 By Matt Neglia With the tech awards officially out of the way, we now turn our eyes to the above the line categories. This year's screenplay categories feel like a done deal in one category while the other is practically a coin flip. Click below to see my in-depth analysis. BEST ADAPTED SCREENPLAY The nominees for Best Adapted Screenplay are: "Arrival" "Fences" "Hidden Figures" "Lion" "Moonlight" We have more information than most to work with here in helping us to determine what will happen in this category. Let's look to the Critics Choice Award, Golden Globe awards for Best Screenplay, the WGA, USC Scripter and BAFTA for Best Adapted and how they all matched with the Oscar.
It's pretty incredible when you take a look at the stats for screenplay and you see how many different avenues there are to predict the winner. The wild card all season long has been "Moonlight." Nominated for Original Screenplay at the Critics Choice, BAFTA and even WGA (Where it won!), "Moonlight" has only had one opportunity to compete in an exclusively Adapted field and that was at the USC Scripter where it won. Here are the list of winners for the USC over the last 10 years. 2007: No Country For Old Men 2008: Slumdog Millionaire 2009: Up In The Air 2010: The Social Network 2011: The Descendants 2012: Argo 2013: 12 Years A Slave 2014: The Imitation Game 2015: The Big Short 2016: Moonlight With the exception of "Up In The Air" the USC Scripter has correctly helped us predict the Best Adapted Screenplay Oscar winner over the last decade. And let's be honest, we all expected "Up In The Air" was going to win that year. Every stat said it should and it simply ended up being one of those surprise wins for "Precious" that one could not simply predict. "Arrival" seems like the most likely to upset "Moonlight" here as it won at the two award shows where it did not have to go directly up against "Moonlight," the Critics Choice & the WGA. A film that has won those two awards has never gone on to lose the Oscar which will make "Arrival" the first to do so. You can thank "Moonlight's" category placement at the Oscars in Adapted for that one. While no one will be upset to see Barry Jenkins take home an Oscar, it's a shame for all of the "Arrival" fans out there. Oh, and regarding a surprise "Hidden Figures" win due to its recent surge in popularity or "Lion" trying to repeat its win at BAFTA...not going to happen in my opinion. "Hidden Figures" winning would be the previous scenario all over again and no BAFTA only winner for Adapted Screenplay has gone on to win the Oscar since "The Lord Of The Rings: The Return Of The King" which was the Best Picture winner in a true sweep year. That is not "Lion." PREDICTED WINNER: "Moonlight" RUNNER UP: "Arrival" BEST ORIGINAL SCREENPLAY Here we go. One of the toughest awards of the evening are between two films. One heavily favored to win Best Picture. The other, a Best Picture nominee with a respected writer at the helm whose screenplay is arguably the most celebrated aspect of the movie. The nominees this year for Best Original Screenplay are: "20th Century Women" "Hell Or High Water" "La La Land" "The Lobster" "Manchester By The Sea" With all due respect to the nominees, this is a two-horse race. "La La Land" has won the Critics Choice and the Golden Globe for Best Screenplay. "Manchester By The Sea" has won the Critics Choice (Tying "La La Land") and won the BAFTA. Neither film won the WGA, failing to give us an idea of which way AMPAS will go. Let's dive in and see where all of this may end up...
"Django Unchained" is the only Oscar winner for Original Screenplay since the Critics Choice have been around that has won the Critics Choice, BAFTA and Golden Globe. However, because Golden Globe is a combination of both Original & Adapted screenplays, here are the films which have won the Critics Choice & BAFTA and went on to win the Oscar: 2000: Almost Famous 2005: Crash (Won WGA) 2006: Little Miss Sunshine (Won WGA) 2007: Juno (Won WGA) 2010: The King's Speech 2015: Spotlight (Won WGA) Unfortunately we have to take WGA out of it because both "La La Land" and "Manchester By The Sea" each lost there to "Moonlight" leaving only two times since the Critics Choice have been around that a film won there and the BAFTA and then went on to win the Oscar. BAFTA has predicted this category right 13 times in 33 years (39%). Those are "Manchester By The Sea's" chances. "La La Land" however has different chances at its side. Here are the films that won the Critics Choice Award & Golden Globe for Screenplay but went on to lose BAFTA and still win the Oscar: 1997: Good Will Hunting 1998: Shakespeare In Love (Won WGA) 1999: American Beauty (Won WGA) 2011: Midnight In Paris (Won WGA) 2013: Her (Won WGA) 2014: Birdman That's right. An equal number of times has the Critics Choice/Globe winner gone on to win the Oscar as the Critics Choice/BAFTA winner. The Golden Globe has gotten the Original Screenplay category right within this sample size of 1983-2015, 10 times (30%), which is slightly less than the BAFTA's 39% success rate. Now, you may think this gives the edge to "Manchester By The Sea" by a slim chance but we have to remember that the Golden Globe celebrates both Original & Adapted scripts in their category. The Golden Globes also have a crazy stat which shows that no winner for for Golden Globe for Best Screenplay EVER went on to lose that award at the Oscars if it also won the Best Picture Oscar. That may be a circumstantial accident but there is no denying that Screenplay typically tends to go towards the Best Picture winner. However, working in "Manchester By The Sea's" favor is the fact that BAFTA has crossover with the Academy where the Critics Choice & Golden Globes do not. Also, no musical has won the Screenplay Oscar since "Gigi" did back in 1958. Even "West Side Story," which won 10 Oscars, only lost screenplay. So what do we do? Unfortunately, we must go with our gut here. Most will argue that Original Screenplay is the only place to honor "Manchester By The Sea" as many have voiced that they will not be voting for Casey Affleck for Best Actor (That post is coming soon...) and many don't expect nor want to see "Manchester By The Sea," one of the most acclaimed and beloved films of the year, to walk away empty handed. Many also feel that a win here for Kenneth Lonergan, a well respected writer who has had to pay his dues in this business pretty hard (Never forget "Margaret"), would be well deserved and is objectively the better written screenplay compared to "La La Land." However, "La La Land" has universal love and a strong passion for it which will compel many voters to check it off down the line on their Oscar ballots. I honestly don't know what to do here. It would be pretty incredible is a split happened here and another film won such as "Hell Or High Water" but I must make a choice so, I'm going to go against my brain here and vote with my heart and my heart says Lonergan. PREDICTED WINNER: "Manchester By The Sea" RUNNER UP: "La La Land" What are your thoughts on these two categories? Are you picking the same films to win the Screenplay Oscars? Let me know in the comments below. You can follow Matt and hear more of his thoughts on the Oscars and Film on Twitter at @NextBestPicture
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BEST PICTURE Nomadland (42) - AFCC, AWFJ, BAFTA, BOFCA, BSFC, CCA, CFCA, CIC, DFCS, DFWFCA, GALECA, GFCA, GG, GOTHAM, GWNYFCA, HFCS, IFCA, IFJA, IPA, KCFCC, LEJA, LFCC, LVFCS, MFCA, NDFS, NSFC, NTFCA, OFCS, OSCAR, PFCS, PGA, SEFCA, SFBAFCC, SFCS, SPIRIT, StLFCA, TFCA, TIFF, VENICE, VFCC, WAFCA, WFCC Promising Young Woman (10) - AACTA, COFCA, HCA, KCFCC, MCFCA, NFCS, OAFFC, SCA, SDFCS, WFCC Minari (7) - AFCA, NCFCA, NYFCO, OFCC, OFTA, PCC, UFCA Ma Rainey's Black Bottom (3) - BFCC, CIC, PFCC The Trial Of The Chicago 7 (3) - DFCS, HFCS, SAG Da 5 Bloods (2) - CIC, NBR First Cow (2) - FFCC, NYFCC Judas And The Black Messiah (2) - AAFCA, BRA Another Round - EFA Bad Boys For Life - NAACP Dwelling In The Fuchun Mountains - ICS Rocks - BIFA Small Axe - LAFCA The United States vs. Billie Holiday - AARP BEST DIRECTOR Chloé Zhao (53) - AACTA, AFCC, AWFJ, BAFTA, BOFCA, BFCC, BSFC, CCA, CFCA, COFCA, DFCS, DFCS, DFWFCA, DGA, FFCC, SALECA, GFCA, GG, GWNYFCA, HCA, HFCS, IFCA, IFJA, IPA, KCFCC, LAFCA, LEJA, LVFCS, MFCA, MSFCA, NCFCA, NDFS, NSFC, NTFCA, NYFCC, NYFCO, OAFFC, OFCC, OFCS, OFTA, OSCAR, PCC, PFCC, PFCS, SEFCA, SDFCS, SFBAFCC, SFCS, SPIRIT, StLFCA, TFCA, VFCC, WAFCA Regina King (4) - 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(3) - CFCA, LEJA, SDFCS The Personal History Of David Copperfield (2) - HCA, IPA Hidden Away - EFA Jingle Jangle - BRA Misbehaviour - BIFA Mulan - CDG Promising Young Woman - CDG BEST FILM EDITING Nomadland (11) - AFCA, AWFJ, BOFCA, GWNYFCA, LEJA, NDFS, OFCS, SFBAFCC, SFCS, SPIRIT, StLFCA The Trial Of The Chicago 7 (10) - ACE, CCA, CIC, COFCA, HCA, HFCS, IPA, MCFCA, PFCS, UFCA Sound Of Metal (6) - BAFTA, CCA, LVFCS, MFCA, OFTA, OSCAR The Father (2) - BIFA, LAFCA I'm Thinking Of Ending Things (2) - BSFC, CFCA The Invisible Man (2) - MCFCA, SDFCS Once More Unto The Breach - EFA Palm Springs - ACE Tenet - WAFCA The Wasteland - ICS BEST MAKEUP & HAIRSTYLING Ma Rainey's Black Bottom (7) - BAFTA, CCA, CIC, HCA, LEJA, MUAHS, OSCAR Birds Of Prey (2) - MUAHS, OFTA The Endless Trench - EFA Mank - HFCS Misbehaviour - BIFA Pinocchio - MUAHS BEST ORIGINAL SCORE Soul (34) - AFCA, AFCC, BAFTA, BOFCA, BRA, CCA, CFCA, CIC, COFCA, DFCS, FFCC, GFCA, GG, GWNYFCA, HCA, HFCS, HMMA, LAFCA, LEJA, LVFCS, MFCA, NCFCA, OFCC, OFCS, OFTA, OSCAR, PCC, PFCS, SCL, SFBAFCC, SFCS, StLFCA, UFCA, WAFCA Tenet (4) - HMMA, IFJA, MCFCA, SCA Mank (3) - DFWFCA, HFCS, NDFS David Attenborough: A Life On Our Planet (2) - HMMA, IFMCA Minari (2) - BSFC, HMMA Berlin Alexanderplatz - EFA Blizzard Of Souls - SCL The Call Of The Wild - IFMCA Fukushima 50 - IFMCA The Invisible Man - HMMA The Midnight Sky - IPA News Of The World - HMMA Nomadland - IFCA The Personal History Of David Copperfield - IFMCA Preparations To Be Together For An Unknown Period Of Time - ICS Wolfwalkers - IFMCA Wonder Woman 1984 - IFMCA BEST ORIGINAL SONG One Night In Miami (12) - BRA, CCA, CIC, DFCS, GFCA, HFCS, HFCS, IFCA, LEJA, MCFCA, OFTA, PFCS The Life Ahead (3) - GG, HMMA, IPA Eurovision (2) - HCA, SCL Judas And The Black Messiah (2) - LVFCS, OSCAR Giving Voice - HMMA The Outpost - HMMA Over The Moon - NDFS Trolls: World Tour - HMMA BEST PRODUCTION DESIGN Mank (23) - ADG, BAFTA, CCA, CFCA, CIC, FFCC, GFCA, HCA, HFCS, IPA, LAFCA, LVFCS, MCFCA, NDFS, NFCS, OFTA, OSCAR, PFCS, SDFCS, SDSA, SFCS, StLFCA, WAFCA Tenet (2) - ADG, SDSA Birds Of Prey - MFCA Da 5 Bloods - ADG First Cow - SFBAFCC His House - BIFA Jingle Jangle - BRA Ma Rainey's Black Bottom - LEJA The Personal History Of David Copperfield - EFA Promising Young Woman - SDSA A Portuguesa - ICS Soul - ADG BEST SOUND Sound Of Metal (10) - BAFTA, CAS, DFCS, HFCS, ICS, IPA, LEJA, MFCA, OFTA, OSCAR Greyhound - MPSE Little Girl - EFA The Reason I Jump - BIFA BEST VISUAL EFFECTS Tenet (14) - BAFTA, CCA, DFCS, HFCS, HFCS, IPA, MFCA, NCFCA, NFCS, OSCAR, PFCS, SDFCS, SFCS, StLFCA The Invisible Man (6) - CFCA, CIC, HCA, LEJA, LVFCS, OFTA Mank - VES The Midnight Sky - VES Mulan - VES The One And Only Ivan - VES The Platform - EFA Possessor - FFCC Project Power - VES Soul - VES BEST ANIMATED FEATURE Soul (39) - AAFCA, AFCC, ANNIE, AWFJ, BAFTA, BFCC, CCA, CIC, DFCS, DFCS, DFWFCA, FFCC, GFCA, GG, HFCS, IFCA, IFJA, LEJA, LVFCS, MSFCA, NAACP, NBR, NCFCA, NDFS, NFCS, NTFCA, NYFCO, OFCC, OFCS, OFTA, OSCAR, PCC, PFCC, PFCS, PGA, SEFCA, SFBAFCC, StLFCA, WAFCA Wolfwalkers (17) - AFCA, ANNIE, BOFCA, CFCA, COFCA, GWNYFCA, HCA, IPA, KCFCC, LAFCA, MFCA, NYFCC, OAFFC, SDFCS, SFCS, TFCA, UFCA Josep (2) - EFA, ICS The Wolf House - BSFC BEST INTERNATIONAL FEATURE FILM Another Round (19) - AFCC, AWFJ, BAFTA, CFCA, EFA, GFCA, IFJA, KCFCC, LFCC, LVFCS, MCFCA, NCFCA, OSCAR, PFCS, SEFCA, SFBAFCC, StLFCA, UFCA, WAFCA Minari (15) - AFCA, CCA, COFCA, DFCS, DFWFCA, GALECA, GG, GWNYFCA, NTFCA, NYFCO, OFCS, OFTA, PCC, SFCS, VFCC La Llorona (6) - BSFC, HCA, IPA, LEJA, NBR, WFCC Night Of The Kings (4) - AAFCA, BFCC, BRA, NAACP Bacurau (3) - BOFCA, NYFCC, TFCA Collective (2) - AARP, NSFC The Life Ahead (2) - HFCS, SDFCS And Then We Danced - NDFS A Sun - HFCS Beanpole - LAFCA His House - CIC Identifying Features - GOTHAM Jumbo - PFCC Los Fuertes - FFCC Martin Eden - OFCC Quo Vadis Aida? - SPIRIT BEST DOCUMENTARY FEATURE Time (14) - AFCC, BFCC, BRA, DFWFCA, GFCA, GOTHAM, GWNYFCA, LAFCA, NBR, NYFCC, OFTA, PFCC, SDFCS, SEFCA Collective (10) - BSFC, CEHA, EFA, IPA, LFCC, OAFFC, SFBAFCC, StLFCA, TFCA, VFCC Dick Johnson Is Dead (9) - CCA, CFCA, COFCA, DFCS, IFCA, IFJA, NCFCA, OFCS, UFCA Boys State (8) - AFCA, CIC, DFCS, LVFCS, OFCC, PCC, PFCS, WAFCA All In: The Fight For Democracy (5) - AAFCA, AWFJ, HCA, NDFS, NTFCA My Octopus Teacher (4) - BAFTA, HFCS, OSCAR, PGA The Dissident (2) - KCFCC, NFCS The Painter And The Thief (2) - AWFJ, BOFCA Crip Camp - (2) IDA, SPIRIT Beastie Boys Story - HFCS Class Action Park - HCA Disclosure - GALECA The History of the Seattle Mariners: Supercut Edition - SFCS Mucho Amor - LEJA John Lewis: Good Trouble - NAACP The Reason I Jump - BIFA A Secret Love - AARP The Social Dilemma - MCFCA Stuntwomen: The Untold Holywood Story -WFCC A Thousand Cuts - GOTHAM The Way I See It - NYFCO Welcome To Chechnya - GALECA The Year Of The Discovery - ICS You Don't Nomi - FFCC AuthorsNicole Ackman Archives
July 2021
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