By Ryan C. Showers
This past weekend provided stunning revelations in the Best Picture race... The Producers Guild Awards awarded “1917” their version of Best Picture, upsetting what most were expecting to be a two-way race between “Once Upon a Time in Hollywood” and “Parasite.” This is after “1917” also upset “The Irishman” at the Golden Globes two weeks ago, and then surprised everyone with substantial box office legs, sitting with over $80 million after less than two weeks in wide release. The PGA title is so coveted as a predictor for Best Picture because, like the Academy’s method for voting for the top prize, the PGA uses a preferential ballot to choose the winner. The PGA is a “test” of sorts to see which films rise and fall using such a measure. “Once Upon a Time in Hollywood” has been rumored to be a competitive player on the preferential ballot due to its overwhelming apparent love from the industry. As was “Parasite,” which is the movie “everyone and their brother loves, and no one hates” this year. The fact that “1917” was able to surmount both films is an enormous development.
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By Cody Dericks
The SAG Awards! Actors voting for actors! A night that could change the course of the Oscar race! Just not this year! Last night’s SAG Award winners (despite an exciting Best Ensemble winner...more on that later) should not have been surprising to anyone with a passing familiarity with this awards season. Joaquin Phoenix, Renee Zellweger, Brad Pitt, and Laura Dern continued their televised-award dominance with yet another set of wins tonight, and their path to the Oscar appears all-but-guaranteed. 
By Amanda Spears
Renée Zellweger returned to the Oscar race this year with her portrayal of Judy Garland in the film “Judy.” And after receiving her fourth Oscar nomination, she’s enjoying being the current front runner after winning the Critics Choice Award & the Golden Globe. But before the Oscars is the Screen Actors Guild Awards, where she has a unique opportunity at history. Should Zellweger win as expected, she would be the first woman with three individual SAG wins. 
By Daniel Howat
The day has arrived and the Academy Awards nominations are here, sooner than ever before. Barely a week after the Golden Globes, and the day after the Critics Choice Awards, we’re ready to dive into the main event. As always, there were plenty of surprises and snubs when the nominees were finally unveiled. Let’s break down the nominees! 
By Matt Neglia
This Monday. Everything we've talked about this year...it all comes down to this Monday morning. Starting at 8:18am EST, the nominations for the 92nd Academy Awards will be announced. The Next Best Picture team has been debating, analyzing and obsessing over what we think will be nominated and what we think will be snubbed. After Monday morning, we won't have to speculate anymore. No, after that...it'll be all about what wins. But for now, click below to see our final Oscar Nomination Predictions. 
By Bianca Garner
On February 2nd, the 73rd Annual British Academy Film Awards, more commonly known as the BAFTAs, will be taking place. Usually, as a Brit, I would be buzzing with excitement, but this year’s BAFTAs already feels disappointing. Today saw the announcement of the nominees, and as the names were unveiled to us, it was clear that an all too familiar and rather ugly pattern was emerging. 
By Will Mavity
Another year, another Oscars Visual Effects bake-off. For a refresher, the Academy Visual Effects branch assembles every year to view 15-minute presentations of each of the 10 shortlisted finalists for the visual effects Oscar. Voters then rate the presentations, resulting in the 5 nominees. A good presentation can result in a nomination for an unexpected film ("Deepwater Horizon") and a poor presentation can kill a perceived frontrunner’s chances ("Tron: Legacy"). 
By Daniel Howat
The most unpredictable Golden Globes in quite some time has now wrapped up! With just a day left in Oscar voting, was there enough time for these winners to affect the nominations? Let’s dive into the winners and losers of the Globes and how it might play into the Oscar race. 
By Will Mavity
For the first time ever, the Oscar Makeup and Hairstyling shortlist featured 10 films instead of 7, as there will be 5 nominees this year. Presentations were screened in alphabetical order. Branch members will now vote for their 5 favorite films based on these Makeup & Hairstyling presentations. I was not present at this year’s bakeoff, however, I had someone in attendance who was there to give play by plays. Here were the main takeaways... 
By Nicole Ackman
With many awards bodies releasing their nominations and winners, and Oscar voting just kicking off yesterday, it’s the right time to consider the many female directors who have created fantastic films this year. The Golden Globes’ all-male director line-up left many disappointed and we can hope we won’t see the great work done by female directors similarly ignored at the Oscars. Unfortunately, the Academy don’t have a great track record for nominating female directors. In fact, in their entire history, only five women have been nominated: Lina Wertmüller for “Seven Beauties” (1975), Jane Campion for “The Piano” (1993), Sofia Coppola for “Lost in Translation” (2003), Kathryn Bigelow for “The Hurt Locker” (2008), and Greta Gerwig for “Lady Bird” (2017). Of those nominated, only Bigelow won. Sometimes, the argument is made that there simply aren’t films made by women that are worthy of a Best Director nomination, but this seems hard to believe considering the filmography of Barbra Streisand, Sofia Coppola, Nora Ephron, and countless others. Certainly, 2019 is a year filled with fantastic offerings from female directors ranging from biopics to raunchy teen comedies. While there are a plethora of women who have directed great films this year, here are the ones that we believe are most worthy of consideration. 
By Ryan C. Showers
One of the most common topics among pundits and Film Twitter since last year’s Academy Awards has been the shocking result of the Best Actress race. The vast amount of people predicting Glenn Close to prevail for “The Wife” was astronomical; aside from the few outliers, almost no one was considering Olivia Colman for “The Favourite” in a serious way. Close’s upset was such a shock that it has defined the conversation around the current Best Actress race. Many people have subscribed to this basic reasoning as to why Close lost and Colman won: “The Wife” was only nominated in Best Actress and “The Favourite” was a Best Picture nominee; therefore, more people saw the latter rather than the former, thus voting for what they saw. The argument is also contingent upon, by a film receiving more than one nomination, a certain level of passion from other groups is displayed. Frankly, I have never agreed with this as a write-off of the Best Actress result. 
By Ryan C. Showers
Since I last wrote about Best Supporting Actress, the race has exploded. I previously suspected this category would crystalize with the Critics’ Choice, Golden Globes, and Screen Actors Guild nominations. However, the trajectory of the race lunged in the opposite direction – Best Supporting Actress is the most fluid acting race of the year. The race has cracked open with more contenders than even I previously expected. There are several ways this could play out based on how certain movies perform in their theatrical rollout, how other movies try to sustain buzz and the test of all tests: If previously hot-ticket films can hold their buzz from the end of the year over the threshold into the new year. This last point is something that’s underrated in awards season analysis. The conversation and the slates of nominees we see in the televised precursor nominations in early December oftentimes drastically change from who we see nominated by the BAFTA awards and the Oscars in the middle of January. In fact, this year it seems like more than ever BAFTA will be influential in helping to set up the buzz on which the Oscars will follow through. 
By Tom O'Brien
We're down to crunch time – the Academy has released its shortlist for the newly-named Best International Feature Film (formerly Best Foreign Language Film). Films from 93 countries were submitted, but two were disqualified for containing too much English, including Nigeria's "Lionheart." Here are the rules: "Los Angeles-based Academy members from all branches screened the original submissions in the category between mid-October and December 10. The group’s top seven choices, augmented by three additional selections voted by the Academy’s Foreign Language Film Award Executive Committee, constitute the shortlist. Academy members eligible to participate in the Nominations round of voting will view the shortlisted films. Members must see all ten films before casting their ballots." So here we go. These are the final ten films in competition for Best International Feature Film... 
By Daniel Howat
The Academy of Motion Picture Arts and Sciences released the shortlists for nine categories today: Documentary Feature, International Feature, Original Score, Original Song, Makeup & Hairstyling, Visual Effects, and all three Shorts categories. Naturally, each shortlist comes with films that didn’t make the cut, or surprises that made it in. Check out the shortlists below, along with the snubs, surprises, and my personal predicted nominees. 
By Josh Parham
One of awards season’s most important precursors, the Screen Actors Guild Awards, just revealed their nominations and provided yet another insight into the industry’s take on the year in film. They’re one of a few guilds that have started announcing, but being representative of actors’ votes carries a lot of weight. Let’s now take a look at some of their choices and what the nominations reveal about what’s in store for the rest of the season. 
By Rebecca Daniel
On the morning of the Golden Globe nominations announcement, I excitedly checked my phone to see all the nominees. There were some highlights like Roman Griffin Davis securing an acting nomination and “Knives Out” getting recognition! Of course, not all of my favorite movies and actors made it into the major categories, but that happens every year. It was one category in particular that stuck out to me drastically: Best Director. There were a few men that I assumed would (and should) get in the category like Martin Scorsese for “The Irishman,” Quentin Tarantino for “Once Upon A Time... In Hollywood,” and Noah Baumbach for “Marriage Story” (who somehow got snubbed.) I admire these filmmakers and their precise craftsmanship. I was convinced that either Greta Gerwig, Lulu Wang, or Lorene Scafaria could secure their Best Director nomination for “Little Women,” “The Farewell,” or “Hustlers.” Surely, a woman could take up one slot out of the five, right? Wrong. 
By Daniel Howat
The nominations for the 77th Golden Globe Nominations were announced this morning, and as expected, the HFPA had plenty of surprises in store for us. After the Critics’ Choice Nominations yesterday, along with many critics groups, the race is starting to quickly take shape. How will these nominations affect the race toward the Academy Awards? Let’s dive into some snubs, surprises, and takeaways from the Golden Globe nominations. 
By Cody Dericks
Being the first televised awards show to announce its nominations, the Critics' Choice Awards have an important role in solidifying this year's awards contenders. Even though they have expanded their categories compared to other awards bodies, and thus can nominate a wider scope of people and films, they're still a good indicator of what's making waves in the world of film awards. So what were the big takeaways from today's nominations? Let's take a look... 
By Ryan C. Showers
Even before the hotly anticipated sequel to the instant-classic, “Frozen,” was released, Disney made clear its intentions for their campaign strategy. Back in the summer, the rumblings began swirling about “Into the Unknown” as the big push for Disney to recapture the Best Original Song trophy at the Academy Awards. The original film won that category for “Let it Go” in 2014, along with Best Animated Feature. However, now that audiences have had the chance to see the finished product of “Frozen 2,” there seems to be a resounding consensus that this decision was a miscalculation. “Show Yourself” is the stronger submission for “Frozen 2” to win Best Original Song, and Disney should reverse course in their awards season campaign before it’s too late. 
By Ryan C. Showers
Films about women – and explicitly feminist films – are usually treated with little respect by awards bodies. A recent ugly example in recent years happened in 2014 when films like “Gone Girl” and “Wild” were washed over across the board in favor of controversial, masculine-focused stories like “American Sniper.” This was a year where there were no Best Picture nominees with women protagonists, despite there being options. Gender bias comes through all the time. Even within discourse in pundit and award show fan circles, the few films that do actually make an impact are not necessarily treated with the respect they deserve. The most successful feminist film at the Oscars in the past 20 years was “The Hours.” Yet, when Film Twitter discusses 2002, it’s almost completely skipped over in the discussion despite winning Best Actress, accumulating nine Oscar nominations, winning the Golden Globe for Best Picture – Drama, and the Best Adapted Screenplay Writer’s Guild Award. There hasn’t been a film like “The Hours” nominated since then; a movie adapted from Pulitzer Prize-winning source material that’s based on a novel by a female literary legend; and where the plot is about female protagonists struggling with depression, the internal wars of their identity, and reflection of their life choices as women. |
BEST PICTURE Parasite (27) - AACTA, AFCA, AFCC, AWFJ, BOFCA, CFCA, CIC, COFCA, DFCS, GALECA, GFCA, HFCS, LAFCA, LEJA, NCFCA, NSFC, NYFCO, OAFFC, OFCS, PCC, SAG, SEFCA, SFCS, TFCA, UFCA, VFCC, WAFCA Once Upon A Time In Hollywood (10) - CCA, GG, HFCS, IFCA, IPA, LVFCS, NDFS, OFCC, SFBAFCC, StLFCA 1917 (7) - DFCS, DFWFCA, GG, HCA, KCFCC, MCFCA, PGA The Irishman (5) - AARP, NBR, NTFCA, NYFCC, SDFCS Marriage Story (5) - DFCC, GWNYFCA, IFJA, IFP, NFCS Knives Out (2) - CIC, PFCC Portrait Of A Lady On Fire (2) - FFCC, WFCC Dolemite Is My Name - BFCC Ford v Ferrari - IPA For Sama - BIFA Harriet - WFCC Joker - PFCS Little Women - BSFC Us - AAFCA BEST DIRECTOR Bong Joon-ho (27) - AFCA, AFCC, AWFJ, BOFCA, BSFC, CCA, CFCA, CIC, COFCA, GALECA, GFCA, GWNYFCA, HFCS, IFJA, LAFCA, LEJA, NCFCA, NDFS, NYFCO, OAFFC, OFCS, PCC, SFBAFCC, SFCS, TFCA, VFCC, WAFCA Sam Mendes (9) - CCA, DFCS, DFWFCA, GG, KCFCC, MCFCA, NTFCA, PFCS, UFCA Martin Scorsese (7) - AARP, BFCC, DFCC, DFCS, OFCC, PFCC, SEFCA Quentin Tarantino (6) - AACTA, HFCS, IFCA, LVFCS, NBR, StLFCA Noah Baumbach (2) - HCA, NFCS Greta Gerwig (2) - CIC, NSFC Josh & Benny Safdie (2) - NYFCC, SDFCS Laure de Clermont-Tonnerre - IFP Kassi Lemmons - BFCC James Mangold - IPA Jordan Peele - AAFCA Celine Sciamma - FFCC Olivia Wilde - HCA Waad al-Kateab & Edward Watts - BIFA BEST ACTOR Adam Driver (30) - AACTA, AFCC, AWFJ, CFCA, CIC, COFCA, DFCC, DFCS, DFWFCA, FFCC, GFCA, GWNYFCA, HFCS, IFJA, IFP, KCFCC, NCFCA, NFCS, OAFFC, OFCS, PCC, PFCC, SDFCS, SEFCA, SFCS, TFCA, UFCA, VFCC, WAFCA, WFCC Joaquin Phoenix (14) - CCA, DFCS, GG, HCA, HFCS, IFCA, LEJA, MCFCA, NDFS, NTFCA, NYFCO, PFCS, SAG, SDFCS Adam Sandler (8) - AARP, AFCA, BOFCA, BSFC, LVFCS, NBR, OFCC, StLFCA Antonio Banderas (6) - EFA, GALECA, LAFCA, NSFC, NYFCC, SFBAFCC Taron Egerton (2) - GG, IPA Eddie Murphy (2) - AAFCA, BFCC Christian Bale - IPA Josh O'Connor - BIFA BEST ACTRESS Lupita Nyong'o (27) - AFCA, AAFCA, AWFJ, BFCC, BOFCA, CFCA, CIC, COFCA, FFCC, GFCA, HCA, IFJA, KCFCC, LAFCA, MCFCA, NCFCA, NYFCC, NYFCO, OFCC, OFCS, PCC, SDFCS, SFBAFCC, SFCS, TFCA, WAFCA, WFCC Renée Zellweger (13) - AARP, AFCC, BIFA, CCA, GALECA, GG, HFCS, IFCA, LVFCS, NBR, PFCS, SAG, SEFCA Scarlett Johansson (12) - DFCC, DFCS, DFCS, DFWFCA, FFCC, GWNYFCA, IPA, NFCS, OAFCC, StLFCA, UFCA, VFCC Awkwafina (5) - GG, HFCS, IFP, IPA, LEJA Mary Kay Place (2) - LAFCA, NSFC Saoirse Ronan (2) - AACTA, BSFC Charlize Theron (2) - NFCS, NTFCA Cynthia Erivo - WFCC Florence Pugh - NDFS BEST SUPPORTING ACTOR Brad Pitt (33) - AACTA, AFCA, AFCC, AWFJ, BFCC, BOFCA, BSFC, CCA, CFCA, DFCS, DFWFCA, GG, HFCS, HFCS, IFCA, LEJA, MCFCA, NBR, NCFCA, NSFC, OFCC, OFCS, PFCC, PFCS, SAG, SDFCS, SEFCA, SFBAFCC, StLFCA, TFCA, VFCC, WAFCA Joe Pesci (12) - DFCS, FFCC, GFCA, GWNYFCA, HCA, KCFCC, NFCS, NYFCC, NYFCO, PFCC, SDFCS, UFCA Willem Dafoe (6) - COFCA, IFJA, IPA, LVFCS, NDFS, SFCS Song Kang-ho (4) - CIC, GALECA, LAFCA, PCC Tom Hanks (2) - AARP, NTFCA Jamie Foxx - AAFCA Shia LaBeouf - OAFCC Hugh Laurie - BIFA BEST SUPPORTING ACTRESS Laura Dern (20) - AARP, AFCC, BSFC, CCA, DFCS, DFCS, DFWFCA, FFCC, GG, HFCS, IFCA, NDFS, NSFC, NYFCC, NYFCO, PFCS, SAG, SEFCA, TFCA, VFCC Jennifer Lopez (14) - AFCA, GALECA, HCA, IFJA, IPA, LAFCA, LEJA, NFCS, OAFFC, OFCC, OFCS, SFBAFCC, SFCS, WAFCA Florence Pugh (11) - AWFJ, BOFCA, CFCA, COFCA, DFCS, GFCA, GWNYFCA, LAFCA, MCFCA, NCFCA, UFCA Zhao Shuzhen (4) - CIC, HFCS, NTFCA, SDFCS Da'Vine Joy Randolph (3) - AAFCA, BFCC, KCFCC Margot Robbie (3) - AACTA, LVFCS, StLFCA Kathy Bates - NBR Ruthxjiah Bellenea - BIFA Thomasin McKenzie - PCC BEST ADAPTED SCREENPLAY Little Women (15) - AFCA, AWFJ, BOFCA, CCA, CIC, COFCA, DFCS, FFCC, IFJA, KCFCC, LEJA, NCFCA, UFCA, WAFCA, WFCC The Irishman (10) - BFCC, GFCA, GWNYFCA, HFCS, NBR, OFCC, OFCS, SEFCA, StLFCA, TFCA Jojo Rabbit (6) - AACTA, HCA, NFCS, OAFFC, PFCS, SFBAFCC Joker - IPA Luce - SDFCS The Personal History Of David Copperfield - BIFA The Two Popes - LVFCS BEST ORIGINAL SCREENPLAY Parasite (19) - AFCA, AAFCA, AFCC, AWFJ, CFCA, COFCA, GALECA, GFCA, HCA, LEJA, MCFCA, NCFCA, NSFC, NYFCO, OFCS, SEFCA, SFBAFCC, SFCS, UFCA Marriage Story (14) - AARP, DFCC, DFCS, DFWFCA, GWNYFCA, IFJA, IFP, IPA, LAFCA, OAFFC, SDFCS, StLFCA, VFCC, WAFCA Once Upon A Time In Hollywood (10) - BOFCA, BSFC, CCA, GG, HFCS, LVFCS, NDFS, NFCS, NYFCC, StLFCA Knives Out (8) - CIC, DFCS, HFCS, KCFCC, OFCC, PCC, PFCC, PFCS Uncut Gems (2) - FFCC, NBR Portrait Of A Lady On Fire - EFA Queen & Slim - BFCC BEST CINEMATOGRAPHY 1917 (33) - AFCA, AFCC, AWFJ, BFCC, CCA, CFCA, CIC, COFCA, DFWFCA, FFCC, GFCA, HCA, HFCS, HFCS, IPA, KCFCC, LEJA, LVFCS, MCFCA, NCFCA, NFCS, NTFCA, NYFCO, OAFFC, OFCS, PCC, PFCS, SEFCA, SFBAFCC, SFCS, StLFCA, UFCA, WAFCA Portrait Of A Lady On Fire (5) - BSFC, GWNYFCA, LAFCA, NSFC, NYFCC The Lighthouse (3) - NDFS, PFCC, SDFCS Once Upon A Time In Hollywood (2) - BOFCA, OFCC Ad Astra - DFCC Beats - BIFA BEST COSTUME DESIGN Dolemite Is My Name (7) - CCA, CIC, IPA, LEJA, LVFCS, SDFCS, SFCS Rocketman (3) - HCA, HFCS, PFCS Little Women - CFCA The Personal History Of David Copperfield - BIFA BEST FILM EDITING 1917 (5) - CCA, CIC, HCA, MCFCA, PFCS Ford v Ferrari (5) - IPA, LVFCS, SDFCS, SFBAFCC, WAFCA The Irishman (4) - AWFJ, BOFCA, BSFC, CFCA Apollo 11 (3) - ACE, LAFCA, UFCA Parasite (3) - ACE, LEJA, OFCS Uncut Gems (3) - AFCA, GWNYFCA, SFCS Once Upon A Time In Hollywood (2) - HFCS, StLFCA For Sama - BIFA Jojo Rabbit - ACE Knives Out - COFCA The Lighthouse - NDFS Toy Story 4 - ACE BEST MAKEUP & HAIRSTYLING Bombshell (5) - CCA, CIC, HCA, LEJA, MUAHS Joker (2) - HFCS, MUAHS Downton Abbey - MUAHS The Personal History Of David Copperfield - BIFA BEST ORIGINAL SCORE Joker (10) - CCA, DFCS, GFCA, GG, HCA, HFCS, IPA, LVFCS, NDFS, PCC 1917 (9) - AFCA, AFCC, DFWFCA, HFCS, IFCA, LEJA, MCFCA, PFCS, StLFCA Us (5) - CIC, COFCA, IFJA, OFCS, WAFCA Uncut Gems (4) - BOFCA, FFCC, OFCC, SFCS Little Women (2) - BSFC, CFCA Apollo 11 - UFCA I Lost My Body - LAFCA The Last Black Man In San Francisco - SFBAFCC Marriage Story - GWNYFCA BEST ORIGINAL SONG Wild Rose (7) - BIFA, CCA, DFCS, GFCA, HCA, HFCS, NDFS Rocketman (6) - CCA, GG, HFCS, IPA, LEJA, MCFCA Always Be My Maybe - CIC Frozen II - PFCS Harriet - LVFCS Toy Story 4 - IFCA BEST PRODUCTION DESIGN Once Upon A Time In Hollywood (12) - CCA, CFCA, FFCC, LAFCA, LVFCS, MCFCA, NDFS, NFCS, SFBAFCC, SFCS, StLFCA, WAFCA 1917 (4) - GFCA, LEJA, PFCS, SDFCS Knives Out - CIC Motherless Brooklyn - IPA Parasite - HFCS The Personal History Of David Copperfield - BIFA BEST SOUND EDITING 1917 (3) - LEJA, MCFCA, MPSE Ford v Ferrari (3) - HFCS, IPA, MPSE BEST SOUND MIXING 1917 (2) - LEJA, MCFCA Ford v Ferrari (2) - HFCS, IPA Beats - BIFA BEST VISUAL EFFECTS Avengers: Endgame (8) - CCA, HCA, LEJA, LVFCS, NCFCA, NFCS, PFCS, StLFCA 1917 (3) - CIC, DFCS, HFCS Ad Astra (3) - CFCA, SDFCS, SFCS Alita: Battle Angel (3) - FFCC, HFCS, IPA BEST ANIMATED FEATURE Toy Story 4 (30) - AFCC, BOFCA, CCA, CFCA, COFCA, DFCS, DFCS, DFWFCA, GFCA, GWNYFCA, HCA, HFCS, HFCS, IFCA, KCFCC, LEJA, MCFCA, NCFCA, NFCS, NTFCA, OAFFC, OFCC, OFCS, PCC, PFCC, PFCS, SEFCA, SFCS, StLFCA, WAFCA I Lost My Body (13) - AFCA, AWFJ, BFCC, BSFC, CIC, FFCC, LAFCA, NDFS, NYFCC, NYFCO, SDFCS, SFBAFCC, UFCA Missing Link (3) - GG, LVFCS, TFCA How To Train Your Dragon: The Hidden World (2) - IFJA, NBR Abominable - AAFCA The Lion King - IPA BEST INTERNATIONAL FEATURE FILM Parasite (45) - AFCA, AAFCA, AFCC, AWFJ, BFCC, BIFA, BOFCA, BSFC, CCA, CFCA, CIC, COFCA, DFCS, DFWFCA, GALECA, GFCA, GG, GWNYFCA, HCA, HFCS, HFCS, IFJA, KCFCC, LEJA, LVFCS, MCFCA, NBR, NCFCA, NDFS, NTFCA, NYFCC, OFCC, OFCS, PCC, PFCC, PFCS, SDFCS, SEFCA, SFBAFCC, SFCS, StLFCA, TFCA, UFCA, VFCC, WAFCA Portrait Of A Lady On Fire (3) - FFCC, NYFCO, WFCC Pain and Glory (2) - AARP, LAFCA Truth and Justice - IPA BEST DOCUMENTARY FEATURE Apollo 11 (35) - AFCA, AFCC, AWFJ, BOFCA, CCA, CFCA, CIC, COFCA, DFCC, DFCS, DFWFCA, FFCC, GFCA, GWNYFCA, HCA, HFCS, HFCS, IFCA, KCFCC, LVFCS, MCFCA, NCFCA, NFCS, NTFCA, NYFCO, OAFFC, OFCS, PCC, PFCC, SEFCA, SFBAFCC, SFCS, StLFCA, UFCA, WAFCA Honeyland (7) - BSFC, DFCS, GALECA, NDFS, NSFC, NYFCC, VFCC American Factory (4) - IFP, LAFCA, OFCC, TFCA For Sama (4) - BIFA, EFA, IDA, IFJA One Child Nation (2) - PFCS, SDFCS 63 Up - IPA Amazing Grace - KCFCC The Black Godfather - AAFCA Knock Down The House - LEJA Linda Ronstadt: The Sound of My Voice - AARP Maiden - NBR Toni Morrison: The Pieces I Am - BFCC AuthorsNicole Ackman Archives
January 2020
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