

Best Debut Feature
Radha Blank – The Forty-Year-Old Version
Emerald Fennell – Promising Young Woman
Regina King – One Night in Miami
Darius Marder – Sound of Metal
Andrew Patterson – The Vast of Night

Best Film Not in the English Language
Another Round (Denmark)
Bacurau (Brazil)
Collective (Romania)
La Llorona (Guatemala)
Minari (United States)

Best Documentary
Boys State
Collective
Dick Johnson Is Dead
The Painter and the Thief
Time

Technical Achievement Awards
Sound of Metal – Sound Design
Emma. – Costume Design
Tenet – Visual Effects
Mank – Production Design
The Invisible Man – Visual Effects

BEST NON-UNITED STATES RELEASE
(This award is for the best films released outside the United States in 2020 that were not released in the United States during the eligibility period.)
A Beast in Love (Japan)
The Disciple (India)
Ghosts (Turkey)
Mogul Mowgli (United Kingdom)
New Order (Mexico)
Notturno (Italy)
Rocks (United Kingdom)
Saint Maud (United Kingdom)
Summer of 85 (France)
Undine (Germany)

LIFETIME ACHIEVEMENT AWARDS
Rob Bottin (Makeup Artist)
David Byrne (Composer)
Jane Fonda (Actor)
Jean-Luc Godard (Director)
Frederick Wiseman (Documentarian)

SPECIAL ACHIEVEMENT AWARDS

• “Small Axe” — Director Steve McQueen created a series of films for the small screen that rivals the best of the theatrical features of the year, that can be seen individually and yet work together to explore a cultural experience largely unseen on big screens, television, or streaming to date.
• Distributor Kino Lorber for being the first company to offer virtual film distribution as a way to help independent theaters during the pandemic through the Kino Marquee.
• Kudos to the independent theater entities that participated in presenting “Virtual Cinema” when forced to close due to the pandemic. Films that otherwise may not have been seen were made available through online platforms, with ticket prices shared by the distributor with the theater.

You can follow Matt and hear more of his thoughts on the Oscars and Film on Twitter at @NextBestPicture