By DeAnn Knighton
With the upcoming theatrical release of the 2019 version of Disney's "Aladdin" and the recent trailer reveal for "Maleficent: Mistress Of Evil," I thought now would be a good time to revisit a film which has divided people since its release in 2014. Like many girls of the eighties and beyond, I learned quickly to aspire to Disney princess status. These animated characters were an early stage setter for my view of the world and a large part of my initial grasp on good and evil. At the time I did not realize how much the themes were telling me about my own womanhood, but nevertheless, as I aged I quickly came to terms with the pitfalls of holding out for the "happy ending” as a solution for all. However, there is a lesson I learned much later, specifically as I was in the theater viewing 2014 live-action story of “Maleficent”, that hit me by surprise and led to my adoration of this film. It begins with the dark side of Disney. In particular, the female villains who go toe to toe with our beloved princesses. From the Queen in “Snow White”, to the Queen of Hearts from “Alice in Wonderland”, to Ursala in “The Little Mermaid”, these motherless and husbandless women wreak havoc on “the good” with no other motivation then envy, anger, and loneliness to fuel them. The collection of films instills a fear that the “Old Maid” or childless women turn to evil to escape their pain. And with each telling of this far-reaching story device, a universal identity is created that distills in its simplest form that good exists only in marriage and motherhood. When I sat down in the theater to see Maleficent there was a lot going on behind the scenes for me. I was in my mid-’30s and in the throws of making a very big life decision about whether or not motherhood would be a part of my journey. Something that was and is still a struggle to this day. In this decision past all the intellectual reasoning, something deeply rooted in the back of my mind would rear itself forward. What will people think? How will people judge me or label me? The haunting reminders that motherhood and wifehood meant “good” was clouding my concept of self in unexpected ways. I am passionate about my career about progressing and leading and helping others progress, but if I care about those things and am not a wife or a mother, then how will the world understand me? Being that I spend a lot of time in the movie theater, I started noticing the lack of inspirational stories about childless or partnerless women. Subsequently, I took even greater note of the cautionary tales being told about them. It is an understatement to explain the surprise and delight that I felt when the reimagined story of “Maleficent” had a different message to share with young girls. This is not a perfect film and I am not here to talk about the production design or campy third act or give it a 10/10. I do want to speak to the power of the message that the re-telling of this notorious female villains re-contextualizes for viewers. In the film, we come to understand Maleficent as a human and gain some sympathy for the pain behind some of her motives, not unusual or a surprise in the heavily tread world of "the anti-hero”. What is a surprise is the relationship between Aurora (Sleeping Beauty) and Maleficent that develop throughout the film. Misunderstood by the world we watch the contained story of a woman caring for and guiding the life of Aurora with well-meaning motives. Although ostensibly for self-gain, we come to learn the true nature of this relationship and that motherhood can exist outside of biology and even the typical definition of parenthood. This witnessing of “Otherhood” in all its glory on the big screen was something special. The fact that it was Disney telling the story to a new generation of girls who will most certainly battle their own demons as they struggle with their own understanding of identity, is absolutely magical. Are you excited to see "Maleficent: Mistress Of Evil?" What do you think of the 2014 film "Maleficent?" Let us know in the comments section below or on our Twitter account. You can follow DeAnn and hear more of her thoughts on the Oscars and Film on Twitter at @tweedledeedee33
Comments
|
BEST PICTURE Nomadland (15) - AWFJ, BOFCA, BSFC, CFCA, CIC, GOTHAM, GWNYFCA, HFCS, IFJA, NDFS, NSFC, SFBAFCC, StLFCA, TIFF, VENICE Promising Young Woman (4) - COFCA, MCFCA, SCA, SDFCS First Cow (2) - FFCC, NYFCC Ma Rainey's Black Bottom (3) - BFCC, CIC, PFCC Minari (2) - NCFCA, OFCC The Trial Of The Chicago 7 (2) - DFCS, HFCS Another Round - EFA Da 5 Bloods - CIC Small Axe - LAFCA BEST DIRECTOR Chloé Zhao (22) - AWFJ, BOFCA, BFCC, BSFC, CFCA, COFCA, DFCS, FFCC, GWNYFCA, HFCS, IFJA, LAFCA, MSFCA, NCFCA, NDFS, NSFC, NYFCC, OFCC, PFCC, SDFCS, SFBAFCC, StLFCA Spike Lee (2) - CIC, HFCS Regina King - BFCC Darius Marder - SCA Andrew Patterson - GOTHAM Thomas Vinterberg - EFA BEST ACTRESS Frances McDormand (12) - AWFJ, BOFCA, CFCA, FFCC, GWNYFCA, HFCS, IFJA, NCFCA, NDFS, NSFC, OFCC, SFBAFCC Carey Mulligan (7) - COFCA, DFCS, HFCS, LAFCA, MCFCA, SCA, SDFCS, StLFCA Viola Davis (3) - BFCC, CIC, PFCC Sidney Flanigan (2) - BSFC, NYFCC Paula Beer - EFA Nicole Beharie - GOTHAM BEST ACTOR Chadwick Boseman (9) - AWFJ, BFCC, CFCA, CIC, DFCS, LAFCA, MSFCA, SFBAFCC, StLFCA Riz Ahmed (8) - COFCA, GOTHAM, GWNYFCA, HFCS, NDFS, OFCC, SCA, SDFCS Delroy Lindo (7) - BOFCA, HFCS, IFJA, NCFCA, NSFC, NYFCC, PFCC Anthony Hopkins (2) - BSFC, FFCC Mads Mikkelsen - EFA BEST SUPPORTING ACTRESS Youn Yuh-jung (13) - AWFJ, BFCC, BSFC, COFCA, GWNYFCA, LAFCA, MCFCA, NCFCA, OFCC, SCA, SDFCS, SFBAFCC, StLFCA Maria Bakalaova (10) - BOFCA, CFCA, CIC, FFCC, HFCS, IFJA, MCFCA, NDFS, NSFC, NYFCC Ellen Burstyn - DFCS Olivia Cooke - HFCS Amanda Seyfried - PFCC BEST SUPPORTING ACTOR Paul Raci (13) - BOFCA, BSFC, CFCA, COFCA, FFCC, GWNYFCA, HFCS, NSFC, OFCC, SCA, SDFCS, SFBAFCC, StLFCA Sacha Baron Cohen (4) - DFCS, MCFCA, NCFCA, NDFS Leslie Odom Jr. (4) - AWFJ, BFCC, HFCS, IFJA Chadwick Boseman (3) - CIC, NYFCC, PFCC Glynn Turman - LAFCA BEST ADAPTED SCREENPLAY Nomadland (8) - AWFJ, CFCA, COFCA, GWNYFCA, HFCS, IFJA, NCFCA, OFCC I'm Thinking Of Ending Things (4) - BOFCA, BSFC, FFCC, StLFCA First Cow (3) - DFCS, PFCC, SFBAFCC The Father (2) - SCA, SDFCS Ma Rainey's Black Bottom (2) - BFCC, CIC BEST ORIGINAL SCREENPLAY Promising Young Woman (8) - AWFJ, CIC, COFCA, HFCS, LAFCA, NDFS, OFCC, StLFCA Minari (5) - BFCC, FFCC, NCFCA, SDFCS, SFBAFCC Never, Rarely, Sometimes, Always (5) - CFCA, GWNYFCA, IFJA, NSFC, NYFCC The Trial Of The Chicago 7 (4) - CIC, DFCS, HFCS, MCFCA Another Round - EFA The Forty-Year-Old-Version - GOTHAM Fourteen - GOTHAM BEST CINEMATOGRAPHY Nomadland (15) - AWFJ, BOFCA, BSFC, CFCA, CIC, COFCA, GWNYFCA, HFCS, MCFCA, NCFCA, NDFS, NSFC, PFCC, SDFCS, StLFCA Mank (3) - FFCC, OFCC, SCA Small Axe (2) - LAFCA, NYFCC Tenet (2) - BFCC, HFCS First Cow - SFBAFCC Hidden Away - EFA BEST COSTUME DESIGN Emma. (2) - CFCA, SDFCS Ma Rainey's Black Bottom (2) - CIC, HFCS Hidden Away - EFA BEST FILM EDITING Nomadland (6) - AWFJ, BOFCA, GWNYFCA, NDFS, SFBAFCC, StLFCA The Trial Of The Chicago 7 (4) - CIC, COFCA, HFCS, MCFCA I'm Thinking Of Ending Things (2) - BSFC, CFCA The Invisible Man (2) - MCFCA, SDFCS The Father - LAFCA Once More Unto The Breach - EFA BEST MAKEUP & HAIRSTYLING The Endless Trench - EFA Mank - HFCS Ma Rainey's Black Bottom - CIC BEST ORIGINAL SCORE Soul (13) - BOFCA, CFCA, CIC, COFCA, DFCS, FFCC, GWNYFCA, HFCS, LAFCA, NCFCA, OFCC, SFBAFCC, StLFCA Tenet (3) - IFJA, MCFCA, SCA Mank (2) - HFCS, NDFS Berlin Alexanderplatz - EFA Minari - BSFC BEST ORIGINAL SONG One Night In Miami (5) - CIC, DFCS, HFCS, HFCS, MCFCA Over The Moon - NDFS BEST PRODUCTION DESIGN Mank (9) - CFCA, CIC, FFCC, HFCS, LAFCA, MCFCA, NDFS, SDFCS, StLFCA First Cow - SFBAFCC The Personal History Of David Copperfield - EFA BEST SOUND Little Girl - EFA Sound Of Metal - HFCS BEST VISUAL EFFECTS Tenet (6) - DFCS, HFCS, HFCS, NCFCA, SDFCS, StLFCA The Invisible Man (2) - CFCA, CIC The Platform - EFA Possessor - FFCC BEST ANIMATED FEATURE Soul (15) - AWFJ, BFCC, CCA, CIC, DFCS, FFCC, HFCS, IFJA, MSFCA, NCFCA, NDFS, OFCC, PFCC, SFBAFCC, StLFCA Wolfwalkers (7) - BOFCA, CFCA, COFCA, GWNYFCA, LAFCA, NYFCC, SDFCS Josep - EFA The Wolf House - BSFC BEST INTERNATIONAL FEATURE FILM Another Round (8) - AWFJ, CFCA, EFA, IFJA, MCFCA, NCFCA, SFBAFCC, StLFCA Minari (3) - COFCA, DFCS, GWNYFCA Bacurau (2) - BOFCA, NYFCC The Life Ahead (2) - HFCS, SDFCS And Then We Danced - NDFS A Sun - HFCS Beanpole - LAFCA Collective - NSFC His House - CIC Identifying Features - GOTHAM Jumbo - PFCC La Llorona - BSFC Los Fuertes - FFCC Martin Eden - OFCC Night Of The Kings - BFCC BEST DOCUMENTARY FEATURE Time (7) - BFCC, GOTHAM, GWNYFCA, LAFCA, NYFCC, PFCC, SDFCS Dick Johnson Is Dead (5) - CCA, CFCA, COFCA, IFJA, NCFCA Collective (4) - BSFC, EFA, SFBAFCC, StLFCA Boys State (3) - CIC, DFCS, OFCC All In: The Fight For Democracy (2) - AWFJ, NDFS The Painter And The Thief (2) - AWFJ, BOFCA Beastie Boys Story - HFCS Crip Camp - IDA My Octopus Teacher - HFCS The Social Dilemma - MCFCA A Thousand Cuts - GOTHAM You Don't Nomi - FFCC AuthorsNicole Ackman Archives
January 2021
Categories
All
|