By Daniel Howat
With less than two weeks until the 94th Academy Awards, many races feel pretty easy to predict in the wake of the DGA, Critics Choice, and BAFTA award winners. As more and more of the precursors wrap up and just a handful more to go, only a few select categories pose a significant challenge for awards predictors. This weekend gave us a very clear picture of the direction many races are headed. Critics' Choice lined up with SAG in all four acting categories, and BAFTA lined up with three of those four. Upsets seem quite unlikely in acting, but other categories became much murkier over the weekend. Let's break down the five most challenging categories left to predict: Best Film Editing, Best Cinematography, Best Adapted Screenplay, Best Original Screenplay, and Best Picture. BEST FILM EDITING When was the last time Best Film Editing gave us such a headache? For much of the season, "Dune" was assumed to be the easy winner in this category. Most view Denis Villeneuve's sci-fi epic to be a sweeper in the craft categories, much in the same way "Mad Max: Fury Road" or "Gravity" was, but Best Film Editing hasn't proved to be so simple for the ten-time Oscar-nominee. In a strange turn of events, both BAFTA and Critics' Choice awarded films that aren't even Oscar-nominated for Best Film Editing. "No Time To Die" won Best Editing at BAFTA, while "West Side Story" took the win at the Critics' Choice. This has never happened since Critics' Choice started handing out awards for the category in 2009. However, there are a pair of Oscar nominees who did take home the top two categories at the ACE Eddie Awards. "King Richard" won the Eddie Award for Best Edited Feature Film (Dramatic), and "Tick, Tick⦠BOOM!" won the Comedy category. BAFTA and Critics' Choice didn't give us any clarity on a frontrunner, but it's telling that "Dune" lost both alongside ACE. "Dune" still has a solid case to win Best Film Editing. It's essentially locked to win Best Sound, which strongly correlates to Best Film Editing. The winner of Best Film Editing has also won one of the Best Sound categories every year since 2013. It's a technical marvel that is likely to win a handful of awards, so why not bring Best Film Editing along with it? "Mad Max: Fury Road" was able to do it, winning six awards in total, as was "Gravity," which won seven Oscars. The critical difference, though, "Mad Max: Fury Road" was a more legitimate threat to win at least Best Director, where Villeneuve was overlooked in the Best Director category. It's not crazy to think that "Dune" could lose Best Film Editing, but, strangely, there's no clear frontrunner to challenge it. "King Richard" is in good shape with that ACE win, but it wasn't even nominated at BAFTA or Critics' Choice. "The Power Of The Dog" could also be a formidable contender to win Best Editing if it indeed is winning Best Picture (it too, like "Dune," has a Best Sound nomination), but why hasn't it picked up any wins for Best Film Editing yet? Surprisingly, this is the most challenging call of the season. I'm tentatively leaning toward "Dune" still, if only because I don't see a consensus challenger, but this could sincerely go in any direction. BEST CINEMATOGRAPHY Continuing the theme of potential weaknesses for "Dune," we come to Best Cinematography. As with many craft categories, "Dune" appeared to be the likely winner here for most of the season and still could take home gold. Greig Fraser has garnered so much goodwill for his stunning work on "Dune," along with his work on the recently released box-office smash hit film, "The Batman." Still, there's a compelling narrative that could propel "The Power Of The Dog" to a historic victory. The second woman to receive a nomination for Best Cinematography, Ari Wegner delivered incredible work on Jane Campion's film, which was recognized by the British Society Of Cinematographers and the Critics' Choice Awards. If "The Power Of The Dog" is winning Best Picture, which we'll break down soon, it's easy to imagine Wegner making history as the first woman ever to win this category. While the Critics' Choice awarded "The Power Of The Dog" with Best Cinematography, the BAFTA still went with "Dune." The American Society of Cinematographers will announce their winners on March 20th, and they might be the clearest indicator of who will win the Oscar. Last year was in many ways inverted from this year's race. Best Picture frontrunner "Nomadland" seemed like a sure bet for Best Cinematography throughout much of the season until "Mank" won ASC, and then the Oscar. This year, the Best Picture frontrunner could upset the Cinematography frontrunner. ASC doesn't always align with Oscar, however. Six of the last ten winners at ASC went on to win the Academy Award, which isn't the most consistent record. At both BAFTA and Critics' Choice, eight of the last ten winners went on to win the Oscar. Because I'm still confident that "The Power Of The Dog" will win Best Picture, I think Wegner's narrative will propel her to a win, defeating "Dune" (plus, Fraser will most likely be in the hunt again soon for "Dune: Part Two." ASC could sway me one way or the other, though. If that award goes to any other film than those two, it will be a coin toss heading into the ceremony on March 27th. BEST ORIGINAL SCREENPLAY It's a battle royale between two legends vying for their first Oscar win. Kenneth Branagh's "Belfast" was once a more legitimate threat to win Best Picture. At that point, Original Screenplay seemed to be a secure win for the eight-time Academy Award nominee (especially after he won the Golden Globe in their combined screenplay category). Paul Thomas Anderson's "Licorice Pizza" has grown as a contender to defeat "Belfast" for Best Original Screenplay, though with eleven career nominations and not a single win. While WGA will announce their winners on March 20th, "Belfast" was not eligible for the prize, leaving "Licorice Pizza" as the presumed winner there. Most had predicted that Critics' Choice would give Best Original Screenplay to "Licorice Pizza," and BAFTA would award "Belfast," yet they did the opposite. It speaks volumes that BAFTA snubbed "Belfast" in favor of "Licorice Pizza." If any organization would award "Belfast," it would've been the Brits. There's no overlap between the Critics' Choice, Golden Globes, and the Academy, while there is overlap between BAFTA and the Academy. Unless "Belfast" somehow rallies to win Best Picture, which isn't impossible, "Licorice Pizza" has a great deal of momentum on its side. Furthermore, Paul Thomas Anderson's screenplay has always felt much more in line with recent Best Original Screenplay winners than "Belfast." In recent years, the Academy has trended toward the "cooler" picks like "Parasite," "Get Out," "Promising Young Woman," and "Her." "Licorice Pizza" fits right in alongside these picks. Of course, that's a subjective definition, but "Belfast" seems to be running out of steam, leaving room for "Licorice Pizza" to win Anderson his first Oscar over Branagh. Still, "Belfast" scored more across the board nominations than "Licorice Pizza," suggesting it might have more love within the Academy, thus making this a tight one to call. BEST PICTURE & ADAPTED SCREENPLAY It's important to talk about Best Adapted Screenplay and Best Picture together because the current buzz makes it appear that both categories are a battle between "The Power Of The Dog" and "CODA." "The Power Of The Dog" has been out in front for Best Adapted Screenplay all year long, and yet in recent weeks, the ground has become shakier. Like "Belfast," "The Power Of The Dog" was not eligible for WGA, and it managed to lose in a few key places where it should've won. At USC Scripter, Campion lost to Maggie Gyllenhaal for "The Lost Daughter." The Oscar nomination leader also lost at BAFTA to "CODA" in a surprising turn of events. After "CODA" won SAG Ensemble, combined with the BAFTA win, many have rushed to declare that "CODA" will win both Adapted Screenplay and Best Picture, along with presumed Best Supporting acting winner, Troy Kotsur. It's almost guaranteed that "CODA" will win WGA without "The Power Of The Dog" or "The Lost Daughter" in competition. With WGA and BAFTA wins on its side, that puts "The Power Of The Dog" in a very vulnerable position. Could "CODA" defeat "The Power Of The Dog" in Best Adapted Screenplay? BAFTA does line up with the Academy in this category quite often. No one in their right mind doubts that Campion will win Best Director, so will the Academy prefer to spread the wealth? Interestingly, that's precisely what happened last year when "The Father" took home Best Adapted Screenplay, while "Nomadland" continued to win Best Director for Chloe Zhao and Best Picture. The buzz for "CODA" is impossible to ignore at the moment, despite naysayers online saying otherwise. It's the film benefiting the most from an elongated awards season, peaking at precisely the right moment as more voters catch up with it and wipe the tears from their faces by the time the heartwarming story wraps up. Winning SAG Ensemble and the BAFTA for Adapted Screenplay, along with Troy Kotsur sweeping through Best Supporting Actor, has convinced many people that "CODA" can win Best Picture. Again, there's no denying the strong and surprising awards run the film has had, but I still can't see this happening. Yes, stats fall every year, but why would "CODA" have broad enough support to win Best Picture yet only score three nominations, none of which are below the line? You would have to go all the way back to "Grand Hotel" winning Best Picture 90 years ago (its only nomination) to find the last time this happened. The last, and certainly not the least, remaining precursor for Best Picture is PGA, which will happen on March 19th. The only way I will predict "CODA" to win Best Picture is if it wins PGA. "The Power Of The Dog" hasn't shown very many signs of weakness, so the reasons to doubt it are few. We went through this just last year: one film has been the frontrunner for much of the season, and now that we're close to the end, people want to question it in an effort to inject some excitement into the race. As of right now, I'm predicting "The Power Of The Dog" to win Best Picture, Best Director, Best Adapted Screenplay, and Best Cinematography (the same wins as the Critics' Choice Awards). That is a perfectly reasonable haul for a Best Picture winner, and I haven't heard a compelling enough reason to doubt logic on this one. Predicting "CODA" to win Best Picture if it does win PGA certainly isn't ridiculous, but it's still a stretch. For that reason alone, I'm sticking with "The Power Of The Dog" until further notice. How did DGA, BAFTA, and Critics' Choice affect your Oscar predictions? Are you predicting something different for any of these categories? Do you think "CODA" can defeat "The Power Of The Dog" for Best Picture? Let us know in the comments section below or over on our Twitter account. You can follow Daniel and hear more of his thoughts on the Oscars and Film on Twitter at @howatdk
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BEST PICTURE The Power Of The Dog (33) - AACTA, AFCA, AWFJ, BAFTA, BOFCA, CCA, CFCA, CIC, COFCA, DFCS, DFWFCA, FFCC, GALECA, GG, HFCS, KCFCC, LEJA, LFCC, MCFCA, MFCA, NCFCA, NDFS, NYFCO, OAFFC, OFCS, OFTA, PCC, PFCC, SDFCS, SEFCA, SFBAFCC, UFCA, VFCC Belfast (7) - AARP, IFCA, IPA, LVFCS, PFCS, TIFF, WAFCA CODA (6) - CIC, HCA, NFCS, OSCAR, PGA, SAG Drive My Car (6) - BSFC, LAFCA, NSFC, NYFCC, SFCS, TFCA Licorice Pizza (5) - AFCC, GFCA, NBR, OFCC, StLFCA The Green Knight (2) - NTFCA, PCA Happening (2) - ICS, VENICE The Harder They Fall (2) - AAFCA, NAACP King Richard (2) - BFCC, BRA The Lost Daughter (2) - GOTHAM, SPIRIT After Love - BIFA Cyrano - DFCS Last Night In Soho - HFCS Mass - IFJA Pig - GWNYFCA Quo Vadis, Aida? - EFA Tick, Tick...Boom! - IPA Titane - CANNES The Tragedy of Macbeth - CACF West Side Story - GG The Worst Person In The World - IFSC BEST DIRECTOR Jane Campion (52) - AARP, AFCA, AFCC, AWFJ, BAFTA, BOFCA, CCA, CFCA, CIC, COFCA, DFCS, DFWFCA, DGA, FFCC, GALECA, GFCA, GG, GWNYFCA, HCA, HFCS, ICS, IFCA, IFCS, IFJA, IFSC, IPA, KCFCC, LAFCA, LEJA, LFCC, MCFCA, MFCA, NCFCA, NDFS, NYFCC, NYFCO, OAFFC, OFCC, OFCS, OFTA, OSCAR, PCA, PCC, PFCC, SDFCS, SEFCA, SFBAFCC, StLFCA, TFCA, UFCA, VENICE, WAFCA Denis Villeneuve (6) - AACTA, BFCC, CACF, HCA, NTFCA, VFCC Ryūsuke Hamaguchi (3) - BSFC, NSFC, SFCS Guillermo del Toro (2) - HFCS, NFCS Maggie Gyllenhaal (2) - GOTHAM, SPIRIT Jeymes Samuel (2) - AAFCA, BRA Paul Thomas Anderson - NBR Kenneth Branagh - PFCS Leos Carax - CANNES Alex Khan - BIFA Shaka King - NAACP Lin-Manuel Miranda - DFCS Steven Spielberg - LVFCS Jasmila Zbanic - EFA BEST ACTRESS Kristen Stewart (27) - AFCC, BOFCA, CFCA, DFCS, DFWFCA, GALECA, GWNYFCA, HCA, HFCS, IFCS, IFJA, IPA, MFCA, NDFS, NFCS, NTFCA, OAFFC, OFTA, PCA, PCC, PFCC, PFCS, SEFCA, SFCS, StLFCA, WAFCA, WFCC Jessica Chastain (8) - CCA, DFCS, HFCS, LVFCS, MCFCA, NCFCA, OSCAR, SAG Olivia Colman (8) - AWFJ, GOTHAM, KCFCC, LFCC, OFCS, SFBAFCC, TFCA, VFCC Alana Haim (7) - AFCC, BSFC, COFCA, FFCC, GFCA, IPA, OFCC Penelope Cruz (5) - LAFCA, LEJA, NSFC, SDFCS, VENICE Tessa Thompson (4) - BFCC, BRA, CIC, NYFCO Nicole Kidman (3) - AACTA, AARP, GG Renate Reinsve (3) - CACF, CANNES, IFSC Lady Gaga (2) - IFCA, NYFCC Jennifer Hudson (2) - AAFCA, NAACP Joanna Scanlan (2) - BAFTA, BIFA Rachel Zegler (2) - GG, NBR Caitriona Balfe - SDFCS Jasna Duricic - EFA Lee Hye-yeong - ICS Emilia Jones - UFCA Taylour Paige - SPIRIT Agathe Rousselle - AFCA BEST ACTOR Benedict Cumberbatch (26) - AACTA, AFCC, AWFJ, BOFCA, CFCA, COFCA, DFCS, DFWFCA, HFCS, IPA, KCFCC, LFCC, NCFCA, NDFS, NFCS, NYFCC, NYFCO, OFCC, OFCS, OFTA, PCA, PCC, PFCC, PFCS, SEFCA, SFBAFCC Nicolas Cage (13) - AFCA, GFCA, GWNYFCA, HFCS, IFCS, LVFCS, MCFCA, MFCA, NTFCA, SDFCS, SFCS, StLFCA, UFCA Will Smith (12) - AAFCA, AARP, BAFTA, BFCC, BRA, CCA, GG, NAACP, NBR, OSCAR, SAG, WFCC Andrew Garfield (11) - CACF, CIC, GG, HCA, IFCA, IFSC, IPA, LEJA, OAFFC, VFCC, WAFCA Hidetoshi Nishijima (2) - BSFC, NSFC Simon Rex (2) - LAFCA, SPIRIT Adeel Akhtar - BIFA John Arcilla - VENICE Peter Dinklage - DFCS Adam Driver - FFCC Frankie Faison - GOTHAM Oscar Isaac - IFJA Caleb Landry Jones - CANNES Jack Lowden - ICS Denzel Washington - TFCA BEST SUPPORTING ACTRESS Ariana DeBose (21) - BAFTA, CCA, DFCS, DFCS, DFWFCA, FFCC, GALECA, GFCA, GG, HCA, LAFCA, LEJA, LVFCS, MFCA, OAFFC, OFTA, OSCAR, PCA, PFCS, SAG, SFCS Kirsten Dunst (11) - AFCA, AFCC, AWFJ, BOFCA, IPA, NDFS, OFCC, OFCS, PCC, SEFCA, SFBAFCC Ruth Negga (11) - CFCA, CIC, COFCA, GWNYFCA, ICS, LFCC, NSFC, NYFCO, PFCC, SDFCS, SPIRIT Ann Dowd (9) - CACF, HFCS, IFSC, KCFCC, MCFCA, NCFCA, StLFCA, UFCA, VFCC Aunjanue Ellis (8) - AAFCA, AARP, BFCC, BRA, CACF, NBR, NFCS, WAFCA Jessie Buckley (2) - BSFC, TFCA Caitríona Balfe - IFCA Judi Dench - AACTA Gaby Hoffmann - IFJA Kathryn Hunter - NYFCC Regina King - NAACP Marlee Matlin - HFCS Vinette Robinson - BIFA Tilda Swinton - NTFCA BEST SUPPORTING ACTOR Kodi Smit-McPhee (31) - AACTA, AFCA, AWFJ, BFCC, BOFCA, CFCA, COFCA, DFWFCA, FFCC, GG, HFCS, IFCA, IPA, LAFCA, LFCC, MCFCA, NCFCA, NDFS, NYFCC, NYFCO, OAFFC, OFCC, OFCS, OFTA, PFCC, SEFCA, SFBAFCC, SFCS, StLFCA, UFCA, WAFCA Troy Kotsur (15) - BAFTA, BSFC, CCA, GOTHAM, HCA, HFCS, IFJA, LEJA, LVFCS, MFCA, NFCS, OSCAR, SAG, SPIRIT, VFCC Bradley Cooper (4) - AFCC, CACF, GFCA, TFCA Ciarán Hinds (3) - KCFCC, NBR, PFCS Jeffrey Wright (3) - CIC, NTFCA, PCA Jason Isaacs (2) - IFSC, SDFCS Talid Ariss - BIFA Jon Bernthal - DFCS Anders Danielsen Lie (2) - ICS, NSFC Colman Domingo - BRA Mike Faist - PCC Corey Hawkins - AAFCA Daniel Kaluuya - NAACP Jared Leto - AARP Vincent Lindon - LAFCA J.K. Simmons - DFCS BEST ADAPTED SCREENPLAY The Power Of The Dog (33) - AWFJ, BFCC, BOFCA, CCA, CFCA, CIC, COFCA, DFCS, DFCS, DFWFCA, FFCC, GALECA, GFCA, GWNYFCA, HFCS, LEJA, LVFCS, MCFCA, MFCA, NCFCA, NYFCO, OAFFC, OFCC, OFCS, OFTA, PCA, PFCC, PFCS, SDFCS, SEFCA, SFBAFCC, StLFCA, WAFCA Drive My Car (11) - AFCA, BSFC, CANNES, ICS, IFJA, IFSC, LAFCA, LFCC, NSFC, SFCS, TFCA CODA (7) - BAFTA, HCA, HFCS, IPA, OSCAR, UFCA, WGA The Lost Daughter (4) - GOTHAM, SPIRIT, USC, VENICE West Side Story (2) - AARP, KCFCC Nightmare Alley - NFCS Passing - BRA The Tragedy Of Macbeth - NBR BEST ORIGINAL SCREENPLAY Licorice Pizza (12) - AFCC, BAFTA, CFCA, COFCA, GFCA, KCFCC, NCFCA, NDFS, NYFCC, OFCC, PCC, SEFCA Belfast (9) - AWFJ, CCA, GG, HFCS, IPA, LVFCS, OSCAR, PFCS, WAFCA Mass (6) - CACF, HCA, IFJA, OFTA, SDFCS, StLFCA Pig (5) - AFCA, CIC, DFCS, OAFFC, OFCS Don't Look Up (4) - AAFCA, DFCS, VFCC, WGA C'mon C'mon (2) - LEJA, SFBAFCC Being The Ricardos - AACTA Benediction - ICS The French Dispatch - FFCC A Hero - NBR Judas And The Black Messiah - NAACP King Richard - BFCC The Mitchells vs. The Machines - UFCA The Worst Person In The World - IFSC BEST CINEMATOGRAPHY Dune (22) - ASC, BAFTA, BFCC, CACF, DFWFCA, GFCA, HCA, HFCS, HFCS, IPA, LEJA, MFCA, NTFCA, OAFFC, OFCC, OFTA, OSCAR, PCA, PFCS, SDFCS, SEFCA, WAFCA The Power Of The Dog (15) - AFCC, AWFJ, BOFCA, BSC, BSFC, CCA, CFCA, FFCC, LAFCA, NCFCA, NDFS, NFCS, NYFCO, OFCS, StLFCA The Tragedy Of Macbeth (7) - BRA, COFCA, KCFCC, MCFCA, NBR, PCC, SFBAFCC The Green Knight (6) - AFCA, CIC, GWNYFCA, NSFC, SFCS, UFCA Nightmare Alley (2) - NFCS, PFCC West Side Story (2) - LVFCS, NYFCC Benediction - ICS Boiling Point - BIFA Great Freedom - EFA Passing - SPIRIT Spencer - IFSC BEST COSTUME DESIGN Cruella (12) - BAFTA, CCA, CIC, HCA, IFSC, LEJA, LVFCS, NDFS, OFTA, OSCAR, SDFCS, StLFCA Dune (5) - MFCA, NCFCA, OFCS, PCA, PFCS Ammonite - EFA Cyrano - IPA The Green Knight - SFCS The Harder They Fall - BRA House Of Gucci - HFCS Spencer - CFCA The Souvenir Part II - BIFA BEST FILM EDITING Dune (8) - AFCA, BOFCA, IPA, MFCA, OFTA, OSCAR, PFCS, SFCS The Power Of The Dog (6) - AWFJ, GWNYFCA, LEJA, NDFS, OFCS, SFBAFCC West Side Story (5) - CCA, CIC, COFCA, LVFCS, UFCA Last Night In Soho (4) - HCA, HFCS, MCFCA, StLFCA The French Dispatch (2) - CFCA, NCFCA Tick, Tick...Boom! (2) - ACE, WAFCA The Harder They Fall - BRA In The Heights - SDFCS King Richard - ACE No Time To Die - BAFTA The Souvenir Part II - BIFA Summer Of Soul - LAFCA Titane - IFSC Unclenching The Fists - EFA The Velvet Underground - BSFC What Do We See When We Look At The Sky? - ICS Zola - SPIRIT BEST MAKEUP & HAIRSTYLING The Eyes Of Tammy Faye (7) - BAFTA, CCA, CIC, HCA, NDFS, OFTA, OSCAR Cruella (5) - HFCS, IFSC, LEJA, MUAHS, NCFCA Being The Ricardos - MUAHS Coming 2 America - MUAHS The Electrical Life Of Louis Wain - BIFA Dune - MFCA Titane - EFA BEST ORIGINAL SCORE Dune (23) - AFCC, BAFTA, BOFCA, CACF, CCA, CIC, DFWFCA, FFCC, GFCA, GG, HCA, HMMA, IPA, MCFCA, NCFCA, OFTA, OSCAR, PCA, PFCS, SEFCA, SFCS, StLFCA, WAFCA The Power Of The Dog (14) - AFCA, CFCA, COFCA, DFCS, HFCS, IFCA, IFJA, NDFS, OFCC, OFCS, PCC, PFCC, SFBAFCC, UFCA Spencer (4) - BSFC, GWNYFCA, LVFCS, MFCA Parallel Mothers (3) - HMMA, IFSC, LAFCA Encanto (2) - LEJA, SCL The Harder They Fall (2) - BRA, HFCS The Addams Family 2 - HMMA Ali & Ava - BIFA Annette - ICS C'mon C'mon - HMMA Don't Look Up - HMMA Great Freedom - EFA The Green Knight - SCL Julia - HMMA A Quiet Place: Part II - HMMA BEST ORIGINAL SONG No Time To Die (18) - CACF, CCA, CIC, DFCS, GFCA, GG, HFCS, HFCS, HMMA, IFSC, LVFCS, MCFCA, NCFCA, NDFS, OFTA, OSCAR, PFCS, SCL Encanto (3) - GMS, IPA, LEJA Bruised - BRA CODA - HMMA Don't Look Up - SCL The Harder They Fall - IFCA King Richard - HCA PAW Patrol: The Movie - HMMA Rebel Hearts - HMMA BEST PRODUCTION DESIGN Dune (14) - ADG, BAFTA, CCA, FFCC, GFCA, HFCS, LEJA, MCFCA, NCFCA, OFTA, OSCAR, PCA, SDSA, WAFCA Nightmare Alley (8) - ADG, CIC, HCA, MFCA, NFCS, PFCS, SDFCS, SFBAFCC The French Dispatch (6) - CFCA, IFSC, NDFS, OFCS, SDSA, StLFCA No Time To Die (2) - ADG, SDSA The Souvenir Part II (2) - BIFA, ICS The Tragedy Of Macbeth (2) - BRA, IPA Barb And Star Go To Vista Del Mar - LAFCA Being The Ricardos - SDSA The Green Knight - SFCS Natural Light - EFA West Side Story - LVFCS BEST SOUND Dune (13) - BAFTA, CAS, IFSC, LEJA, MCFCA, MFCA, MPSE, NCFCA, NDFS, OFTA, OSCAR, PCA, SDFCS Boiling Point - BIFA The Innocents - EFA Last Night In Soho - HFCS Memoria - ICS Tick, Tick...Boom! - IPA BEST VISUAL EFFECTS Dune (25) - BAFTA, CCA, CFCA, DFCS, FFCC, HCA, HFCS, IFSC, IPA, LEJA, LVFCS, MCFCA, MFCA, NCFCA, NDFS, NFCS, OFCS, OFTA, OSCAR, PCA, PFCS, SDFCS, SFCS, StLFCA, VES Spider-Man: No Way Home (2) - CIC, HFCS Dashcam - BIFA Lamb - EFA BEST ANIMATED FEATURE The Mitchells vs. The Machines (33) - AFCA, AFCC, ANNIE, AWFJ, BFCC, BOFCA, CACF, CCA, CIC, COFCA, DFCS, GFCA, GWNYFCA, HCA, HFCS, HFCS, KCFCC, LVFCS, MCFCA, NCFCA, NFCS, NYFCC, NYFCO, OAFFC, OFCC, OFCS, OFTA, PCA, PCC, PFCS, SEFCA, StLFCA, WAFCA Encanto (13) - AWFJ, BAFTA, DFWFCA, FFCC, GG, IFCA, IPA, LEJA, MFCA, NAACP, NBR, NDFS, OSCAR Flee (12) - BSFC, CFCA, DFCS, EFA, GALECA, IFJA, IFSC, LAFCA, PFCC, SFCS, TFCA, UFCA The Crossing - ICS Luca - SDFCS Raya And The Last Dragon - NTFCA BEST INTERNATIONAL FEATURE FILM Drive My Car (34) - AFCA, AFCC, AWFJ, BAFTA, CCA, CFCA, COFCA, DFCS, DFWFCA, GFCA, GG, GOTHAM, GWNYFCA, HCA, HFCS, IFJA, IFSC, IPA, KCFCC, LFCC, MCFCA, NCFCA, NYFCO, OFCC, OFCS, OFTA, OSCAR, PCC, SEFCA, SFCS, SPIRIT, StLFCA, TFCA, WAFCA Flee (4) - BIFA, LVFCS, NDFS, UFCA The Hand Of God (4) - BFCC, FFCC, HFCS, PFCS The Worst Person In The World (4) - BOFCA, NYFCC, PCA, VFCC Parallel Mothers (3) - CIC, LEJA, SDFCS A Hero (2) - CACF, NBR African America - BRA Lamb - NTFCA Petite Maman - LAFCA Sheep Without A Shepherd - AARP Titane - PFCC BEST DOCUMENTARY FEATURE Summer Of Soul (45) - AAFCA, AARP, AFCA, AWFJ, BAFTA, BFCC, BRA, BSFC, CCA, CFCA, CIC, COFCA, DFCS, DFCS, DFWFCA, FFCC, GFCA, GWNYFCA, HCA, HFCS, HFCS, IFCA, IPA, KCFCC, LAFCA, LFCC, LVFCS, MCFCA, NBR, NCFCA, NTFCA, OFCC, OFCS, OSCAR, PCA, PCC, PFCC, PFCS, PGA, SDFCS, SEFCA, SFCS, SPIRIT, TFCA, WAFCA Flee (20) - AFCC, AWFJ, BOFCA, CACF, CEH, DFCS, EFA, GALECA, GOTHAM, IDA, IFSC, LEJA, NDFS, NFCS, NYFCC, NYFCO, OAFFC, OFTA, StLFCA, VFCC Attica - DGA Barbara Lee: Speaking Truth to Power - NAACP The First Wave - UFCA Kurt Vonnegut: Unstuck In Time - IFJA Mr. Bachmann And His Class - ICS Poly Styrene: I Am A Cliche - BIFA AuthorsNicole Ackman Archives
July 2022
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