By Robert Dougherty
In the first year where the Best Picture field has expanded back to ten nominees again, it leaves things wide open for a huge big screen spectacle like "Dune" to crash the category. After a big opening weekend and plenty of passionate support, the drumbeat will go on for "Dune" to do more than just sweep below-the-line categories. In the process, it should keep inspiring comparisons to how "Mad Max: Fury Road" was the last fantasy blockbuster to truly threaten in above-the-line categories with director George Miller coming close to a win. However, the real blockbuster comparison for "Dune" isn't with "Mad Max: Fury Road" "Star Wars" or "The Lord of the Rings" trilogy – but rather, with the last sci-fi blockbuster to crash the Oscars in the first year of a ten film nominated Best Picture field. Of course, "Avatar" became a more massive hit in 2009 than "Dune" will surely be in 2021, yet the two share a lot beyond that little difference.
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By Eve O'Dea
This year's Oscar race for Best Director is sure to feature faces both familiar and new to Academy voters. As seen at this past year's various international film festivals, there has been no shortage of highly acclaimed films directed by women worthy of this honor. With Chloé Zhao being only the second female director in Academy history to win (the first being Kathryn Bigelow for "The Hurt Locker" in 2009), and last year being the first time two women had ever been simultaneously nominated, there is hope that this year's slate will contain a greater diversity of voices. 
By Will Mavity
Whether a screenplay is "Original" or "Adapted" seems like an easy question. The WGA (Writers Guild of America) has its own standards for what constitutes adapted. However, The Academy writers' branch disagrees. Seemingly every year, there are screenplays that the WGA and the studios submitting them for awards consideration considered to be "Original," that the Academy reclassifies at the last minute as Adapted. While the WGA (and other awards like BAFTA) typically consider a screenplay "Adapted" if it is based on a play, book, article, or pre-existing film, the Academy opts for a more expansive view of what constitutes adaptation. 
By Will Mavity
During May 2018, as I was scanning Cannes reviews for Pawel Pawlikowski's "Cold War," and knowing Alfonso Cuaron's black & white "Roma" was due out later the same year, I tweeted, "It just occurred to me that with Roma and Cold War, 2018 could be the first Oscar lineup with multiple black-and-white Cinematography nominees since the 1960s." At the time, the idea seemed like a long shot. And even if it happened, I figured it would just be a fun little bit of Oscar trivia, not indications of a trend. But then they both were, in fact, nominated, making the first Oscar cinematography lineup with multiple black & white nominees since the Academy stopped separating cinematography awards into distinct black-and-white and color categories. And of course, they dominated the cinematography awards that season with "Cold War" winning the ASC and "Roma" taking the Oscar. 
By Zach Gilbert
It feels like it's been quite a few years since we've had a real "competition" in the Best Original Song category at the Oscars. Sure, last season, we had a different winner at almost every televised ceremony ("Io sì (Seen)" at the Golden Globes, "Speak Now" at the Critics Choice Awards, "Fight for You" at the Academy Awards, etc.) but that was primarily due to a lack of passion for one contender rather than conflict caused by two or three titans going head-to-head-to-head. Before that, songs like "City of Stars," "Shallow," and "(I'm Gonna) Love Me Again" sailed through the season practically unopposed. 
By Robert Dougherty
In a particular context, the prospective field for Best Picture looks pretty crowded, with early festival breakouts like "Belfast," "The Power of the Dog," "King Richard," "Spencer," "Dune," and "The Tragedy of Macbeth" and projected fall contenders like "West Side Story," "Licorice Pizza," "Nightmare Alley," "House of Gucci," and "Don't Look Up." With a field of ten, this lineup would be more than enough to fill it out – assuming this will be the lineup by the end. In truth, the odds are good that at least one or two of the big five fall mystery films will flop out of awards season and that at least one or two of the six early festival favorites will not have the legs or support for the long run. Yet, at this early stage of awards season, these eleven movies are far and away ahead of the rest of the field, to the point where no other film is on more than two Best Picture ballots among Next Best Picture's team of prognosticators. 
By Robert Dougherty
The New York Film Festival premiere of "The Tragedy of Macbeth" not only confirmed it would be in the awards season conversation, but last year's Best Actress winner, Frances McDormand, may once again be there as well. Yet if she is placed in the Supporting Actress category, she will merely be one of nearly a dozen who have already made a big case to squeeze into the field of five – which is more than what can be said about the other supporting field so far. 
By Eve O'Dea
Another contender has entered the Oscar race. On September 16th, the trailer for Guillermo del Toro's highly anticipated "Nightmare Alley" was released, furthering speculation about this year's highly competitive award's season. This being del Toro's first feature as a director since the Academy Award Best Picture/Best Director winning "The Shape of Water," the film is an adaptation of the 1946 novel by William Lindsay Gresham, which was previously turned into a film noir directed by Edmund Goulding. 
By Lauren LaMagna
Yes, I am aware that it is September, and some would consider it "too early" to discuss this topic, but after the Venice, Telluride, and Toronto Film Festivals, Oscar pundits finally got to see some of the anticipated films of the season. This means we finally know some of these films are legitimate Oscar contenders. After the last few weeks, it is apparent that we may possibly have a major race in one of the top categories: Best Actress, between former Academy Award nominee Jessica Chastain for "The Eyes Of Tammy Faye" and seeking her first nomination, Kristen Stewart for "Spencer." 
By Robert Dougherty
The last two years yielded unconventional Best Picture winners in "Parasite" and "Nomadland"; the two most unconventional back-to-back winners since "Moonlight" and "The Shape of Water" in 2016 and 2017. But as many will remember, whether they'd like to or not, the Academy snapped right back into conventional thinking in 2018 by getting behind "Green Book," in a formula that might well repeat itself in 2021. "Green Book" began its contentious march to Best Picture with a surprise Audience Award win at the Toronto International Film Festival. In contrast, "Belfast" was a near-unanimous pick to win the 2021 Audience Award before TIFF ever opened, and the experts turned out right to pick it. As such, while "Belfast" may not have been the most acclaimed movie at TIFF, it is clearly the first frontrunner of the season. 
By Robert Dougherty
Ridley Scott's four-plus decades of beloved films surely means he has nothing left to prove for himself. Having also survived a share of unpopular and divisive movies, it shouldn't destroy his legacy if he releases two more within the span of a few weeks later this fall. But if both "The Last Duel" and "House of Gucci" turn out better than that, it may well be one of Scott's more impressive career landmarks, whether or not the Oscars take notice. However, the recent first looks at both "The Last Duel" and "House of Gucci" show what a tremendous tightrope Scott has to walk for both. If he falls off one or both of them, critics and certain corners of the Internet may not let up on Scott for a good long while. This would make it all the more remarkable if he stays on both, whether or not the Academy is so easily impressed. 
By Eve O'Dea
Early reactions to Kenneth Branagh's "Belfast" arrived Thursday evening soon after its world premiere screening at the Telluride Film Festival. Over a week before its originally scheduled premiere at TIFF, Telluride audiences emerged from the Werner Herzog Theatre, with their expectations met seemingly exactly as predicted. Critic Tomris Laffly noted that it was "sweet if somewhat unremarkable" and a story Branagh "had to get out of his system," as Kris Tapley labeled it as "One from the heart." Both indicated an inevitable comparison to Alfonso Cuaron's "Roma," one made even stronger given the recently released poster of bright yellow text on a black-and-white photograph. It's clear what Focus Features is going for here. 
By Tom O'Brien
As the nation's leading theater chains began to lure back audiences with a string of studio-backed tentpoles early this summer, arthouses took a much different approach, relying on a slew of documentaries, most of which were celebrity-driven, to lure back older audiences. In the past few months, we have seen such notable works as "Roadrunner: A Film About Anthony Bourdain," "Val" about actor Val Kilmer, and "Rita Moreno: Just a Girl Who Decided to Go for It," as well as documentaries on choreographers Alvin Ailey and Bill T. Jones. So, amidst all of these new documentaries, it stands to reason that any good Oscarologist would naturally turn to what it all means to the upcoming Oscar race for Best Documentary Feature. Among documentaries already released in theaters, a consensus is beginning to form that only three films have a real shot at an Oscar nomination... 
By Robert Dougherty
"The Power of the Dog" had its teaser trailer debut yesterday, right before it's selected to play at the Venice, Toronto, and New York film festivals. Because it's the rare film to screen at all the major festivals in the next few weeks, it may well be the preseason favorite to 'win' film festival season and set the early bar for the Oscar race. Being the big breakout of film festival season carried "Nomadland" all the way last year and has worked for pretty much every Best Picture winner since the mid-2000s. "The Power of the Dog" would have a long way to go to match that, even if it is the major contender that all its festival bookings suggest. Nonetheless, all the signs are there to suggest it could be. 
By Matt Neglia
It's that time of the year. One week from today, I'll be in Telluride, Cody Dericks will be at the Venice Film Festival, and soon after that, Dan Bayer and I will be covering Toronto and New York. It's going to be one hell of a September as our most anticipated films of the year screen for audience members and critics in person or digitally for the first time. Before the madness begins, the team over at Next Best Picture has put together their first Oscar predictions of the year for you to absorb and dissect before official reactions roll in. Let's take a look at where the race stands on the eve of the fall film festivals. 
By Zach Gilbert
After sweeping the 2021 Sundance Film Festival awards (earning the U.S. Grand Jury Prize - Dramatic, Directing Award - U.S. Dramatic, U.S. Audience Award, and a U.S. Dramatic Special Jury Award for its ensemble cast) and breaking records for its $25 million sale to Apple, it's safe to say that hype for Sian Heder's "CODA" has been through the roof. Could any film possibly live up to such lofty expectations? Thankfully, so far, "CODA" seems to be doing just that and more. 
By Cameron Lee
Another awards season means another chance for long-overdue individuals to net their first Oscar win. This year is no different from any other year as we embark on the fall film festivals and contenders begin to emerge with positive reviews, built in narratives and sometimes both. Here are some individuals we are rooting for this year whose bad luck with the Academy could finally run out. 
By Will Mavity
When the Academy was limited to five Best Picture nominees prior to 2009, the directors' branch would typically give us at least one "Lone Director" nominee per year. A lone Best Director nomination is when a film is nominated for Best Director without a corresponding Best Picture nomination. Given that only directors choose the Best Director nominees, while the entire Academy selects the Best Picture nominees, usually, these lone Best Director nominees are for films that were too bold and experimental for the more populist Academy as a whole to embrace. 
By Zach Gilbert
After a comparatively "light" year for the Best Animated Feature race that mostly saw the same five films being mentioned at every ceremony ("Soul," "Wolfwalkers," "Onward," "Over the Moon," and "The Croods: A New Age," with "A Shaun the Sheep Movie: Farmageddon" subbing in for "Croods" at the Oscars), the competition is set to heat up significantly in the 2021-2022 awards season - with contenders coming from several different studios and animated in an array of diverse styles. Though Disney/Pixar has long had a stronghold on this category - and will be amply represented this year with "Encanto," "Luca," and "Raya and the Last Dragon" - it certainly won't be a cakewalk to the trophy this time around, as Neon and Netflix are set to put up quite the fight. 
By Zach Gilbert
One of the best parts of every awards season is seeing which underrecognized, and underappreciated actors and actresses finally receive their due from the industry, earning all sorts of acclaim and accolades for a breakout role or part that personifies all the achievements in their career thus far. Just last year, long-overlooked talents like the late Chadwick Boseman experienced his Oscar nomination for "Ma Rainey’s Black Bottom," while a new generation of exciting stars on the rise were represented at the 93rd Academy Awards as well, such as "Sound of Metal's" Riz Ahmed, "Minari's" Steven Yeun, and "Mank's" Amanda Seyfried. Looking ahead to the 2021-2022 awards season, even more actors are awaiting their time to shine on the Oscar stage, from fan-favorite ingenues to hardworking vets. Though this list is likely to expand significantly as we get deeper into the season, we've assembled the ten actors most likely to receive their first Oscar nomination this year, arranged in alphabetical order. 
By Tom O'Brien
From a bomb scare to saliva tests to a goofed-up Palme d'Or reveal, the 74th Cannes Film Festival provided twelve enormously memorable days to kick off the 2021 awards season. Were there any Oscar contenders to emerge from the festival? Let's take a dive into the reactions and see where things stand. 
By Will Mavity
We're halfway through 2021, and Oscar season is upon us. I must confess though, with Cannes starting today, some of these potential awards contenders are becoming less and less under-the-radar by the day. Still, the point stands that much of the Oscar focus has been centered on a few films like "House of Gucci," "Dune," Annette," "The Tragedy of Macbeth," "Don't Look Up," "The Power of the Dog," "Soggy Bottom," "The French Dispatch," "Canterbury Glass," "Nightmare Alley," "West Side Story," etc. While I believe those (except for maybe "Annette") seem like genuine contenders, I wanted to focus on a few films that I think have serious Oscar potential but are not being discussed as much in relation to the awards race. 
By Zach Gilbert
It may only be June, but we have our first true-blue Best Picture contender of the year with Warner Bros.' "In the Heights" an adaptation of the Tony Award-winning musical of the same name written by "Hamilton's" Lin-Manuel Miranda and Quiara Alegría Hudes. To say that expectations have been sky-high for "In the Heights" is the understatement of the century; after a year-long delay (due to complications resulting from the ongoing coronavirus pandemic) and a masterfully executed marketing campaign, film fans have been chomping at the bit to get back in a theater and let the wonders of Washington Heights wash all over them, and critics almost universally agree that this is indeed the expertly crafted escapist entertainment that cinemas were made for. With a 96% on Rotten Tomatoes (including a 98% from "Top Critics") and an 85 on Metacritic, "In the Heights" has the critical raves that most awards contenders can only dream of receiving, and though it's premiering so early in the year, these are the reviews that can catapult a film all the way to the finish line no matter what month it releases. 
By Cameron Lee
2020 seemed like the perfect time for a streamer to win the coveted Best Picture prize at the Oscars finally. With the global pandemic shutting theaters down and everyone stuck inside for a year, this was the time for Netflix or Amazon to win big. But it was not to be. Netflix blew their chance again by having too many contenders and not focusing on just one or two of them. The contenders they did have last year were also not as good as their previous slates, which included films like "Roma," "Marriage Story," and "The Irishman." If the only good thing for Netflix last year was winning below-the-line categories and satisfying a middle-aged South African man's octopus fetish, then last season was an utter failure. 
By Daniel Howat
It's that time of year, folks! Last year's Oscars have finally wrapped up, so it's time for our way-too-early predictions for next year. We're well into 2021 already, much later than we usually post these early predictions. As of now, next year's Oscars will award films released from March 1st to December 31st. Of course, it's way too early to think we have an accurate idea of what will win Best Picture. Instead, think of this as a guide to potential contenders. It's always fun to look back and see how close we are to what ended up nominated! Click below to see our early Oscar predictions for 2021. |
BEST PICTURE Nomadland (42) - AFCC, AWFJ, BAFTA, BOFCA, BSFC, CCA, CFCA, CIC, DFCS, DFWFCA, GALECA, GFCA, GG, GOTHAM, GWNYFCA, HFCS, IFCA, IFJA, IPA, KCFCC, LEJA, LFCC, LVFCS, MFCA, NDFS, NSFC, NTFCA, OFCS, OSCAR, PFCS, PGA, SEFCA, SFBAFCC, SFCS, SPIRIT, StLFCA, TFCA, TIFF, VENICE, VFCC, WAFCA, WFCC Promising Young Woman (10) - AACTA, COFCA, HCA, KCFCC, MCFCA, NFCS, OAFFC, SCA, SDFCS, WFCC Minari (7) - AFCA, NCFCA, NYFCO, OFCC, OFTA, PCC, UFCA Ma Rainey's Black Bottom (3) - BFCC, CIC, PFCC The Trial Of The Chicago 7 (3) - DFCS, HFCS, SAG Da 5 Bloods (2) - CIC, NBR First Cow (2) - FFCC, NYFCC Judas And The Black Messiah (2) - AAFCA, BRA Another Round - EFA Bad Boys For Life - NAACP Dwelling In The Fuchun Mountains - ICS Rocks - BIFA Small Axe - LAFCA The United States vs. Billie Holiday - AARP BEST DIRECTOR Chloé Zhao (53) - AACTA, AFCC, AWFJ, BAFTA, BOFCA, BFCC, BSFC, CCA, CFCA, COFCA, DFCS, DFCS, DFWFCA, DGA, FFCC, SALECA, GFCA, GG, GWNYFCA, HCA, HFCS, IFCA, IFJA, IPA, KCFCC, LAFCA, LEJA, LVFCS, MFCA, MSFCA, NCFCA, NDFS, NSFC, NTFCA, NYFCC, NYFCO, OAFFC, OFCC, OFCS, OFTA, OSCAR, PCC, PFCC, PFCS, SEFCA, SDFCS, SFBAFCC, SFCS, SPIRIT, StLFCA, TFCA, VFCC, WAFCA Regina King (4) - AAFCA, BFCC, BRA, UFCA Spike Lee (3) - CIC, HFCS, NBR Lee Isaac Chung - AFCA Emerald Fennell - NFCS Darius Marder - SCA Steve McQueen - LFCC Andrew Patterson - GOTHAM Gina Prince-Bythewood - NAACP Kelly Reichardt - ICS Aaron Sorkin - AARP Thomas Vinterberg - EFA Remi Weekes - BIFA BEST ACTRESS Carey Mulligan (29) - AACTA, AFCA, AFCC, CCA, COFCA, DFCS, DFWFCA, GALECA, GFCA, HCA, HFCS, KCFCC, LAFCA, LEJA, MCFCA, MFCA, NBR, NFCS, NTFCA, NYFCO, OAFFC, OFTA, PCC, PFCS, SCA, SDFCS, SPIRIT, StLFCA, WFCC Frances McDormand (26) - AWFJ, BAFTA, BOFCA, CFCA, DFCS, FFCC, GWNYFCA, HFCS, IFCA, IFJA, IPA, LFCC, LVFCS, NCFCA, NDFS, NSFC, OFCC, OFCS, OSCAR, SEFCA, SFBAFCC, SFCS, TFCA, UFCA, VFCC, WAFCA Viola Davis (6) - BFCC, BRA, CIC, NAACP, PFCC, SAG Andra Day (2) - AAFCA, GG Sidney Flanigan (2) - BSFC, NYFCC Maria Bakalova - IPA Paula Beer - EFA Nicole Beharie - GOTHAM Sophia Loren - AARP Rosamund Pike - GG Wunmi Mosaku - BIFA Isabel Sandoval - ICS BEST ACTOR Chadwick Boseman (29) - AACTA, AAFCA, AWFJ, BFCC, BRA, CCA, CFCA, CIC, DFCS, DFWFCA, GALECA, GG, IFCA, LAFCA, LEJA, LFCC, MFCA, MSFCA, NAACP, OFTA, PCC, PFCS, SAG, SEFCA, SFBAFCC, StLFCA, VFCC, WAFCA, WFCC Riz Ahmed (22) - AFCA, AFCC, COFCA, GFCA, GOTHAM, GWNYFCA, HFCS, IPA, KCFCC, LVFCS, NBR, NDFS, NFCS, NYFCO, OAFFC, OFCC, SCA, SDFCS, SFCS, SPIRIT, TFCA, UFCA Delroy Lindo (11) - BOFCA, DFCS, HCA, HFCS, IFJA, MFCA, NCFCA, NSFC, NYFCC, OFCS, PFCC Anthony Hopkins (7) - AARP, BAFTA, BIFA, BSFC, FFCC, NFCS, OSCAR Sacha Baron Cohen (2) - GG, IPA Mads Mikkelsen - EFA Aditya Modak - ICS Steven Yeun - NTFCA BEST SUPPORTING ACTRESS Youn Yuh-jung (37) - AFCA, AWFJ, BAFTA, BFCC, BSFC, COFCA, DFCS, GALECA, GFCA, GWNYFCA, HCA, IFCA, KCFCC, LAFCA, LEJA, MCFCA, MFCA, NBR, NCFCA, NTFCA, NYFCO, OAFFC, OFCC, OFTA, OSCAR, PCC, PFCS, SAG, SCA, SEFCA, SDFCS, SFBAFCC, SFCS, SPIRIT, StLFCA, VFCC, WAFCA Maria Bakalova (16) - AFCC, BOFCA, CCA, CFCA, CIC, FFCC, HFCS, IFJA, LFCC, MCFCA, NDFS, NSFC, NYFCC, OFCS, TFCA, UFCA Amanda Seyfried (4) - DFWFCA, IPA, LVFCS, PFCC Ellen Burstyn (2) - DFCS, NYFCO Dominque Fishback (2) - AAFCA, BRA Jodie Foster (2) - AARP, GG Kosar Ali - BIFA Sônia Braga - ICS Glenn Close - NFCS Olivia Colman - AACTA Olivia Cooke - HFCS Phylicia Rashad - NAACP BEST SUPPORTING ACTOR Daniel Kaluuya (22) - AAFCA, AFCA, BAFTA, BRA, CCA, DFCS, DFWFCA, GALECA, GG, LEJA, LVFCS, MFCA, NFCS, OAFFC, OFTA, OSCAR, PCC, PFCS, SAG, SFCS, TFCA, VFCC Paul Raci (19) - AFCC, BOFCA, BSFC, CFCA, COFCA, FFCC, GFCA, GWNYFCA, HCA, HFCS, IFCA, NBR, NSFC, OFCC, SCA, SDFCS, SFBAFCC, SPIRIT, StLFCA Leslie Odom Jr. (9) - AWFJ, BFCC, HFCS, IFJA, KCFCC, NYFCO, OFCS, UFCA, WAFCA Sacha Baron Cohen (7) - AACTA, DFCS, MCFCA, NCFCA, NDFS, NTFCA, SEFCA Chadwick Boseman (5) - CIC, IPA, NAACP, NYFCC, PFCC Francisco Barreiro - ICS Demián Bichir - AARP D’angelou Osei Kissiedu - BIFA Shaun Parkes - LFCC Glynn Turman - LAFCA BEST ADAPTED SCREENPLAY Nomadland (20) - AFCA, AWFJ, CCA, CFCA, COFCA, DFCS, GFCA, GWNYFCA, HFCS, IFJA, KCFCC, LFCC, NCFCA, OAFFC, OFCC, OFCS, OFTA, SEFCA, USC, WAFCA The Father (7) - BAFTA, BIFA, IPA, NFCS, OSCAR, SCA, SDFCS One Night In Miami (6) - AAFCA, HCA, LEJA, LVFCS, PCC, PFCS I'm Thinking Of Ending Things (5) - BOFCA, BSFC, FFCC, StLFCA, UFCA First Cow (4) - DFCS, ICS, PFCC, SFBAFCC Ma Rainey's Black Bottom (2) - BFCC, CIC Borat Subsequent Moviefilm - WGA News Of The World - NBR BEST ORIGINAL SCREENPLAY Promising Young Woman (28) - AFCC, AWFJ, BAFTA, CCA, CIC, COFCA, DFWFCA, GALECA, GFCA, HCA, HFCS, IPA, KCFCC, LAFCA, MFCA, NDFS, NFCS, NYFCO, OAFFC, OFCC, OFCS, OFTA, OSCAR, SFCS, SPIRIT, StLFCA, WAFCA, WGA Minari (11) - AFCA, BFCC, DFCS, FFCC, LEJA, NBR, NCFCA, SDFCS, SEFCA, SFBAFCC, TFCA The Trial Of The Chicago 7 (10) - AACTA, AARP, CIC, DFCS, GG, HFCS, MCFCA, PFCS, UFCA, VFCC Never, Rarely, Sometimes, Always (7) - CFCA, GWNYFCA, IFJA, NSFC, NYFCC, OAFFC, WFCC The Forty-Year-Old-Version (3) - BRA, GOTHAM, NAACP Another Round - EFA Bacurau - ICS Fourteen - GOTHAM Judas And The Black Messiah - LVFCS BEST CINEMATOGRAPHY Nomadland (36) - AFCA, AFCC, AWFJ, BAFTA, BOFCA, BSFC, CCA, CFCA, CIC, COFCA, DFWFCA, GFCA, GWNYFCA, HCA, HFCS, LEJA, LVFCS, MCFCA, MFCA, NBR, NCFCA, NDFS, NSFC, NYFCO, OAFFC, OFCS, OFTA, PFCC, PFCS, SDFCS, SEFCA, SFCS, SPIRIT, StLFCA, UFCA, WAFCA Mank (6) - ASC, FFCC, IPA, OFCC, OSCAR, SCA Tenet (4) - BFCC, HFCS, NFCS, NTFCA Small Axe (2) - LAFCA, NYFCC Dwelling In The Fuchun Mountains - ICS First Cow - SFBAFCC Hidden Away - EFA I'm Thinking Of Ending Things - PCC Malcolm & Marie - BRA Saint Maud - BIFA The Vast Of Night - KCFCC BEST COSTUME DESIGN Ma Rainey's Black Bottom (10) - BAFTA, CCA, CDG, CIC, HFCS, LVFCS, OFTA, OSCAR, PFCS, SFCS Emma. (3) - CFCA, LEJA, SDFCS The Personal History Of David Copperfield (2) - HCA, IPA Hidden Away - EFA Jingle Jangle - BRA Misbehaviour - BIFA Mulan - CDG Promising Young Woman - CDG BEST FILM EDITING Nomadland (11) - AFCA, AWFJ, BOFCA, GWNYFCA, LEJA, NDFS, OFCS, SFBAFCC, SFCS, SPIRIT, StLFCA The Trial Of The Chicago 7 (10) - ACE, CCA, CIC, COFCA, HCA, HFCS, IPA, MCFCA, PFCS, UFCA Sound Of Metal (6) - BAFTA, CCA, LVFCS, MFCA, OFTA, OSCAR The Father (2) - BIFA, LAFCA I'm Thinking Of Ending Things (2) - BSFC, CFCA The Invisible Man (2) - MCFCA, SDFCS Once More Unto The Breach - EFA Palm Springs - ACE Tenet - WAFCA The Wasteland - ICS BEST MAKEUP & HAIRSTYLING Ma Rainey's Black Bottom (7) - BAFTA, CCA, CIC, HCA, LEJA, MUAHS, OSCAR Birds Of Prey (2) - MUAHS, OFTA The Endless Trench - EFA Mank - HFCS Misbehaviour - BIFA Pinocchio - MUAHS BEST ORIGINAL SCORE Soul (34) - AFCA, AFCC, BAFTA, BOFCA, BRA, CCA, CFCA, CIC, COFCA, DFCS, FFCC, GFCA, GG, GWNYFCA, HCA, HFCS, HMMA, LAFCA, LEJA, LVFCS, MFCA, NCFCA, OFCC, OFCS, OFTA, OSCAR, PCC, PFCS, SCL, SFBAFCC, SFCS, StLFCA, UFCA, WAFCA Tenet (4) - HMMA, IFJA, MCFCA, SCA Mank (3) - DFWFCA, HFCS, NDFS David Attenborough: A Life On Our Planet (2) - HMMA, IFMCA Minari (2) - BSFC, HMMA Berlin Alexanderplatz - EFA Blizzard Of Souls - SCL The Call Of The Wild - IFMCA Fukushima 50 - IFMCA The Invisible Man - HMMA The Midnight Sky - IPA News Of The World - HMMA Nomadland - IFCA The Personal History Of David Copperfield - IFMCA Preparations To Be Together For An Unknown Period Of Time - ICS Wolfwalkers - IFMCA Wonder Woman 1984 - IFMCA BEST ORIGINAL SONG One Night In Miami (12) - BRA, CCA, CIC, DFCS, GFCA, HFCS, HFCS, IFCA, LEJA, MCFCA, OFTA, PFCS The Life Ahead (3) - GG, HMMA, IPA Eurovision (2) - HCA, SCL Judas And The Black Messiah (2) - LVFCS, OSCAR Giving Voice - HMMA The Outpost - HMMA Over The Moon - NDFS Trolls: World Tour - HMMA BEST PRODUCTION DESIGN Mank (23) - ADG, BAFTA, CCA, CFCA, CIC, FFCC, GFCA, HCA, HFCS, IPA, LAFCA, LVFCS, MCFCA, NDFS, NFCS, OFTA, OSCAR, PFCS, SDFCS, SDSA, SFCS, StLFCA, WAFCA Tenet (2) - ADG, SDSA Birds Of Prey - MFCA Da 5 Bloods - ADG First Cow - SFBAFCC His House - BIFA Jingle Jangle - BRA Ma Rainey's Black Bottom - LEJA The Personal History Of David Copperfield - EFA Promising Young Woman - SDSA A Portuguesa - ICS Soul - ADG BEST SOUND Sound Of Metal (10) - BAFTA, CAS, DFCS, HFCS, ICS, IPA, LEJA, MFCA, OFTA, OSCAR Greyhound - MPSE Little Girl - EFA The Reason I Jump - BIFA BEST VISUAL EFFECTS Tenet (14) - BAFTA, CCA, DFCS, HFCS, HFCS, IPA, MFCA, NCFCA, NFCS, OSCAR, PFCS, SDFCS, SFCS, StLFCA The Invisible Man (6) - CFCA, CIC, HCA, LEJA, LVFCS, OFTA Mank - VES The Midnight Sky - VES Mulan - VES The One And Only Ivan - VES The Platform - EFA Possessor - FFCC Project Power - VES Soul - VES BEST ANIMATED FEATURE Soul (39) - AAFCA, AFCC, ANNIE, AWFJ, BAFTA, BFCC, CCA, CIC, DFCS, DFCS, DFWFCA, FFCC, GFCA, GG, HFCS, IFCA, IFJA, LEJA, LVFCS, MSFCA, NAACP, NBR, NCFCA, NDFS, NFCS, NTFCA, NYFCO, OFCC, OFCS, OFTA, OSCAR, PCC, PFCC, PFCS, PGA, SEFCA, SFBAFCC, StLFCA, WAFCA Wolfwalkers (17) - AFCA, ANNIE, BOFCA, CFCA, COFCA, GWNYFCA, HCA, IPA, KCFCC, LAFCA, MFCA, NYFCC, OAFFC, SDFCS, SFCS, TFCA, UFCA Josep (2) - EFA, ICS The Wolf House - BSFC BEST INTERNATIONAL FEATURE FILM Another Round (19) - AFCC, AWFJ, BAFTA, CFCA, EFA, GFCA, IFJA, KCFCC, LFCC, LVFCS, MCFCA, NCFCA, OSCAR, PFCS, SEFCA, SFBAFCC, StLFCA, UFCA, WAFCA Minari (15) - AFCA, CCA, COFCA, DFCS, DFWFCA, GALECA, GG, GWNYFCA, NTFCA, NYFCO, OFCS, OFTA, PCC, SFCS, VFCC La Llorona (6) - BSFC, HCA, IPA, LEJA, NBR, WFCC Night Of The Kings (4) - AAFCA, BFCC, BRA, NAACP Bacurau (3) - BOFCA, NYFCC, TFCA Collective (2) - AARP, NSFC The Life Ahead (2) - HFCS, SDFCS And Then We Danced - NDFS A Sun - HFCS Beanpole - LAFCA His House - CIC Identifying Features - GOTHAM Jumbo - PFCC Los Fuertes - FFCC Martin Eden - OFCC Quo Vadis Aida? - SPIRIT BEST DOCUMENTARY FEATURE Time (14) - AFCC, BFCC, BRA, DFWFCA, GFCA, GOTHAM, GWNYFCA, LAFCA, NBR, NYFCC, OFTA, PFCC, SDFCS, SEFCA Collective (10) - BSFC, CEHA, EFA, IPA, LFCC, OAFFC, SFBAFCC, StLFCA, TFCA, VFCC Dick Johnson Is Dead (9) - CCA, CFCA, COFCA, DFCS, IFCA, IFJA, NCFCA, OFCS, UFCA Boys State (8) - AFCA, CIC, DFCS, LVFCS, OFCC, PCC, PFCS, WAFCA All In: The Fight For Democracy (5) - AAFCA, AWFJ, HCA, NDFS, NTFCA My Octopus Teacher (4) - BAFTA, HFCS, OSCAR, PGA The Dissident (2) - KCFCC, NFCS The Painter And The Thief (2) - AWFJ, BOFCA Crip Camp - (2) IDA, SPIRIT Beastie Boys Story - HFCS Class Action Park - HCA Disclosure - GALECA The History of the Seattle Mariners: Supercut Edition - SFCS Mucho Amor - LEJA John Lewis: Good Trouble - NAACP The Reason I Jump - BIFA A Secret Love - AARP The Social Dilemma - MCFCA Stuntwomen: The Untold Holywood Story -WFCC A Thousand Cuts - GOTHAM The Way I See It - NYFCO Welcome To Chechnya - GALECA The Year Of The Discovery - ICS You Don't Nomi - FFCC
AuthorsNicole Ackman Archives
October 2021
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