Saturday, April 20, 2024

Last Best Picture – Vote On Our Next Podcast Review For August 2018

By Matt Neglia 

Our Patreon Podcast series for “Last Best Picture” continues with a new month and a new poll of 10 randomly selected Best Picture Winners/Nominees for you to choose from. The winner of which will be reviewed on the podcast in August 2018. Stay tuned for July’s winner (“Casablanca”) which will go up later this month.

Head on over to the polls page to vote and take a look at the new films below. Voting ends July 28th 2018.


MR. DEEDS GOES TO TOWN (1936)

Mr. Deeds Goes To Town

THE STORY: â€‹Longfellow Deeds (Gary Cooper), a resident of small-town Vermont, leads a simple life until he inherits a vast fortune from a late uncle. Soon, unscrupulous lawyer John Cedar (Douglas Dumbrille) brings Deeds to New York City, where the unassuming heir is the object of much media attention. When wily reporter Babe Bennett (Jean Arthur) gains the trust and affection of Deeds, she uses her position to publish condescending articles about him — but are her feelings for him really that shallow?

THE CAST: Gary Cooper, Jean Arthur & George Bancroft

THE TEAM: Frank Capra (Director) & Robert Riskin (Writer)

THE RUNNING TIME: 115 Minutes
​
THE OSCARS: Best Director (Won), Best Picture, Best Actor, Best Adapted Screenplay & Best Sound (Nominated)

FOUR DAUGHTERS (1938)

Four Daughters

THE STORY: The Lemp daughters — Ann (Priscilla Lane), Kay (Rosemary Lane), Thea (Lola Lane) and Emma (Gale Page) — belong to a family of talented musicians, with their father, Adam (Claude Rains), at the helm. To bring in extra income, the Lemps rent rooms in the house, which brings in composer Felix Deitz (Jeffrey Lynn) and pianist Mickey Borden (John Garfield). Since the daughters are all of marrying age and the men are bachelors, complications arise when love enters the household.
​

THE CAST: Priscilla Lane, Rosemary Lane, Lola Lane & Gale Page

THE TEAM: Michael Curitz (Director), Lawrence Kimble & Thyra Samter Winslow (Writers)

THE RUNNING TIME: 90 Minutes
​
THE OSCARS: Best Picture, Best Director, Best Supporting Actor, Best Original Screenplay & Best Sound (Nominated)

THE MORE THE MERRIER (1943)

The More The Merrier

THE STORY: Due to a housing shortage in Washington, D.C., during World War II, Connie Milligan (Jean Arthur) agrees to rent part of her apartment to wealthy retiree Benjamin Dingle (Charles Coburn) and soldier Joe Carter (Joel McCrea). Although Connie is engaged to the unexciting Charles Pendergast (Richard Gaines), she becomes fond of Joe. When Dingle notices their interests in each other, he attempts to play matchmaker — but instead causes problems for the entire apartment.
​

THE CAST: Jean Arthur, Joel McCrea & Charles Coburn

THE TEAM: George Stevens (Director), Richard Flournoy, Lewis R. Foster, Frank Ross & Robert W. Russell (Writers)

THE RUNNING TIME: 104 Minutes
​
THE OSCARS: Best Supporting Actor (Won), Best PictureBest Director, Best Actress, Best Writing & Best Story (Nominated)


GIANT (1956)

Giant

THE STORY: Wealthy Texas rancher Bick Benedict (Rock Hudson) shakes things up at home when he returns from a trip to the East Coast with a love interest, the refined Leslie Lynnton (Elizabeth Taylor). Bick and Leslie get married, but she clashes with his sister, Luz (Mercedes McCambridge), and wins the admiration of the ambitious young Jett Rink (James Dean). Bick and Jett form a tense rivalry that continues to surface as the years pass and fortunes change in this sweeping drama.
​

THE CAST: Elizabeth Taylor, Rock Hudson, James Dean, Carroll Baker, Jane Withers, Chill Wills, Mercedes McCambridge, Sal Mineo & Dennis Hopper

THE TEAM: George Stevens (Director), Fred Guiol & Ivan Moffat (Writers)

THE RUNNING TIME: 201 Minutes
​
THE OSCARS: Best Director (Won), Best Picture, Best Actor (2x), Best Supporting Actress, Best Adapted Screenplay, Best Art Direction, Best Costume Design, Best Film Editing & Best Original Score (Nominated)

THE SUNDOWNERS (1960)

The Sundowners

THE STORY: In 1920s Australia, Paddy Carmody (Robert Mitchum) is a roaming Irish sheepherder who loves his nomadic lifestyle. His wife, Ida (Deborah Kerr), and young son, Sean (Michael Anderson Jr.), don’t share his wanderlust, and family tensions come to a head after Ida persuades Paddy to settle down with a steady job. Meanwhile, the family’s boarder (Peter Ustinov) has to contend with the rigors of outback life and the attentions of a hotel-keeper (Glynis Johns) looking to land a husband.
​

THE CAST: Deborah Kerr, Robert Mitchum & Peter Ustinov

THE TEAM: Fred Zinnemann (Director) & Isobel Lennart (Writer) 

THE RUNNING TIME: 141 Minutes
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THE OSCARS: Best Picture, Best Director, Best Actress, Best Supporting Actress & Best Adapted Screenplay (Nominated)

THE GUNS OF NAVARONE (1961)

The Guns Of Navarone

THE STORY: In 1943, a small commando team is sent to destroy huge German guns on the Greek Island of Navarone in order to rescue Allied troops trapped on Kheros. Led by British Major Franklin (Anthony Quayle), the team includes American Mallory (Gregory Peck), Greek resistance fighter Stavros (Anthony Quinn) and reluctant explosives expert Miller. Facing impossible odds, the men battle stormy seas and daunting cliffs. When Franklin is injured, Mallory takes command, and personal enmities spill over.

THE CAST: Gregory Peck, David Niven & Anthony Quinn

THE TEAM: J. Lee Thompson (Director) & Carl Foreman (Writer)

THE RUNNING TIME: 158 Minutes
​
THE OSCARS: Best Special Effects (Won), Best Picture, Best Director, Best Adapted Screenplay, Best Film Editing, Best Original Score & Best Sound (Nominated)


MIDNIGHT COWBOY (1969)

Midnight Cowboy

THE STORY: Convinced of his irresistible appeal to women, Texas dishwasher Joe Buck (Jon Voight) quits his job and heads for New York City, thinking he’ll latch on to some rich dowager. New York, however, is not as hospitable as he imagined, and Joe soon finds himself living in an abandoned building with a Dickensian layabout named Enrico “Ratso” Rizzo (Dustin Hoffman). The two form a rough alliance, and together they kick-start Joe’s hustling career just as Ratso’s health begins to deteriorate.
​

THE CAST: Dustin Hoffman & Jon Voigt

THE TEAM: John Schlesinger (Director) & Waldo Salt (Writer)

THE RUNNING TIME: 113 Minutes
​
THE OSCARS: Best Picture, Best Director & Best Adapted Screenplay (Won), Best Actor (2x), Best Supporting Actress & Best Film Editing (Nominated)

LENNY (1974)

Lenny

THE STORY: Controversial comedian Lenny Bruce (Dustin Hoffman) begins his career telling bad jokes to bored audiences in the 1950s, but can’t repress his desire to unleash edgier material. When he does, he begins a one-man campaign to break down social hypocrisy, and his groundbreaking stage act propels him to cult-hero status. When authorities ban Lenny’s act for obscenity, he begins a downward spiral of drugs, sex and debt, aided by his bombshell wife, a stripper named Honey (Valerie Perrine).
​

THE CAST: Dustin Hoffman & Valerie Perrine

THE TEAM: Bob Fosse (Director) & Julian Barry (Writer)

THE RUNNING TIME: 111 Minutes
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THE OSCARS: Best Picture, Best Director, Best Actor, Best Actress, Best Adapted Screenplay & Best Cinematography (Nominated)

THE SILENCE OF THE LAMBS (1991)

The Silence Of The Lambs

THE STORY: Jodie Foster stars as Clarice Starling, a top student at the FBI’s training academy. Jack Crawford (Scott Glenn) wants Clarice to interview Dr. Hannibal Lecter (Anthony Hopkins), a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out.
​

THE CAST: Jodie Foster, Anthony Hopkins, Scott Glenn & Ted Levine

THE TEAM: Jonathan Demme (Director) & Ted Tally (Writer)

THE RUNNING TIME: 118 Minutes
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THE OSCARS: Best Picture, Best Director, Best Actor, Best Actress & Best Adapted Screenplay (Won), Best Film Editing & Best Sound (Nominated)


WHIPLASH (2014)

Whiplash

THE STORY: Andrew Neiman (Miles Teller) is an ambitious young jazz drummer, in pursuit of rising to the top of his elite music conservatory. Terence Fletcher (J.K. Simmons), an instructor known for his terrifying teaching methods, discovers Andrew and transfers the aspiring drummer into the top jazz ensemble, forever changing the young man’s life. But Andrew’s passion to achieve perfection quickly spirals into obsession, as his ruthless teacher pushes him to the brink of his ability and his sanity.

THE CAST: Miles Teller, J. K. Simmons & Paul Reiser

THE TEAM: Damien Chazelle (Director/Writer)

THE RUNNING TIME: 106 Minutes
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THE OSCARS: Best Supporting Actor, Best Film Editing & Best Sound Mixing (Won), Best Picture & Best Adapted Screenplay (Nominated)

You can follow Matt and hear more of his thoughts on the Oscars & Film on Twitter at @NextBestPicture

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Matt Neglia
Matt Negliahttps://nextbestpicture.com/
Obsessed about the Oscars, Criterion Collection and all things film 24/7. Critics Choice Member.

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