By Ryan C. Showers
We have reached the moment of truth. The 2020-2021 film awards season has been the most prolonged awards season that many of us have experienced. Most are ready to move on to a new year and new films, but even though this has been a prolonged process, I feel as though most of us are declaring our final predictions and leaving behind this season with warm regards. The most recent main show of the Next Best Picture podcast covered the team's final Oscar predictions. (Check it out if you haven't listened already.) I was unable to participate in the show; thus, below are my final predictions for the 92nd Academy Awards: Picture: "Nomadland" Director: Chloé Zhao – "Nomadland" Actress: Viola Davis – "Ma Rainey's Black Bottom" Actor: Chadwick Boseman – "Ma Rainey's Black Bottom" Supporting Actress: Yuh-Jung Youn – "Minari" Supporting Actor: Daniel Kaluuya – "Judas and the Black Messiah" Original Screenplay: "Promising Young Woman" Adapted Screenplay: "Nomadland" Cinematography: "Nomadland" Art Direction: "Mank" Costume Design: "Ma Rainey's Black Bottom" Film Editing: "The Trial of the Chicago 7" Makeup/Hairstyling: "Ma Rainey's Black Bottom" Original Score: "Soul" Original Song: "Speak Now" – One Night in Miami Visual Effects: "Tenet" Sound: "Sound of Metal" Animated Feature: "Soul" Documentary Feature: "My Octopus Teacher" International Feature: "Another Round" Animated Short: "If Anything Happens I Love You" Documentary Short: "A Concerto is a Conversation" Live-Action Short: "The Letter Room" The majority of the categories at this year's Academy Awards have a solidified frontrunner. However, there are outstanding races that have most pundits stumped even now as we enter the final days of the Oscar calendar. BEST ACTRESS This is the main event. We have never had an acting race quite like this. One where each of the contenders won a major precursor award, two of them helm from Best Picture nominees, and BAFTA voters used a jury system that eliminated three of the five women who could win. I wrote a piece in reaction to the SAG awards a few weeks ago, and although compelling cases have been made for certain contenders since then, I stand by most of the logic stated there. My final prediction is Viola Davis. In a fractured year like this, perhaps the SAG win weighs more than it would in another year where someone else loses SAG but still wins an Oscar by winning more than one of the other big three (Golden Globe, SAG, or BAFTA). Many argue that "Ma Rainey's Black Bottom" missing Picture, Director, and Screenplay shows that there isn't enough passion in the Academy to win four Oscars: Actress, Actor, Makeup/Hairstyling, and Costumes. If "Ma Rainey's Black Bottom" can't win four, Actress is the least likely to prevail – and that's probably a correct assessment. But I think it's more likely for "Ma Rainey's Black Bottom" to win four Oscars, rather than someone who lost both SAG and Golden Globe (Mulligan), someone delivering a subtle performance who would win their third Best Actress trophy (McDormand), or someone who is the lone nomination for a poorly reviewed film (Day). "Ma Rainey's Black Bottom" reminds me of "Dreamgirls," which also lacked these major above-the-line categories but ran the circuit with acting and craft awards. When it comes to predicting Viola Davis for Best Actress, I keep returning to these facts: 1. Davis is one of the most respected people – from any branch of the Academy – in the industry. 2. Only one woman of color has ever won Best Actress. Most people would be happy to see Davis become the second. 3. Davis's role in August Wilson's adaptation is a quintessential example of the type of role that typically wins in style, presentation, and prestige. 4. Despite not having a Best Picture nomination, "Ma Rainey's Black Bottom" is being seen because of the urgency surrounding Chadwick Boseman's final performance. (With five nominations, it might as well have a Best Picture nominee.) 5. The film itself has proven to be thoroughly and widely respected even if the passion is lacking. "Ma Rainey's Black Bottom" has an impressive accumulation of wins with precursor and guild awards. 6. If voters namecheck any film or any contender, it could be "Ma Rainey's Black Bottom." It comes across as the type of Oscar bait film that usually wins awards like acting and craft categories, with Davis having had even more public exposure during the time of voting than any of her competitors. 7. Davis is the establishment pick. If voters truly have an apathetic approach to voting this year, it benefits Davis because of her name recognition and profile. If people don't watch the films, I could see most voters checking Davis's name off because she's tried, tested, and has never won Best Actress before. If there is low voter participation, like with elections, we can imagine older voters will participate more than younger voters. And thus, older voters will probably be most swayed by Davis's work rather than by Mulligan's unique performance or McDormand's internal portrayal. In the end, predicting Mulligan simply rings false to me. It seems like a recipe for disaster to predict someone who lost both SAG and Golden Globe, even if "Promising Young Woman" is beloved across the board by the Academy. McDormand's BAFTA win has awoken a new sense of possibility for her Oscar win. In a year of "Nomadland" winning Best Picture, a Best Actress win would seem logical. Soberly thinking about Best Actress would lead to a McDormand win since she is an industry mogul, and the film is tracking for a big night. Although, I go back to this: Why did McDormand lose SAG when her nomination was the only chance for those voters to recognize the Best Picture frontrunner at that ceremony? Additionally, McDormand winning a third Oscar for such a subtle performance doesn't seem to add up. In regards to Andra Day's potential, the ironclad Golden Globe stat is something to consider. Still, I don't feel it justifies predicting an Oscar win when you recognize the larger context of her campaign, narrative, and film itself "The United States vs. Billie Holiday." Here are the odds I would give each of the contenders in terms of the likelihood to win: Viola Davis: 35% Frances McDormand: 22% Carey Mulligan: 22% Andra Day: 15% Vanessa Kirby: 5% BEST ADAPTED SCREENPLAY For months, it seemed like "Nomadland" was going to add another tally to its win count with Best Adapted Screenplay after winning the predictive Critics Choice award and the USC Scripter Award. "The Father" won the title at the BAFTA. Neither were eligible for WGA, which would have been most illuminating for predicting the Oscar winner. It seems as though "Nomadland" had the early buzz for the majority of the season, and "The Father" could be facing a new sense of passion at the last minute. The argument for "The Father" revolves around the film's strengths in its screenplay, the amount and quality of dialogue, the intricate plot, and the fact that the film was adapted from its roots in British theatre. By contrast, "Nomadland" has a much more minimalist screenplay. All of this makes an overall compelling case for voters who are playing fairly, look at the merits of each script as pieces of writing, and spread the wealth among the nominated films, so each Best Picture nominee goes home a winner. But come on…that's not the world we live in. Most voters are going to vote for what they know – which is likely that "Nomadland" is a beast of a contender this year across the board – and won't overthink it. Very little has stopped "Nomadland" from complete domination this year. The BAFTA win for "The Father" doesn't provide me with sufficient evidence to predict it for the Oscar. Florian Zeller has a home-court advantage with British voters over Chloe Zhao, just as "The Favourite" did at the BAFTAs two years ago, which was the more creative and impressive screenplay that lost to the eventual Best Picture winner in "Green Book." I also don't sense there is a "spread the wealth" mentality that some pundits tend to focus on. Look at the year "The Grand Budapest Hotel" won the BAFTA award for Best Original Screenplay, then "Birdman" swept Best Picture, Best Director, and Best Original Screenplay. There were no misgivings by the Academy when they awarded Alejandro González Iñárritu three trophies, and Richard Linklater and Wes Anderson received zero. What would stop the Academy from doing the same exact thing to Chloe Zhao, when "Nomadland" has more control over this year overall than "Birdman" did in 2014? BEST FILM EDITING The announcement of the Best Film Editing tie between "The Trial of the Chicago 7" and "Sound of Metal" at the Critics Choice Awards foreshadowed an interesting throwdown between the two films contending for the same title at the Academy Awards. "Sound of Metal" looks to be on track with certain statistical trends a Best Film Editing winner typically has had in recent years, most notably a BAFTA triumph and the trajectory to win Best Sound. However, "The Trial of the Chicago 7" has the more memorably edited work in the film, with a showstopping montage that begins the feature and bold cuts between the present and past throughout the film. On paper, it would seem as though "The Trial of the Chicago 7" would be the more logical choice to win, especially since "Sound of Metal" has a gentler approach to its film form and construction. The flashier contender usually wins here. The fact that "The Trial of the Chicago 7" won the American Cinema Editors award just days ago foreshadows the tides may be turning. In the end, I am tending to be more sympathetic to the case of "The Trial of the Chicago 7" winning this category. If voters think about the most editing, they will land with Sorkin's directorial debut in this category. BEST ORIGINAL SONG The Next Best Picture Team did a great job of showing the multiple vantage points of this category on the podcast predictions episode. Diane Warren is running her own campaign in an uphill battle for "The Life Ahead." "Eurovision Song Contest: The Story of the Fire Saga" has a sensational presentation of its song within its anti-Academy film, and Netflix has made this anthem its main concentration here. Overall, I would advise picking "Speak Now" from "One Night in Miami." It rewards Best Supporting Actor nominee Leslie Odom Jr., who has had a high profile for the past year since "Hamilton" began streaming on Disney+. It's the most simple and direct answer to this question, even if the film's overall buzz is not as consequential as it was three months ago. I'm Not Predicting It, But There's a World…
Below are my personal preference selections for the Oscar categories, as though I had a ballot in this year's voting contest. I always find these are fun to scan through since the majority of what we see around this time is more objective predictions rather than subjective preference: Picture: 1. "Promising Young Woman" 2. "Nomadland" 3. "Mank" 4. "The Father" 5. "Judas and the Black Messiah" 6. "Minari" 7. "Sound of Metal" 8. "The Trial of the Chicago 7" Director: Chloé Zhao – "Nomadland" Actress: Carey Mulligan – "Promising Young Woman" Actor: Chadwick Boseman – "Ma Rainey's Black Bottom" Supporting Actress: Olivia Colman – "The Father" Supporting Actor: Leslie Odom Jr. – "One Night in Miami" Original Screenplay: "Promising Young Woman" Adapted Screenplay: "One Night in Miami" Cinematography: "Mank" Art Direction: "Mank" Costume Design: "Ma Rainey's Black Bottom" Film Editing: "Promising Young Woman" Makeup/Hairstyling: "Ma Rainey's Black Bottom" Original Score: "Mank" Original Song: "Speak Now" – One Night in Miami Visual Effects: "Tenet" Sound: "Sound of Metal" Animated Feature: "Wolfwalkers" Documentary Feature: "Collective" International Feature: "Quo Vadis, Aida?" Animated Short: "Burrow" Documentary Short: "A Concerto is a Conversation" Live-Action Short: "The Letter Room" Who do you think is going to win at the Oscars this Sunday? Let us know in the comments section below or on our Twitter account and be sure to check out our latest predictions here. You can follow Ryan and hear more of his thoughts on the Oscars and Film on Twitter at @rcs818
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BEST PICTURE The Power Of The Dog (33) - AACTA, AFCA, AWFJ, BAFTA, BOFCA, CCA, CFCA, CIC, COFCA, DFCS, DFWFCA, FFCC, GALECA, GG, HFCS, KCFCC, LEJA, LFCC, MCFCA, MFCA, NCFCA, NDFS, NYFCO, OAFFC, OFCS, OFTA, PCC, PFCC, SDFCS, SEFCA, SFBAFCC, UFCA, VFCC Belfast (7) - AARP, IFCA, IPA, LVFCS, PFCS, TIFF, WAFCA CODA (6) - CIC, HCA, NFCS, OSCAR, PGA, SAG Drive My Car (6) - BSFC, LAFCA, NSFC, NYFCC, SFCS, TFCA Licorice Pizza (5) - AFCC, GFCA, NBR, OFCC, StLFCA The Green Knight (2) - NTFCA, PCA Happening (2) - ICS, VENICE The Harder They Fall (2) - AAFCA, NAACP King Richard (2) - BFCC, BRA The Lost Daughter (2) - GOTHAM, SPIRIT After Love - BIFA Cyrano - DFCS Last Night In Soho - HFCS Mass - IFJA Pig - GWNYFCA Quo Vadis, Aida? - EFA Tick, Tick...Boom! - IPA Titane - CANNES The Tragedy of Macbeth - CACF West Side Story - GG The Worst Person In The World - IFSC BEST DIRECTOR Jane Campion (52) - AARP, AFCA, AFCC, AWFJ, BAFTA, BOFCA, CCA, CFCA, CIC, COFCA, DFCS, DFWFCA, DGA, FFCC, GALECA, GFCA, GG, GWNYFCA, HCA, HFCS, ICS, IFCA, IFCS, IFJA, IFSC, IPA, KCFCC, LAFCA, LEJA, LFCC, MCFCA, MFCA, NCFCA, NDFS, NYFCC, NYFCO, OAFFC, OFCC, OFCS, OFTA, OSCAR, PCA, PCC, PFCC, SDFCS, SEFCA, SFBAFCC, StLFCA, TFCA, UFCA, VENICE, WAFCA Denis Villeneuve (6) - AACTA, BFCC, CACF, HCA, NTFCA, VFCC Ryūsuke Hamaguchi (3) - BSFC, NSFC, SFCS Guillermo del Toro (2) - HFCS, NFCS Maggie Gyllenhaal (2) - GOTHAM, SPIRIT Jeymes Samuel (2) - AAFCA, BRA Paul Thomas Anderson - NBR Kenneth Branagh - PFCS Leos Carax - CANNES Alex Khan - BIFA Shaka King - NAACP Lin-Manuel Miranda - DFCS Steven Spielberg - LVFCS Jasmila Zbanic - EFA BEST ACTRESS Kristen Stewart (27) - AFCC, BOFCA, CFCA, DFCS, DFWFCA, GALECA, GWNYFCA, HCA, HFCS, IFCS, IFJA, IPA, MFCA, NDFS, NFCS, NTFCA, OAFFC, OFTA, PCA, PCC, PFCC, PFCS, SEFCA, SFCS, StLFCA, WAFCA, WFCC Jessica Chastain (8) - CCA, DFCS, HFCS, LVFCS, MCFCA, NCFCA, OSCAR, SAG Olivia Colman (8) - AWFJ, GOTHAM, KCFCC, LFCC, OFCS, SFBAFCC, TFCA, VFCC Alana Haim (7) - AFCC, BSFC, COFCA, FFCC, GFCA, IPA, OFCC Penelope Cruz (5) - LAFCA, LEJA, NSFC, SDFCS, VENICE Tessa Thompson (4) - BFCC, BRA, CIC, NYFCO Nicole Kidman (3) - AACTA, AARP, GG Renate Reinsve (3) - CACF, CANNES, IFSC Lady Gaga (2) - IFCA, NYFCC Jennifer Hudson (2) - AAFCA, NAACP Joanna Scanlan (2) - BAFTA, BIFA Rachel Zegler (2) - GG, NBR Caitriona Balfe - SDFCS Jasna Duricic - EFA Lee Hye-yeong - ICS Emilia Jones - UFCA Taylour Paige - SPIRIT Agathe Rousselle - AFCA BEST ACTOR Benedict Cumberbatch (26) - AACTA, AFCC, AWFJ, BOFCA, CFCA, COFCA, DFCS, DFWFCA, HFCS, IPA, KCFCC, LFCC, NCFCA, NDFS, NFCS, NYFCC, NYFCO, OFCC, OFCS, OFTA, PCA, PCC, PFCC, PFCS, SEFCA, SFBAFCC Nicolas Cage (13) - AFCA, GFCA, GWNYFCA, HFCS, IFCS, LVFCS, MCFCA, MFCA, NTFCA, SDFCS, SFCS, StLFCA, UFCA Will Smith (12) - AAFCA, AARP, BAFTA, BFCC, BRA, CCA, GG, NAACP, NBR, OSCAR, SAG, WFCC Andrew Garfield (11) - CACF, CIC, GG, HCA, IFCA, IFSC, IPA, LEJA, OAFFC, VFCC, WAFCA Hidetoshi Nishijima (2) - BSFC, NSFC Simon Rex (2) - LAFCA, SPIRIT Adeel Akhtar - BIFA John Arcilla - VENICE Peter Dinklage - DFCS Adam Driver - FFCC Frankie Faison - GOTHAM Oscar Isaac - IFJA Caleb Landry Jones - CANNES Jack Lowden - ICS Denzel Washington - TFCA BEST SUPPORTING ACTRESS Ariana DeBose (21) - BAFTA, CCA, DFCS, DFCS, DFWFCA, FFCC, GALECA, GFCA, GG, HCA, LAFCA, LEJA, LVFCS, MFCA, OAFFC, OFTA, OSCAR, PCA, PFCS, SAG, SFCS Kirsten Dunst (11) - AFCA, AFCC, AWFJ, BOFCA, IPA, NDFS, OFCC, OFCS, PCC, SEFCA, SFBAFCC Ruth Negga (11) - CFCA, CIC, COFCA, GWNYFCA, ICS, LFCC, NSFC, NYFCO, PFCC, SDFCS, SPIRIT Ann Dowd (9) - CACF, HFCS, IFSC, KCFCC, MCFCA, NCFCA, StLFCA, UFCA, VFCC Aunjanue Ellis (8) - AAFCA, AARP, BFCC, BRA, CACF, NBR, NFCS, WAFCA Jessie Buckley (2) - BSFC, TFCA Caitríona Balfe - IFCA Judi Dench - AACTA Gaby Hoffmann - IFJA Kathryn Hunter - NYFCC Regina King - NAACP Marlee Matlin - HFCS Vinette Robinson - BIFA Tilda Swinton - NTFCA BEST SUPPORTING ACTOR Kodi Smit-McPhee (31) - AACTA, AFCA, AWFJ, BFCC, BOFCA, CFCA, COFCA, DFWFCA, FFCC, GG, HFCS, IFCA, IPA, LAFCA, LFCC, MCFCA, NCFCA, NDFS, NYFCC, NYFCO, OAFFC, OFCC, OFCS, OFTA, PFCC, SEFCA, SFBAFCC, SFCS, StLFCA, UFCA, WAFCA Troy Kotsur (15) - BAFTA, BSFC, CCA, GOTHAM, HCA, HFCS, IFJA, LEJA, LVFCS, MFCA, NFCS, OSCAR, SAG, SPIRIT, VFCC Bradley Cooper (4) - AFCC, CACF, GFCA, TFCA Ciarán Hinds (3) - KCFCC, NBR, PFCS Jeffrey Wright (3) - CIC, NTFCA, PCA Jason Isaacs (2) - IFSC, SDFCS Talid Ariss - BIFA Jon Bernthal - DFCS Anders Danielsen Lie (2) - ICS, NSFC Colman Domingo - BRA Mike Faist - PCC Corey Hawkins - AAFCA Daniel Kaluuya - NAACP Jared Leto - AARP Vincent Lindon - LAFCA J.K. Simmons - DFCS BEST ADAPTED SCREENPLAY The Power Of The Dog (33) - AWFJ, BFCC, BOFCA, CCA, CFCA, CIC, COFCA, DFCS, DFCS, DFWFCA, FFCC, GALECA, GFCA, GWNYFCA, HFCS, LEJA, LVFCS, MCFCA, MFCA, NCFCA, NYFCO, OAFFC, OFCC, OFCS, OFTA, PCA, PFCC, PFCS, SDFCS, SEFCA, SFBAFCC, StLFCA, WAFCA Drive My Car (11) - AFCA, BSFC, CANNES, ICS, IFJA, IFSC, LAFCA, LFCC, NSFC, SFCS, TFCA CODA (7) - BAFTA, HCA, HFCS, IPA, OSCAR, UFCA, WGA The Lost Daughter (4) - GOTHAM, SPIRIT, USC, VENICE West Side Story (2) - AARP, KCFCC Nightmare Alley - NFCS Passing - BRA The Tragedy Of Macbeth - NBR BEST ORIGINAL SCREENPLAY Licorice Pizza (12) - AFCC, BAFTA, CFCA, COFCA, GFCA, KCFCC, NCFCA, NDFS, NYFCC, OFCC, PCC, SEFCA Belfast (9) - AWFJ, CCA, GG, HFCS, IPA, LVFCS, OSCAR, PFCS, WAFCA Mass (6) - CACF, HCA, IFJA, OFTA, SDFCS, StLFCA Pig (5) - AFCA, CIC, DFCS, OAFFC, OFCS Don't Look Up (4) - AAFCA, DFCS, VFCC, WGA C'mon C'mon (2) - LEJA, SFBAFCC Being The Ricardos - AACTA Benediction - ICS The French Dispatch - FFCC A Hero - NBR Judas And The Black Messiah - NAACP King Richard - BFCC The Mitchells vs. The Machines - UFCA The Worst Person In The World - IFSC BEST CINEMATOGRAPHY Dune (22) - ASC, BAFTA, BFCC, CACF, DFWFCA, GFCA, HCA, HFCS, HFCS, IPA, LEJA, MFCA, NTFCA, OAFFC, OFCC, OFTA, OSCAR, PCA, PFCS, SDFCS, SEFCA, WAFCA The Power Of The Dog (15) - AFCC, AWFJ, BOFCA, BSC, BSFC, CCA, CFCA, FFCC, LAFCA, NCFCA, NDFS, NFCS, NYFCO, OFCS, StLFCA The Tragedy Of Macbeth (7) - BRA, COFCA, KCFCC, MCFCA, NBR, PCC, SFBAFCC The Green Knight (6) - AFCA, CIC, GWNYFCA, NSFC, SFCS, UFCA Nightmare Alley (2) - NFCS, PFCC West Side Story (2) - LVFCS, NYFCC Benediction - ICS Boiling Point - BIFA Great Freedom - EFA Passing - SPIRIT Spencer - IFSC BEST COSTUME DESIGN Cruella (12) - BAFTA, CCA, CIC, HCA, IFSC, LEJA, LVFCS, NDFS, OFTA, OSCAR, SDFCS, StLFCA Dune (5) - MFCA, NCFCA, OFCS, PCA, PFCS Ammonite - EFA Cyrano - IPA The Green Knight - SFCS The Harder They Fall - BRA House Of Gucci - HFCS Spencer - CFCA The Souvenir Part II - BIFA BEST FILM EDITING Dune (8) - AFCA, BOFCA, IPA, MFCA, OFTA, OSCAR, PFCS, SFCS The Power Of The Dog (6) - AWFJ, GWNYFCA, LEJA, NDFS, OFCS, SFBAFCC West Side Story (5) - CCA, CIC, COFCA, LVFCS, UFCA Last Night In Soho (4) - HCA, HFCS, MCFCA, StLFCA The French Dispatch (2) - CFCA, NCFCA Tick, Tick...Boom! (2) - ACE, WAFCA The Harder They Fall - BRA In The Heights - SDFCS King Richard - ACE No Time To Die - BAFTA The Souvenir Part II - BIFA Summer Of Soul - LAFCA Titane - IFSC Unclenching The Fists - EFA The Velvet Underground - BSFC What Do We See When We Look At The Sky? - ICS Zola - SPIRIT BEST MAKEUP & HAIRSTYLING The Eyes Of Tammy Faye (7) - BAFTA, CCA, CIC, HCA, NDFS, OFTA, OSCAR Cruella (5) - HFCS, IFSC, LEJA, MUAHS, NCFCA Being The Ricardos - MUAHS Coming 2 America - MUAHS The Electrical Life Of Louis Wain - BIFA Dune - MFCA Titane - EFA BEST ORIGINAL SCORE Dune (23) - AFCC, BAFTA, BOFCA, CACF, CCA, CIC, DFWFCA, FFCC, GFCA, GG, HCA, HMMA, IPA, MCFCA, NCFCA, OFTA, OSCAR, PCA, PFCS, SEFCA, SFCS, StLFCA, WAFCA The Power Of The Dog (14) - AFCA, CFCA, COFCA, DFCS, HFCS, IFCA, IFJA, NDFS, OFCC, OFCS, PCC, PFCC, SFBAFCC, UFCA Spencer (4) - BSFC, GWNYFCA, LVFCS, MFCA Parallel Mothers (3) - HMMA, IFSC, LAFCA Encanto (2) - LEJA, SCL The Harder They Fall (2) - BRA, HFCS The Addams Family 2 - HMMA Ali & Ava - BIFA Annette - ICS C'mon C'mon - HMMA Don't Look Up - HMMA Great Freedom - EFA The Green Knight - SCL Julia - HMMA A Quiet Place: Part II - HMMA BEST ORIGINAL SONG No Time To Die (18) - CACF, CCA, CIC, DFCS, GFCA, GG, HFCS, HFCS, HMMA, IFSC, LVFCS, MCFCA, NCFCA, NDFS, OFTA, OSCAR, PFCS, SCL Encanto (3) - GMS, IPA, LEJA Bruised - BRA CODA - HMMA Don't Look Up - SCL The Harder They Fall - IFCA King Richard - HCA PAW Patrol: The Movie - HMMA Rebel Hearts - HMMA BEST PRODUCTION DESIGN Dune (14) - ADG, BAFTA, CCA, FFCC, GFCA, HFCS, LEJA, MCFCA, NCFCA, OFTA, OSCAR, PCA, SDSA, WAFCA Nightmare Alley (8) - ADG, CIC, HCA, MFCA, NFCS, PFCS, SDFCS, SFBAFCC The French Dispatch (6) - CFCA, IFSC, NDFS, OFCS, SDSA, StLFCA No Time To Die (2) - ADG, SDSA The Souvenir Part II (2) - BIFA, ICS The Tragedy Of Macbeth (2) - BRA, IPA Barb And Star Go To Vista Del Mar - LAFCA Being The Ricardos - SDSA The Green Knight - SFCS Natural Light - EFA West Side Story - LVFCS BEST SOUND Dune (13) - BAFTA, CAS, IFSC, LEJA, MCFCA, MFCA, MPSE, NCFCA, NDFS, OFTA, OSCAR, PCA, SDFCS Boiling Point - BIFA The Innocents - EFA Last Night In Soho - HFCS Memoria - ICS Tick, Tick...Boom! - IPA BEST VISUAL EFFECTS Dune (25) - BAFTA, CCA, CFCA, DFCS, FFCC, HCA, HFCS, IFSC, IPA, LEJA, LVFCS, MCFCA, MFCA, NCFCA, NDFS, NFCS, OFCS, OFTA, OSCAR, PCA, PFCS, SDFCS, SFCS, StLFCA, VES Spider-Man: No Way Home (2) - CIC, HFCS Dashcam - BIFA Lamb - EFA BEST ANIMATED FEATURE The Mitchells vs. The Machines (33) - AFCA, AFCC, ANNIE, AWFJ, BFCC, BOFCA, CACF, CCA, CIC, COFCA, DFCS, GFCA, GWNYFCA, HCA, HFCS, HFCS, KCFCC, LVFCS, MCFCA, NCFCA, NFCS, NYFCC, NYFCO, OAFFC, OFCC, OFCS, OFTA, PCA, PCC, PFCS, SEFCA, StLFCA, WAFCA Encanto (13) - AWFJ, BAFTA, DFWFCA, FFCC, GG, IFCA, IPA, LEJA, MFCA, NAACP, NBR, NDFS, OSCAR Flee (12) - BSFC, CFCA, DFCS, EFA, GALECA, IFJA, IFSC, LAFCA, PFCC, SFCS, TFCA, UFCA The Crossing - ICS Luca - SDFCS Raya And The Last Dragon - NTFCA BEST INTERNATIONAL FEATURE FILM Drive My Car (34) - AFCA, AFCC, AWFJ, BAFTA, CCA, CFCA, COFCA, DFCS, DFWFCA, GFCA, GG, GOTHAM, GWNYFCA, HCA, HFCS, IFJA, IFSC, IPA, KCFCC, LFCC, MCFCA, NCFCA, NYFCO, OFCC, OFCS, OFTA, OSCAR, PCC, SEFCA, SFCS, SPIRIT, StLFCA, TFCA, WAFCA Flee (4) - BIFA, LVFCS, NDFS, UFCA The Hand Of God (4) - BFCC, FFCC, HFCS, PFCS The Worst Person In The World (4) - BOFCA, NYFCC, PCA, VFCC Parallel Mothers (3) - CIC, LEJA, SDFCS A Hero (2) - CACF, NBR African America - BRA Lamb - NTFCA Petite Maman - LAFCA Sheep Without A Shepherd - AARP Titane - PFCC BEST DOCUMENTARY FEATURE Summer Of Soul (45) - AAFCA, AARP, AFCA, AWFJ, BAFTA, BFCC, BRA, BSFC, CCA, CFCA, CIC, COFCA, DFCS, DFCS, DFWFCA, FFCC, GFCA, GWNYFCA, HCA, HFCS, HFCS, IFCA, IPA, KCFCC, LAFCA, LFCC, LVFCS, MCFCA, NBR, NCFCA, NTFCA, OFCC, OFCS, OSCAR, PCA, PCC, PFCC, PFCS, PGA, SDFCS, SEFCA, SFCS, SPIRIT, TFCA, WAFCA Flee (20) - AFCC, AWFJ, BOFCA, CACF, CEH, DFCS, EFA, GALECA, GOTHAM, IDA, IFSC, LEJA, NDFS, NFCS, NYFCC, NYFCO, OAFFC, OFTA, StLFCA, VFCC Attica - DGA Barbara Lee: Speaking Truth to Power - NAACP The First Wave - UFCA Kurt Vonnegut: Unstuck In Time - IFJA Mr. Bachmann And His Class - ICS Poly Styrene: I Am A Cliche - BIFA AuthorsNicole Ackman Archives
June 2022
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