By Josh Parham
In these difficult times, the state of the world changes every day with new information. However, for movie fans, the one constant is the continued closure of movie theaters. While some local places have opened up here and there, the vast majority of these houses from the major chains remain closed, both in the United States and abroad. It’s one of the reasons why the Academy of Motion Pictures Arts and Sciences put new rules in place this year, whereby films that premiered on streaming platforms could still qualify for Oscar consideration and the eligibility deadline was pushed until the end of February 2021. However, these changes were probably enacted for a temporary situation, one that hopefully saw theaters opening by the fall and productions that were put on hold allowed to continue. As the months drag on, that possibility is looking less and less certain. As much of the film-loving community waits with bated breath for theaters to reopen, the likelihood of that happening anytime soon is not strong. This becomes even clearer as so many high-profile films are either moving their release dates deep into next year or are indefinitely delayed. Many are even bracing for a situation where theaters won’t open on a mass scale until the following year. Even if they do, attendance might be significantly reduced, whether by mandate or audience hesitation. Whatever the case may be, newer films playing to sold-out crowds in theaters is not in the foreseeable future. That presents a tricky situation when it comes to the upcoming Oscar ceremony. Figuring out the logistics of the event is one thing, but it is quite another to conceive of an awards show where none of the nominated films have had the widespread exposure that theaters provide. That exposure is what propels so many decisions regarding this ceremony. Financial motivations are always a driving force and one that has been on top of many minds whenever the declining set of ratings for the telecast keeps getting brought up. That has usually correlated with the types of films that get nominated, but if none of the talent represented has outlandish box office receipts to their name, that could spell trouble for the entire season. If the nominees are all dominated by streaming titles, it could represent a significant disinterest in the telecast. It would certainly be a completely unprecedented moment in the history of the Academy. The greatest shame of this situation with so many dire outcomes would be to run away from it before recognizing the potential a moment like this offers. If no major studio titles have been seen by the end of the eligibility period, what remains is an interesting opportunity for the Oscars to truly experiment. There has been a sense of resistance from many Academy members giving the full-throated endorsement to films that premiered on streaming platforms – if the near Best Picture miss of “Roma” and a 0-10 showing of “The Irishman” from Netflix are anything to go on. However, with the closing of theaters for an unknown amount of time, streaming titles becoming the dominant entries in this race may become the new reality. This presents an exciting opportunity to reshape a very traditional landscape that was previously built upon exclusivity. Streaming has a way of democratizing what people can see, and it’s a way for a movie that normally would get an expanded rollout from one select major market to the next to be in homes across the nation or even the world. The conversation about these films fundamentally changes as well. There’s potential to usher in so many different perspectives to discover these films, and while the box office exposure will not be a tool in a campaign’s arsenal, the more engaged online presence could very well be a greatly untapped resource. This not only changes the types of films people will see, but also the nature of campaigns. Glitzy festival launches that cater to exclusivity will no longer be the currency to build buzz. Innovations will be necessary to create this hype in a virtual landscape. While online campaigns have been tried before, nothing has ever been quite on this scale. There’s no doubt it will be challenging, but it will also be incredibly fascinating to see how these films are marketed. No doubt that a different metric will be used for calculating success, but it’s an opportunity for experimentation. Perhaps these will carry over into the future in unexpected ways. Still, that unknown quality is what fuels so much anxiety within the industry and the dedicated fans who can only sit on the side and observe. There is an obvious hunger to return to theaters and enjoy the spectacle of the big screen. However, current events simply cannot allow that, and it is a situation that must be accepted. That doesn’t mean there aren’t still great films being released and seen by people, now possibly getting an even brighter spotlight than they were before. This landscape helps to raise voices from the perspective of women, people of color, and other marginalized groups in a way that may have been lost with a modest box office intake. Combining that with an impressive fall slate already dated from the likes of Netflix and Hulu, there won’t be any short supply of anticipated films to see in the upcoming months. Streaming these films at home will not detract from the eagerness to see them. Nothing will ever replace the theatrical experience, and even though this moment in time seems indefinite, it will eventually pass. Still, that does not mean that all the wonderful stories being told now should go unnoticed. The Academy may be resistant to drastic change, but unusual times call for unusual methods. An awards season that is made up of films that can be readily seen by the vast majority of people, even if for only a single year, is worth seeing through to the end. If for nothing else, it guarantees an awards season like nothing ever before. What do you think is going to happen? Will it be only streaming films in contention for Oscars or will movie theaters open in time? Let us know in the comments section below or on our Twitter account. You can follow Josh and hear more of his thoughts on the Oscars and Film on Twitter at @JRParham
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BEST PICTURE The Power Of The Dog (33) - AACTA, AFCA, AWFJ, BAFTA, BOFCA, CCA, CFCA, CIC, COFCA, DFCS, DFWFCA, FFCC, GALECA, GG, HFCS, KCFCC, LEJA, LFCC, MCFCA, MFCA, NCFCA, NDFS, NYFCO, OAFFC, OFCS, OFTA, PCC, PFCC, SDFCS, SEFCA, SFBAFCC, UFCA, VFCC Belfast (7) - AARP, IFCA, IPA, LVFCS, PFCS, TIFF, WAFCA CODA (6) - CIC, HCA, NFCS, OSCAR, PGA, SAG Drive My Car (6) - BSFC, LAFCA, NSFC, NYFCC, SFCS, TFCA Licorice Pizza (5) - AFCC, GFCA, NBR, OFCC, StLFCA The Green Knight (2) - NTFCA, PCA Happening (2) - ICS, VENICE The Harder They Fall (2) - AAFCA, NAACP King Richard (2) - BFCC, BRA The Lost Daughter (2) - GOTHAM, SPIRIT After Love - BIFA Cyrano - DFCS Last Night In Soho - HFCS Mass - IFJA Pig - GWNYFCA Quo Vadis, Aida? - EFA Tick, Tick...Boom! - IPA Titane - CANNES The Tragedy of Macbeth - CACF West Side Story - GG The Worst Person In The World - IFSC BEST DIRECTOR Jane Campion (52) - AARP, AFCA, AFCC, AWFJ, BAFTA, BOFCA, CCA, CFCA, CIC, COFCA, DFCS, DFWFCA, DGA, FFCC, GALECA, GFCA, GG, GWNYFCA, HCA, HFCS, ICS, IFCA, IFCS, IFJA, IFSC, IPA, KCFCC, LAFCA, LEJA, LFCC, MCFCA, MFCA, NCFCA, NDFS, NYFCC, NYFCO, OAFFC, OFCC, OFCS, OFTA, OSCAR, PCA, PCC, PFCC, SDFCS, SEFCA, SFBAFCC, StLFCA, TFCA, UFCA, VENICE, WAFCA Denis Villeneuve (6) - AACTA, BFCC, CACF, HCA, NTFCA, VFCC Ryūsuke Hamaguchi (3) - BSFC, NSFC, SFCS Guillermo del Toro (2) - HFCS, NFCS Maggie Gyllenhaal (2) - GOTHAM, SPIRIT Jeymes Samuel (2) - AAFCA, BRA Paul Thomas Anderson - NBR Kenneth Branagh - PFCS Leos Carax - CANNES Alex Khan - BIFA Shaka King - NAACP Lin-Manuel Miranda - DFCS Steven Spielberg - LVFCS Jasmila Zbanic - EFA BEST ACTRESS Kristen Stewart (27) - AFCC, BOFCA, CFCA, DFCS, DFWFCA, GALECA, GWNYFCA, HCA, HFCS, IFCS, IFJA, IPA, MFCA, NDFS, NFCS, NTFCA, OAFFC, OFTA, PCA, PCC, PFCC, PFCS, SEFCA, SFCS, StLFCA, WAFCA, WFCC Jessica Chastain (8) - CCA, DFCS, HFCS, LVFCS, MCFCA, NCFCA, OSCAR, SAG Olivia Colman (8) - AWFJ, GOTHAM, KCFCC, LFCC, OFCS, SFBAFCC, TFCA, VFCC Alana Haim (7) - AFCC, BSFC, COFCA, FFCC, GFCA, IPA, OFCC Penelope Cruz (5) - LAFCA, LEJA, NSFC, SDFCS, VENICE Tessa Thompson (4) - BFCC, BRA, CIC, NYFCO Nicole Kidman (3) - AACTA, AARP, GG Renate Reinsve (3) - CACF, CANNES, IFSC Lady Gaga (2) - IFCA, NYFCC Jennifer Hudson (2) - AAFCA, NAACP Joanna Scanlan (2) - BAFTA, BIFA Rachel Zegler (2) - GG, NBR Caitriona Balfe - SDFCS Jasna Duricic - EFA Lee Hye-yeong - ICS Emilia Jones - UFCA Taylour Paige - SPIRIT Agathe Rousselle - AFCA BEST ACTOR Benedict Cumberbatch (26) - AACTA, AFCC, AWFJ, BOFCA, CFCA, COFCA, DFCS, DFWFCA, HFCS, IPA, KCFCC, LFCC, NCFCA, NDFS, NFCS, NYFCC, NYFCO, OFCC, OFCS, OFTA, PCA, PCC, PFCC, PFCS, SEFCA, SFBAFCC Nicolas Cage (13) - AFCA, GFCA, GWNYFCA, HFCS, IFCS, LVFCS, MCFCA, MFCA, NTFCA, SDFCS, SFCS, StLFCA, UFCA Will Smith (12) - AAFCA, AARP, BAFTA, BFCC, BRA, CCA, GG, NAACP, NBR, OSCAR, SAG, WFCC Andrew Garfield (11) - CACF, CIC, GG, HCA, IFCA, IFSC, IPA, LEJA, OAFFC, VFCC, WAFCA Hidetoshi Nishijima (2) - BSFC, NSFC Simon Rex (2) - LAFCA, SPIRIT Adeel Akhtar - BIFA John Arcilla - VENICE Peter Dinklage - DFCS Adam Driver - FFCC Frankie Faison - GOTHAM Oscar Isaac - IFJA Caleb Landry Jones - CANNES Jack Lowden - ICS Denzel Washington - TFCA BEST SUPPORTING ACTRESS Ariana DeBose (21) - BAFTA, CCA, DFCS, DFCS, DFWFCA, FFCC, GALECA, GFCA, GG, HCA, LAFCA, LEJA, LVFCS, MFCA, OAFFC, OFTA, OSCAR, PCA, PFCS, SAG, SFCS Kirsten Dunst (11) - AFCA, AFCC, AWFJ, BOFCA, IPA, NDFS, OFCC, OFCS, PCC, SEFCA, SFBAFCC Ruth Negga (11) - CFCA, CIC, COFCA, GWNYFCA, ICS, LFCC, NSFC, NYFCO, PFCC, SDFCS, SPIRIT Ann Dowd (9) - CACF, HFCS, IFSC, KCFCC, MCFCA, NCFCA, StLFCA, UFCA, VFCC Aunjanue Ellis (8) - AAFCA, AARP, BFCC, BRA, CACF, NBR, NFCS, WAFCA Jessie Buckley (2) - BSFC, TFCA Caitríona Balfe - IFCA Judi Dench - AACTA Gaby Hoffmann - IFJA Kathryn Hunter - NYFCC Regina King - NAACP Marlee Matlin - HFCS Vinette Robinson - BIFA Tilda Swinton - NTFCA BEST SUPPORTING ACTOR Kodi Smit-McPhee (31) - AACTA, AFCA, AWFJ, BFCC, BOFCA, CFCA, COFCA, DFWFCA, FFCC, GG, HFCS, IFCA, IPA, LAFCA, LFCC, MCFCA, NCFCA, NDFS, NYFCC, NYFCO, OAFFC, OFCC, OFCS, OFTA, PFCC, SEFCA, SFBAFCC, SFCS, StLFCA, UFCA, WAFCA Troy Kotsur (15) - BAFTA, BSFC, CCA, GOTHAM, HCA, HFCS, IFJA, LEJA, LVFCS, MFCA, NFCS, OSCAR, SAG, SPIRIT, VFCC Bradley Cooper (4) - AFCC, CACF, GFCA, TFCA Ciarán Hinds (3) - KCFCC, NBR, PFCS Jeffrey Wright (3) - CIC, NTFCA, PCA Jason Isaacs (2) - IFSC, SDFCS Talid Ariss - BIFA Jon Bernthal - DFCS Anders Danielsen Lie (2) - ICS, NSFC Colman Domingo - BRA Mike Faist - PCC Corey Hawkins - AAFCA Daniel Kaluuya - NAACP Jared Leto - AARP Vincent Lindon - LAFCA J.K. Simmons - DFCS BEST ADAPTED SCREENPLAY The Power Of The Dog (33) - AWFJ, BFCC, BOFCA, CCA, CFCA, CIC, COFCA, DFCS, DFCS, DFWFCA, FFCC, GALECA, GFCA, GWNYFCA, HFCS, LEJA, LVFCS, MCFCA, MFCA, NCFCA, NYFCO, OAFFC, OFCC, OFCS, OFTA, PCA, PFCC, PFCS, SDFCS, SEFCA, SFBAFCC, StLFCA, WAFCA Drive My Car (11) - AFCA, BSFC, CANNES, ICS, IFJA, IFSC, LAFCA, LFCC, NSFC, SFCS, TFCA CODA (7) - BAFTA, HCA, HFCS, IPA, OSCAR, UFCA, WGA The Lost Daughter (4) - GOTHAM, SPIRIT, USC, VENICE West Side Story (2) - AARP, KCFCC Nightmare Alley - NFCS Passing - BRA The Tragedy Of Macbeth - NBR BEST ORIGINAL SCREENPLAY Licorice Pizza (12) - AFCC, BAFTA, CFCA, COFCA, GFCA, KCFCC, NCFCA, NDFS, NYFCC, OFCC, PCC, SEFCA Belfast (9) - AWFJ, CCA, GG, HFCS, IPA, LVFCS, OSCAR, PFCS, WAFCA Mass (6) - CACF, HCA, IFJA, OFTA, SDFCS, StLFCA Pig (5) - AFCA, CIC, DFCS, OAFFC, OFCS Don't Look Up (4) - AAFCA, DFCS, VFCC, WGA C'mon C'mon (2) - LEJA, SFBAFCC Being The Ricardos - AACTA Benediction - ICS The French Dispatch - FFCC A Hero - NBR Judas And The Black Messiah - NAACP King Richard - BFCC The Mitchells vs. The Machines - UFCA The Worst Person In The World - IFSC BEST CINEMATOGRAPHY Dune (22) - ASC, BAFTA, BFCC, CACF, DFWFCA, GFCA, HCA, HFCS, HFCS, IPA, LEJA, MFCA, NTFCA, OAFFC, OFCC, OFTA, OSCAR, PCA, PFCS, SDFCS, SEFCA, WAFCA The Power Of The Dog (15) - AFCC, AWFJ, BOFCA, BSC, BSFC, CCA, CFCA, FFCC, LAFCA, NCFCA, NDFS, NFCS, NYFCO, OFCS, StLFCA The Tragedy Of Macbeth (7) - BRA, COFCA, KCFCC, MCFCA, NBR, PCC, SFBAFCC The Green Knight (6) - AFCA, CIC, GWNYFCA, NSFC, SFCS, UFCA Nightmare Alley (2) - NFCS, PFCC West Side Story (2) - LVFCS, NYFCC Benediction - ICS Boiling Point - BIFA Great Freedom - EFA Passing - SPIRIT Spencer - IFSC BEST COSTUME DESIGN Cruella (12) - BAFTA, CCA, CIC, HCA, IFSC, LEJA, LVFCS, NDFS, OFTA, OSCAR, SDFCS, StLFCA Dune (5) - MFCA, NCFCA, OFCS, PCA, PFCS Ammonite - EFA Cyrano - IPA The Green Knight - SFCS The Harder They Fall - BRA House Of Gucci - HFCS Spencer - CFCA The Souvenir Part II - BIFA BEST FILM EDITING Dune (8) - AFCA, BOFCA, IPA, MFCA, OFTA, OSCAR, PFCS, SFCS The Power Of The Dog (6) - AWFJ, GWNYFCA, LEJA, NDFS, OFCS, SFBAFCC West Side Story (5) - CCA, CIC, COFCA, LVFCS, UFCA Last Night In Soho (4) - HCA, HFCS, MCFCA, StLFCA The French Dispatch (2) - CFCA, NCFCA Tick, Tick...Boom! (2) - ACE, WAFCA The Harder They Fall - BRA In The Heights - SDFCS King Richard - ACE No Time To Die - BAFTA The Souvenir Part II - BIFA Summer Of Soul - LAFCA Titane - IFSC Unclenching The Fists - EFA The Velvet Underground - BSFC What Do We See When We Look At The Sky? - ICS Zola - SPIRIT BEST MAKEUP & HAIRSTYLING The Eyes Of Tammy Faye (7) - BAFTA, CCA, CIC, HCA, NDFS, OFTA, OSCAR Cruella (5) - HFCS, IFSC, LEJA, MUAHS, NCFCA Being The Ricardos - MUAHS Coming 2 America - MUAHS The Electrical Life Of Louis Wain - BIFA Dune - MFCA Titane - EFA BEST ORIGINAL SCORE Dune (23) - AFCC, BAFTA, BOFCA, CACF, CCA, CIC, DFWFCA, FFCC, GFCA, GG, HCA, HMMA, IPA, MCFCA, NCFCA, OFTA, OSCAR, PCA, PFCS, SEFCA, SFCS, StLFCA, WAFCA The Power Of The Dog (14) - AFCA, CFCA, COFCA, DFCS, HFCS, IFCA, IFJA, NDFS, OFCC, OFCS, PCC, PFCC, SFBAFCC, UFCA Spencer (4) - BSFC, GWNYFCA, LVFCS, MFCA Parallel Mothers (3) - HMMA, IFSC, LAFCA Encanto (2) - LEJA, SCL The Harder They Fall (2) - BRA, HFCS The Addams Family 2 - HMMA Ali & Ava - BIFA Annette - ICS C'mon C'mon - HMMA Don't Look Up - HMMA Great Freedom - EFA The Green Knight - SCL Julia - HMMA A Quiet Place: Part II - HMMA BEST ORIGINAL SONG No Time To Die (18) - CACF, CCA, CIC, DFCS, GFCA, GG, HFCS, HFCS, HMMA, IFSC, LVFCS, MCFCA, NCFCA, NDFS, OFTA, OSCAR, PFCS, SCL Encanto (3) - GMS, IPA, LEJA Bruised - BRA CODA - HMMA Don't Look Up - SCL The Harder They Fall - IFCA King Richard - HCA PAW Patrol: The Movie - HMMA Rebel Hearts - HMMA BEST PRODUCTION DESIGN Dune (14) - ADG, BAFTA, CCA, FFCC, GFCA, HFCS, LEJA, MCFCA, NCFCA, OFTA, OSCAR, PCA, SDSA, WAFCA Nightmare Alley (8) - ADG, CIC, HCA, MFCA, NFCS, PFCS, SDFCS, SFBAFCC The French Dispatch (6) - CFCA, IFSC, NDFS, OFCS, SDSA, StLFCA No Time To Die (2) - ADG, SDSA The Souvenir Part II (2) - BIFA, ICS The Tragedy Of Macbeth (2) - BRA, IPA Barb And Star Go To Vista Del Mar - LAFCA Being The Ricardos - SDSA The Green Knight - SFCS Natural Light - EFA West Side Story - LVFCS BEST SOUND Dune (13) - BAFTA, CAS, IFSC, LEJA, MCFCA, MFCA, MPSE, NCFCA, NDFS, OFTA, OSCAR, PCA, SDFCS Boiling Point - BIFA The Innocents - EFA Last Night In Soho - HFCS Memoria - ICS Tick, Tick...Boom! - IPA BEST VISUAL EFFECTS Dune (25) - BAFTA, CCA, CFCA, DFCS, FFCC, HCA, HFCS, IFSC, IPA, LEJA, LVFCS, MCFCA, MFCA, NCFCA, NDFS, NFCS, OFCS, OFTA, OSCAR, PCA, PFCS, SDFCS, SFCS, StLFCA, VES Spider-Man: No Way Home (2) - CIC, HFCS Dashcam - BIFA Lamb - EFA BEST ANIMATED FEATURE The Mitchells vs. The Machines (33) - AFCA, AFCC, ANNIE, AWFJ, BFCC, BOFCA, CACF, CCA, CIC, COFCA, DFCS, GFCA, GWNYFCA, HCA, HFCS, HFCS, KCFCC, LVFCS, MCFCA, NCFCA, NFCS, NYFCC, NYFCO, OAFFC, OFCC, OFCS, OFTA, PCA, PCC, PFCS, SEFCA, StLFCA, WAFCA Encanto (13) - AWFJ, BAFTA, DFWFCA, FFCC, GG, IFCA, IPA, LEJA, MFCA, NAACP, NBR, NDFS, OSCAR Flee (12) - BSFC, CFCA, DFCS, EFA, GALECA, IFJA, IFSC, LAFCA, PFCC, SFCS, TFCA, UFCA The Crossing - ICS Luca - SDFCS Raya And The Last Dragon - NTFCA BEST INTERNATIONAL FEATURE FILM Drive My Car (34) - AFCA, AFCC, AWFJ, BAFTA, CCA, CFCA, COFCA, DFCS, DFWFCA, GFCA, GG, GOTHAM, GWNYFCA, HCA, HFCS, IFJA, IFSC, IPA, KCFCC, LFCC, MCFCA, NCFCA, NYFCO, OFCC, OFCS, OFTA, OSCAR, PCC, SEFCA, SFCS, SPIRIT, StLFCA, TFCA, WAFCA Flee (4) - BIFA, LVFCS, NDFS, UFCA The Hand Of God (4) - BFCC, FFCC, HFCS, PFCS The Worst Person In The World (4) - BOFCA, NYFCC, PCA, VFCC Parallel Mothers (3) - CIC, LEJA, SDFCS A Hero (2) - CACF, NBR African America - BRA Lamb - NTFCA Petite Maman - LAFCA Sheep Without A Shepherd - AARP Titane - PFCC BEST DOCUMENTARY FEATURE Summer Of Soul (45) - AAFCA, AARP, AFCA, AWFJ, BAFTA, BFCC, BRA, BSFC, CCA, CFCA, CIC, COFCA, DFCS, DFCS, DFWFCA, FFCC, GFCA, GWNYFCA, HCA, HFCS, HFCS, IFCA, IPA, KCFCC, LAFCA, LFCC, LVFCS, MCFCA, NBR, NCFCA, NTFCA, OFCC, OFCS, OSCAR, PCA, PCC, PFCC, PFCS, PGA, SDFCS, SEFCA, SFCS, SPIRIT, TFCA, WAFCA Flee (20) - AFCC, AWFJ, BOFCA, CACF, CEH, DFCS, EFA, GALECA, GOTHAM, IDA, IFSC, LEJA, NDFS, NFCS, NYFCC, NYFCO, OAFFC, OFTA, StLFCA, VFCC Attica - DGA Barbara Lee: Speaking Truth to Power - NAACP The First Wave - UFCA Kurt Vonnegut: Unstuck In Time - IFJA Mr. Bachmann And His Class - ICS Poly Styrene: I Am A Cliche - BIFA AuthorsNicole Ackman Archives
June 2022
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