By Matt Neglia
Eliza Hittman has been making a name for herself in the independent film worldstarting with her 2013 debut "It Felt Like Love," followed by her 2017 film "Beach Rats" and now she is back with her third film, the much acclaimed "Never Rarely Sometimes Always." The film debuted at the Sundance Film Festival where it won the U.S. Dramatic Competition Grand Jury Prize and then it screened a few days later at the Berlin International Film Festival where it won the Silver Bear Grand Jury Prize. Eliza was kind enough to spend a few moments talking about her experience making the film, discovering the film's breakout star Sidney Flanigan, her writing and shooting process and more! Please give it a listen and be sure to check out the film, now playing in limited release from Focus Features. Thank you so much for listening. You can subscribe to the Next Best Picture Podcast on SoundCloud, Apple Podcasts, Spotify, Stitcher, GooglePlay, Tunein, PlayerFM, Acast & Castbox or you can listen down below. Please take a moment to review us on Apple Podcasts here. And if you're feeling generous and you enjoy what you hear and want more, please help support us on Patreon for as little as $1 a month and you'll receive some exclusive podcast content.
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The Next Best Picture Podcast - Interview With The Writer/Director Of "Wendy," Benh Zeitlin3/2/2020 
By Matt Neglia
Benh Zeitlin made his feature filmmaking debut 8 years ago with the indie sensation "Beasts Of The Southern Wild," which earned four Oscar nominations for Best Picture, Best Director, Best Actress and Best Adapted Screenplay. Since then, he's been hard at work on his follow up film "Wendy," which is a modern and grounded re-telling of the legend of Peter Pan from the perspective of the character Wendy. Benh was kind enough to talk us through his process of filmmaking, casting the child actors, why it took so long for his sophomore film and more! Thank you so much for listening. You can subscribe to the Next Best Picture Podcast on SoundCloud, Apple Podcasts, Spotify, Stitcher, GooglePlay, Tunein, PlayerFM, Acast & Castbox or you can listen down below. Please take a moment to review us on Apple Podcasts here. And if you're feeling generous and you enjoy what you hear and want more, please help support us on Patreon for as little as $1 a month and you'll receive some exclusive podcast content. 
By Michael Frank
Screening at the Cannes Film Festival last year and the Sundance Film Festival earlier in 2020, writer/director Levan Akin’s "And Then We Danced" hit the festival circuit with critical acclaim. A Swedish-Georgian film focused on the latter country, the drama sparked protests in the streets of Georgia while being hailed as a win for love and a distancing from bigotry. Following Merab (Levan Gelbakhiani), a young dancer on the National Georgian Ensemble, the film explores the conversative and taboo nature of homosexuality within the region, especially within the confines of tradition. The gay love story between Merab and newcomer dancer Irakli (Bachi Valishvili) devolves into a gorgeous, passionate, and striking relationship to watch on screen, one that packs a serious punch. "And Then We Danced" has had far-ranging effects throughout the world and has been adored by audiences and critics alike. We chatted with director Levan Akin and lead actor and dancer Levan Gelbakhiani about the Georgian culture, making films that matter, and the absolutely delicious Georgian wine. The Next Best Picture Podcast - Interview With "Downhill" Directors & Writers Nat Faxon & Jim Rash2/14/2020 
By Matt Neglia
Nat Faxon & Jim Rash are Academy Award winning screenwriters for the 2011 film "The Descendants." They made their co-directing debut together with the hit indie film "The Way Way Back." And now, they are back again writing and directing the American remake of the 2014 Swedish film "Force Majeure," now titled "Downhill" starring Julia Louis-Dreyfus & Will Ferrell. Nat and Jim were kind enough to talk to me about their reasoning for the remake, their process of co-writing with "Succession" creator Jesse Armstrong, working with the cast, the differences between this version and the original and more. Take a listen down below. Thank you so much for listening. You can subscribe to the Next Best Picture Podcast on SoundCloud, Apple Podcasts, Spotify, Stitcher, GooglePlay, Tunein, PlayerFM, Acast & Castbox or you can listen down below. Please take a moment to review us on Apple Podcasts here. And if you're feeling generous and you enjoy what you hear and want more, please help support us on Patreon for as little as $1 a month and you'll receive some exclusive podcast content. 
By Dan Bayer
"Joker" leads this year's Academy Awards with 11 nominations. Two of those nominations are for its Costume Design by Mark Bridges ("The Artist" & "Phantom Thread") and its Makeup & Hairstyling by Nicki Ledermann & Kay Georgiou ("The Irishman" & "Lincoln" respectively). All three of them were kind enough to talk about their work on the film, being nominated for an Oscar, working with an actor like Joaquin Phoenix, delivering a new spin on an already iconic character and more! Take a listen down below. Thank you so much for listening. You can subscribe to the Next Best Picture Podcast on SoundCloud, Apple Podcasts, Spotify, Stitcher, GooglePlay, Tunein, PlayerFM, Acast & Castbox or you can listen down below. Please take a moment to review us on Apple Podcasts here. And if you're feeling generous and you enjoy what you hear and want more, please help to support us on Patreon for as little as $1 a month and you'll receive some exclusive podcast content. 
By Matt Neglia
After working with shorts for a few years, director Jérémy Clapin made his feature filmmaking debut this year with the Netflix animated film "I Lost My Body." The film premiered at the Cannes Film Festival earlier let year where it became the first animated film to win the Nespresso Grand Prize. It has since gone on to win various critics awards and receive a nomination for Best Animated Feature at the 92nd Academy Awards. Jérémy was kind enough to chat with Next Best Picture about the making of "I Lost My Body." Take a listen below. Thank you so much for listening. You can subscribe to the Next Best Picture Podcast on SoundCloud, Apple Podcasts, Spotify, Stitcher, GooglePlay, Tunein, PlayerFM, Acast & Castbox or you can listen down below. Please take a moment to review us on Apple Podcasts here. And if you're feeling generous and you enjoy what you hear and want more, please help to support us on Patreon for as little as $1 a month and you'll receive some exclusive podcast content. 
By Edward Douglas
It’s been over twenty years since filmmaker Richard Stanley was famously fired from the 1996 adaptation of HG Wells’ “The Island of Dr. Moreau,” starring Marlon Brando in the title role. Other than a few documentaries and segments in horror anthologies, Stanley has mainly been laying low and not doing much in the horror/genre game. Now, Stanley is back with “Color Out of Space,” an adaptation of the HP Lovecraft novella that stars Nicolas Cage as Nathan Gardner, an alpaca farmer whose New England farm is ground zero for an asteroid that begins changing him, his family and everyone who comes in contact with it. The movie co-stars Joely Richardson as Nathan’s wife Theresea and Madeleine Arthur (“The Tomorrow People” and the upcoming “Snowpiercer” series) as their daughter Lavinia and the only one who seems unaffected. Interestingly, Lovecraft’s story has previously been adapted to the screen, most notably with the 1965 Boris Karloff vehicle “Die Monster Die!,” but Stanley sees “Color Out of Space” as a possible resurgence for the author’s work as the first of a trilogy of Lovecraft adaptations that Stanley will be making with producer SpectreVision. The Next Best Picture Podcast - Interview With "Jojo Rabbit" Costume Designer, Mayes C. Rubeo1/21/2020 
By Nicole Ackman
Tasked with having to bring WWII Germany to life through the eyes of not just the story's youthful protagonist but also through the eyes of director Taika Waititi, costume designer Mayes C. Rubeo had a huge task in front of her. Luckily, she rose to the challenge and gave us a historical accurate but lush look at the time period with costumes that popped off the screen and gave her an Academy Award nomination for Best Costume Design. Mayes was kind enough to take a few minutes to talk with Next Best Picture about her work on the film "Jojo Rabbit." Thank you so much for listening. You can subscribe to the Next Best Picture Podcast on SoundCloud, Apple Podcasts, Spotify, Stitcher, GooglePlay, Tunein, PlayerFM, Acast & Castbox or you can listen down below. Please take a moment to review us on Apple Podcasts here. And if you're feeling generous and you enjoy what you hear and want more, please help to support us on Patreon for as little as $1 a month and you'll receive some exclusive podcast content. 
By Edward Douglas
While the name of Floria Sigismondi might not be that familiar to cinephiles other than maybe for her 2010 feature “The Runaways,” which had Kristen Stewart playing Joan Jett, she may be one of the busiest artists working in all sorts of mediums from television to music videos to photography and straight-up fine art. Maybe you’re more familiar with her from the music videos, such as the iconic Marilyn Manson video for “The Beautiful People,” which may be hard to believe, but it came out 24 years ago. Whether or not you’re familiar with Ms. Sigismondi, she has directed a new horror movie called “The Turning,” which the well-read will recognize as a modern horror adaptation of Henry James’ novella “The Turn of the Screw,” which has been turned into other movies, most notably the 1961 film “The Innocents.” This iteration stars Mackenzie Davis (“Tully”) as Kate, a woman hired as a governess for a seven-year-old orphan named Flora (played by the wonderful Brooklynn Prince from “The Florida Project”) who lives in grand and Gothic mansion estate. Kate’s new job starts out well until she finds out it’s more than she bargained for when Flora’s older brother Miles (Finn Wolfhard) returns home, expelled from his school. Kate is equally perturbed by the kids’ tales of their parents, who died in a horrible crash, and some of their former caretakers who also succumbed to a grisly fate. Next Best Picture spoke with Ms. Sigismondi over the phone a few weeks back with her telling us about the force that is Brooklynn Prince, as well as sharing an eerie ghost story of her own that occurred while making the movie. 
By Daniel Howat
The most acclaimed animated film of 2019 is now an Oscar nominee for Best Animated Feature and Best Original Song. "Toy Story 4" is a sequel to one of the most beloved trilogies of all time and there were some initial doubts about whether or not the story would be worth telling. Winner of the Critics Choice Award for Best Animated Film, "Toy Story 4" has not only proven to be a worthy entry in the "Toy Story" series but under the direction of Josh Cooley, it has achieved new heights for the entire Pixar team. Listen to our interview with Josh as he explains the making of "Toy Story 4." Thank you so much for listening. You can subscribe to the Next Best Picture Podcast on SoundCloud, Apple Podcasts, Spotify, Stitcher, GooglePlay, Tunein, PlayerFM, Acast & Castbox or you can listen down below. Please take a moment to review us on Apple Podcasts here. And if you're feeling generous and you enjoy what you hear and want more, please help to support us on Patreon for as little as $1 a month and you'll receive some exclusive podcast content. 
By Will Mavity
"Rocketman" has recently won 2 Golden Globe Awards and has been nominated for 4 BAFTA awards. One of the year's most beloved films, I was fortunate enough to talk to a lot of the behind the scenes crew who brought Elton John's life to the big screen. In this collection of podcast interviews I chat with Re-recording Sound Mixer Mike Prestwood Smith, Supervising Sound Editor Danny Sheehan, Sound Designer Matt Collinge, Production Designer Marcus Rowland and Editor Chris Dickens. Take a listen below to my chats with all of them. Thank you so much for listening. You can subscribe to the Next Best Picture Podcast on SoundCloud, Apple Podcasts, Spotify, Stitcher, GooglePlay, Tunein, PlayerFM, Acast & Castbox or you can listen down below. Please take a moment to review us on Apple Podcasts here. And if you're feeling generous and you enjoy what you hear and want more, please help to support us on Patreon for as little as $1 a month and you'll receive some exclusive podcast content. 
By Will Mavity
Before 2017, no one in the film composing world had heard of Michael Abels. Then Jordan Peele's "Get Out" was released and suddenly everything changed. Now, with Peele's second film "Us," he has re-teamed with Abels and everyone is fully aware of his work. Receiving acclaim for one of the year's best scores, Abels was kind enough to talk to us about his work on the film, his collaboration with Peele and more! Thank you so much for listening. You can subscribe to the Next Best Picture Podcast on SoundCloud, Apple Podcasts, Spotify, Stitcher, GooglePlay, Tunein, PlayerFM, Acast & Castbox or you can listen down below. Please take a moment to review us on Apple Podcasts here. And if you're feeling generous and you enjoy what you hear and want more, please help to support us on Patreon for as little as $1 a month and you'll receive some exclusive podcast content. 
By Daniel Howat
After decades of films, billions of dollars in merchandising and enough fan discourse to write several books on, the Skywalker Saga has come to a close with "Star Wars: The Rise of Skywalker." Much has been talked about regarding the films editing, especially considering the challenges this particular film faced with the tragic death of actress Carrie Fisher and how to satisfy all fans who have a certain expectation of what they want Star Wars to be. Editor Maryann Brandon was kind enough to lend us a few minutes of her time to talk about her work on the film. Take a listen below to hear what she had to say. Thank you so much for listening. You can subscribe to the Next Best Picture Podcast on SoundCloud, Apple Podcasts, Spotify, Stitcher, GooglePlay, Tunein, PlayerFM, Acast & Castbox or you can listen down below. Please take a moment to review us on Apple Podcasts here. And if you're feeling generous and you enjoy what you hear and want more, please help to support us on Patreon for as little as $1 a month and you'll receive some exclusive podcast content. 
By Dan Bayer
"Clemency" debuted earlier this year at the Sundance Film Festival and has been making its way through various other festivals before opening in limited release this past week. At its center is a wonderful performance from Academy Award nominee Alfre Woodard but under the strong direction of Chinonye Chukwu. That direction and vision guides other elements of the film, including its understated but nonetheless effective cinematography by Eric Branco. Eric was kind enough to take a few minutes to talk about his work on the film and how to helped guide Chukwu's vision. Take a listen down below. Thank you so much for listening. You can subscribe to the Next Best Picture Podcast on SoundCloud, Apple Podcasts, Spotify, Stitcher, GooglePlay, Tunein, PlayerFM, Acast & Castbox or you can listen down below. Please take a moment to review us on Apple Podcasts here. And if you're feeling generous and you enjoy what you hear and want more, please help to support us on Patreon for as little as $1 a month and you'll receive some exclusive podcast content. The Next Best Picture Podcast - Interview With "A Hidden Life" Cinematographer, Jörg Widmer12/20/2019 
By Matt Neglia
Jörg Widmer has worked with acclaimed director Terrence Malick before. However, "A Hidden Life" marks the first time he is credited as the director of photography for one of his films. Hailed as one of the most visually striking films of 2019, the movie represents a return to stronger narrative filmmaking from Malick. Jörg talks to us about his process of working with the mysterious director, what challenges he faced working on the film, what he wants people to take away from the film, and more! Thank you so much for listening. You can subscribe to the Next Best Picture Podcast on SoundCloud, Apple Podcasts, Spotify, Stitcher, GooglePlay, Tunein, PlayerFM, Acast & Castbox or you can listen down below. Please take a moment to review us on Apple Podcasts here. And if you're feeling generous and you enjoy what you hear and want more, please help to support us on Patreon for as little as $1 a month and you'll receive some exclusive podcast content. 
By Bianca Garner
“Hala” is a moving coming-of-age drama from writer/director Minhal Baig, which was screened earlier this year at Sundance and was acquired by Apple TV+. “Hala” is a quiet, reflective piece full of soul and passion, with an outstanding central performance from Geraldine Viswanathan who positively radiates on the big-screen. The film follows Hala as she tries to transition from adolescence to adulthood, attempting to stretch her wings and fly the nest. Hala falls for and starts dating Jesse (Jack Kilmer), but keeps their relationship a secret because of the fact that he’s not Muslim. Her overbearing mother (Purbi Joshi) seems to forever keep a close eye on her, and her father (Azad Khan) seems to be distant and preoccupied with his own secrets. The character of Hala is so refreshing to see. She’s fully developed and complex, with her own desires, wants, and goals, which can backfire. As her relationship with her parents evolves, she goes from being a typical “daddy’s girl,” butting heads with her mother constantly, to a more mature adult who understands that her parents aren’t perfect and have flaws. The relationship between Hala and her mother is reminiscent of the relationship between Lady Bird and her mother in Greta Gerwig’s “Lady Bird,” and it will more than likely strike an emotional chord with many viewers. Baig’s fresh and original approach to the coming-of-age story shines through in “Hala” and we were lucky to talk to her about the film. 
By Matt Neglia
Paul Walter Hauser is an actor who got his start in stand up comedy and television. He's slowly been building his way into the public consciousness these past few years with scene-stealing turns in "I, Tonya," "BlacKkKlansman" and "Late Night." His latest film "Richard Jewell," finds him in the titular leading role as Richard Jewell, a man who saved many innocent lives during the 1996 Olympic bombing but was then later accused by the media to have had carried out the attack himself, which was later disproven. Paul Walter Hauser has endeared himself to the NBP Team through his interactions with us on social media and we were happy to chat with him about his career thus far, his experience working with Clint Eastwood, what he wants people to take away from his latest film, what is next for the young actor and more. Take a listen below. Thank you so much for listening. You can subscribe to the Next Best Picture Podcast on SoundCloud, Apple Podcasts, Spotify, Stitcher, GooglePlay, Tunein, PlayerFM, Acast & Castbox or you can listen down below. Please take a moment to review us on Apple Podcasts here. And if you're feeling generous and you enjoy what you hear and want more, please help to support us on Patreon for as little as $1 a month and you'll receive some exclusive podcast content. The Next Best Picture Podcast - Interview With "Ford v Ferrari" & "Little Women" Star, Tracy Letts12/16/2019 
By Matt Neglia
Tracy Letts is a Pulitzer Prize winning playwright, who has made a name for himself in many different areas of the arts. From the stage, to the big and small screen, Letts has done it all. Lately, he's been enjoying his highest success yet in the world of film as he's had the chance to work with James Schamus ("Indignation"), Stephen Spielberg ("The Post"), Greta Gerwig ("Lady Bird") and more! Now, in 2019 he's re-united with Greta Gerwig for her adaptation of "Little Women" and he also got the chance to work with James Mangold playing Henry Ford II in the box-office hit "Ford v Ferrari." Mr. Letts was kind enough to offer a few minutes of his time to discuss his recent run of success, his latest roles, how he likes to work as an artist and more! Take a listen below. Thank you so much for listening. You can subscribe to the Next Best Picture Podcast on SoundCloud, Apple Podcasts, Spotify, Stitcher, GooglePlay, Tunein, PlayerFM, Acast & Castbox or you can listen down below. Please take a moment to review us on Apple Podcasts here. And if you're feeling generous and you enjoy what you hear and want more, please help to support us on Patreon for as little as $1 a month and you'll receive some exclusive podcast content. The Next Best Picture Podcast - Interview With "Bombshell" Screenwriter, Charles Randolph12/13/2019 
By Matt Neglia
After winning the Oscar for Best Adapted Screenplay for co-writing "The Big Short," Charles Randolph set his sights on Fox News and the sexual harassment scandal that shocked the world. "Bombshell" is a challenging film due to the characters Randolph asks us to have sympathy for and in this interview he explains his intentions with the film's message, his collaboration with the film' star and producer Charlize Theron, his writing process and more! Thank you so much for listening. You can subscribe to the Next Best Picture Podcast on SoundCloud, Apple Podcasts, Spotify, Stitcher, GooglePlay, Tunein, PlayerFM, Acast & Castbox or you can listen down below. Please take a moment to review us on Apple Podcasts here. And if you're feeling generous and you enjoy what you hear and want more, please help to support us on Patreon for as little as $1 a month and you'll receive some exclusive podcast content. 
By Will Mavity
"Harriet" may seem like your typical awards season biopic drama but it's so much more than that. Much of that is a credit to the enormous amount of talent involved in front of and hehind the camera, including Tony Award winning Costume Designer Paul Tazewell ("Hamilton"). Paul was kind enough to chat with Next Best Picture about his lush and colorful period work on Kasi Lemmons' film. Click below to hear what he has to say and do keep him in mind for this year's Oscar race for Best Costume Design. Thank you so much for listening. You can subscribe to the Next Best Picture Podcast on SoundCloud, Apple Podcasts, Spotify, Stitcher, GooglePlay, Tunein, PlayerFM, Acast & Castbox or you can listen down below. Please take a moment to review us on Apple Podcasts here. And if you're feeling generous and you enjoy what you hear and want more, please help to support us on Patreon for as little as $1 a month and you'll receive some exclusive podcast content. |
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IPA Luce - SDFCS The Personal History Of David Copperfield - BIFA The Two Popes - LVFCS BEST ORIGINAL SCREENPLAY Parasite (23) - AFCA, AAFCA, AFCC, AWFJ, BAFTA, CFCA, COFCA, GALECA, GFCA, HCA, LEJA, MCFCA, NCFCA, NSFC, NYFCO, OFCS, OFTA, OSCAR, SEFCA, SFBAFCC, SFCS, UFCA, WGA Marriage Story (16) - AARP, DFCC, DFCS, DFWFCA, GWNYFCA, IFJA, IFP, IPA, LAFCA, LFCC, OAFFC, SDFCS, SPIRIT, StLFCA, VFCC, WAFCA Once Upon A Time In Hollywood (10) - BOFCA, BSFC, CCA, GG, HFCS, LVFCS, NDFS, NFCS, NYFCC, StLFCA Knives Out (8) - CIC, DFCS, HFCS, KCFCC, OFCC, PCC, PFCC, PFCS Uncut Gems (2) - FFCC, NBR Portrait Of A Lady On Fire - EFA Queen & Slim - BFCC BEST CINEMATOGRAPHY 1917 (37) - AFCA, AFCC, ASC, AWFJ, BAFTA, BFCC, CCA, CFCA, CIC, COFCA, DFWFCA, FFCC, GFCA, HCA, HFCS, HFCS, IPA, KCFCC, LEJA, LVFCS, MCFCA, NCFCA, NFCS, NTFCA, NYFCO, OAFFC, OFCS, OFTA, OSCAR, PCC, PFCS, SEFCA, SFBAFCC, SFCS, StLFCA, UFCA, WAFCA Portrait Of A Lady On Fire (5) - BSFC, GWNYFCA, LAFCA, NSFC, NYFCC The Lighthouse (4) - NDFS, PFCC, SDFCS, SPIRIT Once Upon A Time In Hollywood (2) - BOFCA, OFCC Ad Astra - DFCC Beats - BIFA BEST COSTUME DESIGN Dolemite Is My Name (8) - CCA, CIC, IPA, LEJA, LVFCS, OFTA, SDFCS, SFCS Little Women (3) - BAFTA, CFCA, OSCAR Rocketman (3) - HCA, HFCS, PFCS Jojo Rabbit - CDGA Knives Out - CDGA Maleficent: Mistress Of Evil - CDGA The Personal History Of David Copperfield - BIFA BEST FILM EDITING Ford v Ferrari (7) - BAFTA, IPA, LVFCS, OSCAR, SDFCS, SFBAFCC, WAFCA 1917 (5) - CCA, CIC, HCA, MCFCA, PFCS The Irishman (4) - AWFJ, BOFCA, BSFC, CFCA Parasite (4) - ACE, LEJA, OFCS, OFTA Uncut Gems (4) - AFCA, GWNYFCA, SFCS, SPIRIT Apollo 11 (3) - ACE, LAFCA, UFCA Once Upon A Time In Hollywood (2) - HFCS, StLFCA For Sama - BIFA Jojo Rabbit - ACE Knives Out - COFCA The Lighthouse - NDFS Toy Story 4 - ACE BEST MAKEUP & HAIRSTYLING Bombshell (8) - BAFTA, CCA, CIC, HCA, LEJA, MUAHS, OFTA, OSCAR Joker (2) - HFCS, MUAHS Downton Abbey - MUAHS The Personal History Of David Copperfield - BIFA BEST ORIGINAL SCORE Joker (12) - BAFTA, CCA, DFCS, GFCA, GG, HCA, HFCS, IPA, LVFCS, NDFS, OSCAR, PCC 1917 (10) - AFCA, AFCC, DFWFCA, HFCS, IFCA, LEJA, MCFCA, OFTA, PFCS, StLFCA Us (5) - CIC, COFCA, IFJA, OFCS, WAFCA Uncut Gems (4) - BOFCA, FFCC, OFCC, SFCS Little Women (2) - BSFC, CFCA Apollo 11 - UFCA I Lost My Body - LAFCA The Last Black Man In San Francisco - SFBAFCC Marriage Story - GWNYFCA BEST ORIGINAL SONG Rocketman (8) - CCA, GG, HFCS, IPA, LEJA, MCFCA, OFTA, OSCAR Wild Rose (7) - BIFA, CCA, DFCS, GFCA, HCA, HFCS, NDFS Always Be My Maybe - CIC Frozen II - PFCS Harriet - LVFCS Toy Story 4 - IFCA BEST PRODUCTION DESIGN Once Upon A Time In Hollywood (14) - ADG, CCA, CFCA, FFCC, LAFCA, LVFCS, MCFCA, NDFS, NFCS, OSCAR, SFBAFCC, SFCS, StLFCA, WAFCA 1917 (5) - BAFTA, GFCA, LEJA, PFCS, SDFCS Parasite (3) - ADG, HFCS, OFTA Avengers: Endgame - ADG Knives Out - CIC Motherless Brooklyn - IPA The Personal History Of David Copperfield - BIFA BEST SOUND EDITING 1917 (5) - BAFTA, LEJA, MCFCA, MPSE, OFTA Ford v Ferrari (4) - HFCS, IPA, MPSE, OSCAR BEST SOUND MIXING 1917 (5) - BAFTA, LEJA, MCFCA, OFTA, OSCAR Ford v Ferrari (3) - CAS, HFCS, IPA Beats - BIFA Toy Story 4 - CAS BEST VISUAL EFFECTS Avengers: Endgame (9) - CCA, HCA, LEJA, LVFCS, NCFCA, NFCS, OFTA, PFCS, StLFCA 1917 (5) - BAFTA, CIC, DFCS, HFCS, OSCAR Ad Astra (3) - CFCA, SDFCS, SFCS Alita: Battle Angel (3) - FFCC, HFCS, IPA The Irishman - VES The Lion King - VES BEST ANIMATED FEATURE Toy Story 4 (32) - AFCC, BOFCA, CCA, CFCA, COFCA, DFCS, DFCS, DFWFCA, GFCA, GWNYFCA, HCA, HFCS, HFCS, IFCA, KCFCC, LEJA, MCFCA, NCFCA, NFCS, NTFCA, OAFFC, OFCC, OFCS, OFTA, OSCAR, PCC, PFCC, PFCS, SEFCA, SFCS, StLFCA, WAFCA I Lost My Body (13) - AFCA, AWFJ, BFCC, BSFC, CIC, FFCC, LAFCA, NDFS, NYFCC, NYFCO, SDFCS, SFBAFCC, UFCA Missing Link (3) - GG, LVFCS, TFCA Klaus (2) - ANNIE, BAFTA How To Train Your Dragon: The Hidden World (2) - IFJA, NBR Abominable - AAFCA The Lion King - IPA BEST INTERNATIONAL FEATURE FILM Parasite (49) - AFCA, AAFCA, AFCC, AWFJ, BAFTA, BFCC, BIFA, BOFCA, BSFC, CCA, CFCA, CIC, COFCA, DFCS, DFWFCA, GALECA, GFCA, GG, GWNYFCA, HCA, HFCS, HFCS, IFJA, KCFCC, LEJA, LVFCS, MCFCA, NBR, NCFCA, NDFS, NTFCA, NYFCC, OFCC, OFCS, OFTA, OSCAR, PCC, PFCC, PFCS, SDFCS, SEFCA, SFBAFCC, SFCS, SPIRIT, StLFCA, TFCA, UFCA, VFCC, WAFCA Portrait Of A Lady On Fire (4) - FFCC, LFCC, NYFCO, WFCC Pain and Glory (2) - AARP, LAFCA Truth and Justice - IPA BEST DOCUMENTARY FEATURE Apollo 11 (36) - AFCA, AFCC, AWFJ, BOFCA, CCA, CFCA, CIC, COFCA, DFCC, DFCS, DFWFCA, FFCC, GFCA, GWNYFCA, HCA, HFCS, HFCS, IFCA, KCFCC, LVFCS, MCFCA, NCFCA, NFCS, NTFCA, NYFCO, OAFFC, OFCS, OFTA, PCC, PFCC, SEFCA, SFBAFCC, SFCS, StLFCA, UFCA, WAFCA Honeyland (7) - BSFC, DFCS, GALECA, NDFS, NSFC, NYFCC, VFCC American Factory (6) - IFP, LAFCA, OFCC, OSCAR, SPIRIT, TFCA For Sama (6) - BAFTA, BIFA, EFA, IDA, IFJA, LFCC One Child Nation (2) - PFCS, SDFCS 63 Up - IPA Amazing Grace - KCFCC The Black Godfather - AAFCA Knock Down The House - LEJA Linda Ronstadt: The Sound of My Voice - AARP Maiden - NBR Toni Morrison: The Pieces I Am - BFCC AuthorsNicole Ackman Archives
April 2020
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