By Michael Schwartz
As we dig through a plethora of unpredictable Emmy races, one category seems all but sewn up: Outstanding Variety Talk Series. By all estimations, it will likely go its third consecutive year with the same six nominees. While it may not be as exciting a contest to predict, it’s still worth breaking down why these six informative yet entertaining series seem to stand out amongst the crowd.
Comments
By Ryan C. Showers
Yes, “Scream 5” is happening, but without series legend and “the Master of Horror,” Wes Craven; yes, without Dimension films and the short leash, uber control of Bob and Harvey Weinstein over its plot and production; yes, “Scream 5” is going to be shot and released ten years since “Scream 4,” which made significantly less money at the box office than the original trilogy. 
By Will Mavity
The shake-up that COVID-19 has brought to this year’s film release schedule has people wondering if we might see an unusual film triumph at next year’s Oscars. People have floated the possibility of an animated film like Disney’s “Soul” winning Best Picture or perhaps a Netflix or Amazon streamed film. In light of closed cinemas, several films have opted for video on demand releases rather than wait to release when theaters reopen. As such, AMPAS announced that any film that was originally intended for a theatrical release but instead chose a streaming release due to COVID would still be eligible for next year’s Oscars. While that is good news for obvious contenders like Netflix’s “Da 5 Bloods,” it also opens the door for less obvious contenders like, for example, Disney’s filmed version of the Tony-winning Broadway show, “Hamilton”. Sure, “Hamilton” has come to Disney+, but Disney confirmed that it originally intended to give the recording a theatrical release. More importantly, there is a precedent. As strange as it sounds, recordings of plays and concerts have a history of being Oscar eligible. They’re constantly facing an uphill battle, but we have seen them at the Oscars before in multiple categories. 
By Casey Lee Clark
This past June, the Academy of Motion Picture Arts & Sciences (AMPAS) announced that the 93rd Academy Awards would be held on April 25th, 2021, with an eligibility window going until February 28th, 2021, due to the pandemic’s effect on the film industry. AMPAS had previously announced adjustments to film eligibility to allow films that premiered on streaming services as long as they had a previously planned and announced theatrical release that was stalled or canceled due to lockdown restrictions. This extended awards season (by far the longest we have seen in our lifetime and the latest date since the first Oscar ceremony held on May 16, 1929) has caused a ripple effect across other awards shows, pushing back the dates of nomination announcements and ceremonies like the Golden Globes and the BAFTAs to be closer to this new Oscars date. While this extends this movie year into part of 2021, many are wondering how this will affect the typical rollout of Oscar contenders at fall film festivals. However, something even more interesting to look into is how this extended awards season will affect Sundance, a film festival held in January that typically marks the beginning of a new film year. How will the 2020 Sundance come into play when the 2021 festival is happening right before the Oscars and within eligibility? 
By Kaiya Shunyata
The X-Men franchise is infamous for its rollercoaster ride of a series. There are some fantastic films like “Logan” (2017) and “X2” (2003), and then there are some unfathomable ones like “X-Men Origins: Wolverine” (2009). From the moment it was announced, it was obvious that Simon Kinberg’s “Dark Phoenix” (2019) wasn’t going to fare well for some. People immediately thought of the denounced “X-Men: The Last Stand” (2006), and asked, “Why are we doing this again?'' The release date was pushed back twice and a failed test screening cited audience’s laughing at the film's most serious moments, which then caused the entire third act to be reshot in 2018. The film, in a way, was doomed from the start. Although the backlash was heady, and it ended up being the biggest box office bomb of 2019, “Dark Phoenix” is the opposite of terrible and serves as a quiet yet pleasant ending to the franchise that sparked the cinematic superhero genre. 
By Brandi Collins
Can we ever break free from cycles of trauma and defeat? Can we help a family avoid the kinds of decisions we have made in our life? Writer-director Channing Godfrey Peoples poses these questions in her debut feature "Miss Juneteenth". The film, set in Fort Worth, Texas, follows the journey of single mother Turquoise Jones (Nicole Beharie) who has big dreams for her 15-year-old daughter Kai (Alexis Chikaeze) to be crowned the winner of the Miss Juneteenth pageant, a scholastic beauty pageant honoring Juneteenth—the holiday commemorating June 19th 1865 when Texas slaves finally learned they were freed, two years after the signing of the Emancipation Proclamation. The pageant aims to teach young Black girls not only about beauty but also about etiquette and cultural heritage. However, the biggest prize of all is a full-ride scholarship to a historically Black college, which fuels Turquoise’s desperation for Kai to win the crown. 
By Matt Neglia
2020 started off with a historic moment when "Parasite" won the Oscar for Best Picture and then COVID-19 happened, shutting down movie theaters across the country. As a result, the movies we have received in 2020 have mostly been independents that were going straight to VOD, smaller movies that the studios were willing to release to streaming or the usual studio-fare we get during the January-March time period (which is traditionally the weakest quarter of the year in terms of quality). Despite all of this, the NBP Team managed to compile all of their Top 10 lists into one mega Top 20 list for the best films of 2020 so far as we enter into the second half and hopefully, theaters will eventually re-open. 
By Nicole Ackman
Last year’s “Portrait of a Lady on Fire” and “Elisa & Marcela” are two examples of period dramas that feature two women in love. In past years, there has been a growing number of period films that depict lesbian relationships, some more explicitly than others. Of course, we’ve seen this in films for many years, notably in “The Color Purple” (1985) (though Celie and Shug’s relationship is toned down from the novel the film is based on). Period television shows have also portrayed lesbian relationships; from the BBC’s 2002 miniseries, “Tipping the Velvet,” to the recent hit “Gentleman Jack”. But the popularity of films like “Carol” (2015) and “Portrait of a Lady on Fire” have made it abundantly clear that there seem to be more period films that center around a lesbian relationship that make it into the mainstream conversation than any other genre. 
By Cody Dericks
As the events of the past month have shown all of us, the struggle for equality in America is far from over. And in this month of Pride, rather than the outright celebration that’s often found in many American cities, I think this is a time that could instead be a period of introspection for the queer community; learning and engaging with both our history and our current moment. In that spirit, I’ve compiled a list of politically-minded queer films that encompass what I believe would be helpful to explore at this moment. Some of these films are outwardly political in their stories, while some challenge the status quo just by nature of whom and what they depict. I wanted to focus more on films that are slightly outside of the conversation, so although you won’t find films like “Carol” or “Moonlight” on here they are still worth watching, especially this time of year. 
By Agambir Bajwa
While being under lockdown, some of the studios and theater chains have struggled to stay in business. This pandemic has given them a new reality to deal with but has also opened their eyes to see that there needs to be a robust change for the industry to thrive again. This is a six-part breakdown of how the theatrical and Hollywood business model needs to evolve. 
By Dan Bayer
It’s Pride Month! Truthfully, it’s felt like a strange month to be celebrating Pride when so much of the world seems to be on fire. But in terms of our monthly Quarantine Film Festival, it offers an exciting opportunity to tell even more diverse stories and try to glean what lessons we can from them. So come join me on our journey, curated from the Big Three streaming services. 
By Josh Parham
June is usually a joyous time for many people because it marks Pride Month. It’s meant to be a time to empower LGBTQ+ voices and experiences around the world. It’s a time for somber reflection of the hard-fought battles of the past and a recognition of the groundwork that still has yet to be laid for future accomplishments. However, at the core, it’s a moment of celebration for a community that continues to face so much hardship. In the past, it was meant to signal a joyous occasion. This year, sadly, the start of Pride Month was marked by tragedy. Not only has the global pandemic forced many events to be canceled – activities used to create safe spaces to create communal connections – but a cry against racial injustices at the hands of an overzealous police force has resulted in sizable protests. It can be easy to think that there’s no room to mark this usual time, when in reality, it’s now more important than ever. After all, the entire birth of the gay rights movement as it’s known today is because of the perilous work by Black trans activists; often ignored in the past, but fortunately are slowly gaining the recognition they long fought for. 
By Bianca Garner
“See, there's a catch, Catch-22. Anyone who wants to get out of combat duty isn't really crazy.” This is the reply from Dr. "Doc" Daneeka (Jack Gilford) to Alan Arkin’s Captain John Yossarian when he asks whether he can be declared crazy in order to be grounded. Yossarian, along with his buddies Captain Orr (Bob Balaban), Lt. Nately (Art Garfunkel), and Lt. Dobbs (Martin Sheen), have flown countless missions with their commanding officer, Colonel Cathcart (Martin Balsam), continually increasing the number of missions they must perform before they can be switched out. Naturally, this all begins to take its toll, not just on Yossarian, but on his fellow squadron members. They don’t have to be crazy to fly, but it certainly helps. 
By Tom O'Brien
There's been some speculation on Film Twitter that this year's potential Emmy nominees for Outstanding Television Movie are somewhat lesser because the star power in the Outstanding Limited Series category is so much stronger. Baloney! How can you turn up your nose at the likes of Hugh Jackman, Allison Janney (twice!), Aaron Paul, Daniel Radcliffe, Jon Hamm, Viola Davis, Willem Dafoe, and Dolly Parton? We've got a real race here. Logic would have it that the contest is between HBO's "Bad Education" and AMC's "El Camino," but this category contains a number of sleeper candidates that can easily snatch the crown away, particularly in a crazy year where Emmy voters are cooped up at home and have time to see many more films than just the presumed favorites. Let's meet the top ten contenders and rank their chances of getting that coveted Emmy nomination. 
By Lauren LaMagna
Today is Father’s Day. A day that celebrates fathers of all kinds. For some, you might want to celebrate the day with dad’s favorite movie or watch a movie that makes you think of the fatherly figure in your life. But like many things in cinema, time has allowed great change to happen. When it comes to representation, up until recently, cinema was only depicting one type of father: the constantly working, strict, authoritative figure. And even though we had great portrayals of these fathers, it is apparent that there are other types of parental figures out in the world. But as time moves forward and different voices get to tell their stories, the father character has evolved into a beautiful spectrum to represent more than just one type of father. 
By Amanda Spears
With the Academy of Motion Picture Arts and Sciences’ continued effort to expand the diversity of their membership, they have decided once again to have ten nominees for Best Picture; dropping the rolling scale based on number one votes. What would have been the 10th, and in some cases, the ninth or 10th films nominated? Would it have led to a more diverse set of nominees or just more of the same? 
By Michael Schwartz
After a well-deserved writing win at the 2019 Emmys, the buzz around HBO’s “Succession” seemed to hit a fever pitch – and that was just for the first season. As the darkly funny family drama entered season two last year, it miraculously avoided the notorious sophomore slump. Instead, “Succession” became a deeper show, exploring the complexities and intricates of the fictional Roy family and their media empire. Through razor-sharp writing and performances, “Succession” has developed into a series that takes us into the lives of the rich and famous while simultaneously scrutinizing them. It’s a piece of riveting theatre and the type of show that builds momentum as it moves along. A series win does not seem outside the realm of possibility. 
By Josh Parham
One of the great things about the James Bond fandom is the diversity of opinions on the series. No two fans will have the same answers discussing their favorite or least favorite elements in the franchise, and that’s always something that I have treasured as a member of this fandom myself. While there’s a consensus around the popularity of certain films and actors, you will be able to find passionate defenses of nearly any aspect you can imagine. It’s something that makes the appreciation of these films rather unique, and it’s especially fascinating when it comes to some of the most polarizing films in this history. “A View to a Kill” is undoubtedly one that inspires conversation, and as it has recently celebrated its 35th anniversary, it’s a good time to reflect on one of the oddest entries in 007’s adventures. 
By Casey Lee Clark
In June of 1975, Robert Altman’s “Nashville” was released. Written by Joan Tewkesbury, it depicts the lives of 24 characters surrounding the local music scene and a fictional political campaign over five days. In the spring of 2015, I was a sophomore Theater major in college, adding a Film minor to finally give in to my lifelong draw to cinema. Through my ever-growing obsession with film history (particularly films of the ‘60s and ‘70s) and the Criterion Collection, I discovered Altman’s magnum opus. There are films you come across in your life that change the way you look at the world, change the way you look at film, and open up your mind to all that can be possible in the art of filmmaking. For me, that film is “Nashville”. 
By Amanda Spears
The Academy of Motion Picture Arts and Sciences is having to make decisions as to how they will adapt the Academy Awards since COVID-19 has changed the film landscape of 2020. But as the old saying goes, “the show must go on,” even if the show moves from February 28th to March, April or May. And for the first time, it will include films that have foregone a traditional release and were exclusively streamed. But unlike the Oscars, the U.S. Presidential Election has to stick to its original release date. When the Oscars overlap with an election year, the results vary. 
By Robert Dougherty
"Shirley" depicts famed author Shirley Jackson as a seemingly fragile, mentally sensitive woman who’s often dismissed as mad, is belittled by the men in her life, looks ready to snap even when she smiles, and who can make a furious spectacle of herself at a moment’s notice. So naturally, she’s played by an actress who’s made such characters her stock in trade for the last few years running. As such, Shirley Jackson has joined Cecilia Kass, Becky Something, June Osborne, Claire Walsh, and Dahlia in helping Elisabeth Moss become the movie and streaming world’s leading actress for playing “women going mad” since 2017. In that context, "Shirley" may seem like the same old, same old from Moss at this point, as she inches towards the kind of typecasting familiar to countless male actors who’ve played mad men for years on end. Yet the kind of ‘madness’ displayed, examined, and deconstructed by Moss over and over these days remains quite different from the string of unhinged characters a Christopher Walken, Gary Oldman or Dennis Hopper would tend to play again and again. 
By Bianca Garner
There's a pandemic that the film industry has been battling for decades now, and its existence threatens the very foundations of an already struggling industry. Recent reports have commented on the role that the Coronavirus pandemic is having on the film industry in regards to certain film release dates being pushed back and productions being placed on hold. However, perhaps the biggest threat to the industry is the dramatic rise of online film piracy. Since the world went on lockdown, there has been a recorded increase in films being downloaded illegally. The UK's intellectual property protection organization reported that “overall links to illegal streaming sites have doubled between February and April.” Ironically, one of the most downloaded films to have seen a swift increase is “Contagion” (2011) which saw an increase in downloads of 151%. 
By Matt Neglia
Even though the 2020 Cannes Film Festival was officially cancelled due to the coronavirus pandemic, festival president Pierre Lescure and general delegate Thierry Frémaux still announced the 56 films that made the cut for the 2020 Official Selection. These movies will be able to carry the Cannes label into other film festivals (if they happen) later this year. We may not know which of these would've won the Palme d'Or but we can now at least think of what could've been. Click below to see this year's official selection. 
By Ryan C. Showers
The limited series presented by FX, “Mrs. America,” recently completed its nine-episode run on Hulu. It was positioned center stage to be a competitive player in the 2019-2020 Primetime Emmy awards cycle. Each year, the Limited Series categories at the Emmys become stronger and more prolific. The lineup at last year’s Emmy Awards for this category was “Chernobyl,” “When They See Us,” “Sharp Objects,” “Fosse/Verdon,” and “Escape at Dannemora”. This group of contenders could easily rival any recent Best Picture lineup in terms of consistent artistry, style, and substance. This is a trend that will continue. This year, “Mrs. America” is one of the titles that continues the trend of adult-centric entertainment, with some of the greatest industry moguls working today, fleshed out over an expanded amount of time on television rather than in the cinema. 
By Daniel Howat
The past year has seen the launch of numerous high profile streaming services: Disney+, Apple TV+, and even Quibi. While each has its bright spots (okay, except for Quibi), HBO Max may be the best streaming service for film lovers. Let’s dive into the elements that separate HBO Max from the rest of the pack, and why you should subscribe. |
BEST PICTURE Parasite (30) - AACTA, AFCA, AFCC, AWFJ, BOFCA, CFCA, CIC, COFCA, DFCS, GALECA, GFCA, HFCS, LAFCA, LEJA, LFCC, NCFCA, NSFC, NYFCO, OAFFC, OFCS, OFTA, OSCAR, PCC, SAG, SEFCA, SFCS, TFCA, UFCA, VFCC, WAFCA Once Upon A Time In Hollywood (10) - CCA, GG, HFCS, IFCA, IPA, LVFCS, NDFS, OFCC, SFBAFCC, StLFCA 1917 (8) - BAFTA, DFCS, DFWFCA, GG, HCA, KCFCC, MCFCA, PGA The Irishman (5) - AARP, NBR, NTFCA, NYFCC, SDFCS Marriage Story (5) - DFCC, GWNYFCA, IFJA, IFP, NFCS Knives Out (2) - CIC, PFCC Portrait Of A Lady On Fire (2) - FFCC, WFCC Dolemite Is My Name - BFCC The Farewell - SPIRIT Ford v Ferrari - IPA For Sama - BIFA Harriet - WFCC Joker - PFCS Little Women - BSFC Us - AAFCA BEST DIRECTOR Bong Joon-ho (30) - AFCA, AFCC, AWFJ, BOFCA, BSFC, CCA, CFCA, CIC, COFCA, GALECA, GFCA, GWNYFCA, HFCS, IFJA, LAFCA, LEJA, LFCC, NCFCA, NDFS, NYFCO, OAFFC, OFCS, OFTA, OSCAR, PCC, SFBAFCC, SFCS, TFCA, VFCC, WAFCA Sam Mendes (11) - BAFTA, CCA, DFCS, DFWFCA, DGA, GG, KCFCC, MCFCA, NTFCA, PFCS, UFCA Martin Scorsese (7) - AARP, BFCC, DFCC, DFCS, OFCC, PFCC, SEFCA Quentin Tarantino (6) - AACTA, HFCS, IFCA, LVFCS, NBR, StLFCA Josh & Benny Safdie (3) - NYFCC, SDFCS, SPIRIT Noah Baumbach (2) - HCA, NFCS Greta Gerwig (2) - CIC, NSFC Laure de Clermont-Tonnerre - IFP Kassi Lemmons - BFCC James Mangold - IPA Jordan Peele - AAFCA Celine Sciamma - FFCC Olivia Wilde - HCA Waad al-Kateab & Edward Watts - BIFA BEST ACTOR Adam Driver (31) - AACTA, AFCC, AWFJ, CFCA, CIC, COFCA, DFCC, DFCS, DFWFCA, FFCC, GFCA, GWNYFCA, HFCS, IFJA, IFP, KCFCC, NCFCA, NFCS, OAFFC, OFCS, OFTA, PCC, PFCC, SDFCS, SEFCA, SFCS, TFCA, UFCA, VFCC, WAFCA, WFCC Joaquin Phoenix (17) - BAFTA, CCA, DFCS, GG, HCA, HFCS, IFCA, LEJA, LFCC, MCFCA, NDFS, NTFCA, NYFCO, OSCAR, PFCS, SAG, SDFCS Adam Sandler (9) - AARP, AFCA, BOFCA, BSFC, LVFCS, NBR, OFCC, SPIRIT, StLFCA Antonio Banderas (6) - EFA, GALECA, LAFCA, NSFC, NYFCC, SFBAFCC Taron Egerton (2) - GG, IPA Eddie Murphy (2) - AAFCA, BFCC Christian Bale - IPA Josh O'Connor - BIFA BEST ACTRESS Lupita Nyong'o (28) - AFCA, AAFCA, AWFJ, BFCC, BOFCA, CFCA, CIC, COFCA, FFCC, GFCA, HCA, IFJA, KCFCC, LAFCA, MCFCA, NCFCA, NYFCC, NYFCO, OFCC, OFCS, OFTA, PCC, SDFCS, SFBAFCC, SFCS, TFCA, WAFCA, WFCC Renée Zellweger (17) - AARP, AFCC, BAFTA, BIFA, CCA, GALECA, GG, HFCS, IFCA, LFCC, LVFCS, NBR, OSCAR, PFCS, SAG, SEFCA, SPIRIT Scarlett Johansson (12) - DFCC, DFCS, DFCS, DFWFCA, FFCC, GWNYFCA, IPA, NFCS, OAFCC, StLFCA, UFCA, VFCC Awkwafina (5) - GG, HFCS, IFP, IPA, LEJA Mary Kay Place (2) - LAFCA, NSFC Saoirse Ronan (2) - AACTA, BSFC Charlize Theron (2) - NFCS, NTFCA Cynthia Erivo - WFCC Florence Pugh - NDFS BEST SUPPORTING ACTOR Brad Pitt (36) - AACTA, AFCA, AFCC, AWFJ, BAFTA, BFCC, BOFCA, BSFC, CCA, CFCA, DFCS, DFWFCA, GG, HFCS, HFCS, IFCA, LEJA, MCFCA, NBR, NCFCA, NSFC, OFCC, OFCS, OFTA, OSCAR, PFCC, PFCS, SAG, SDFCS, SEFCA, SFBAFCC, StLFCA, TFCA, VFCC, WAFCA Joe Pesci (13) - DFCS, FFCC, GFCA, GWNYFCA, HCA, KCFCC, LFCC, NFCS, NYFCC, NYFCO, PFCC, SDFCS, UFCA Willem Dafoe (7) - COFCA, IFJA, IPA, LVFCS, NDFS, SFCS, SPIRIT Song Kang-ho (4) - CIC, GALECA, LAFCA, PCC Tom Hanks (2) - AARP, NTFCA Jamie Foxx - AAFCA Shia LaBeouf - OAFCC Hugh Laurie - BIFA BEST SUPPORTING ACTRESS Laura Dern (23) - AARP, AFCC, BAFTA, BSFC, CCA, DFCS, DFCS, DFWFCA, FFCC, GG, HFCS, IFCA, LFCC, NDFS, NSFC, NYFCC, NYFCO, OSCAR, PFCS, SAG, SEFCA, TFCA, VFCC Jennifer Lopez (15) - AFCA, GALECA, HCA, IFJA, IPA, LAFCA, LEJA, NFCS, OAFFC, OFCC, OFCS, OFTA, SFBAFCC, SFCS, WAFCA Florence Pugh (11) - AWFJ, BOFCA, CFCA, COFCA, DFCS, GFCA, GWNYFCA, LAFCA, MCFCA, NCFCA, UFCA Zhao Shuzhen (5) - CIC, HFCS, NTFCA, SDFCS, SPIRIT Da'Vine Joy Randolph (3) - AAFCA, BFCC, KCFCC Margot Robbie (3) - AACTA, LVFCS, StLFCA Kathy Bates - NBR Ruthxjiah Bellenea - BIFA Thomasin McKenzie - PCC BEST ADAPTED SCREENPLAY Little Women (17) - AFCA, AWFJ, BOFCA, CCA, CIC, COFCA, DFCS, FFCC, IFJA, KCFCC, LEJA, NCFCA, OFTA, UFCA, USC, WAFCA, WFCC The Irishman (10) - BFCC, GFCA, GWNYFCA, HFCS, NBR, OFCC, OFCS, SEFCA, StLFCA, TFCA Jojo Rabbit (9) - AACTA, BAFTA, HCA, NFCS, OAFFC, OSCAR, PFCS, SFBAFCC, WGA Joker - IPA Luce - SDFCS The Personal History Of David Copperfield - BIFA The Two Popes - LVFCS BEST ORIGINAL SCREENPLAY Parasite (23) - AFCA, AAFCA, AFCC, AWFJ, BAFTA, CFCA, COFCA, GALECA, GFCA, HCA, LEJA, MCFCA, NCFCA, NSFC, NYFCO, OFCS, OFTA, OSCAR, SEFCA, SFBAFCC, SFCS, UFCA, WGA Marriage Story (16) - AARP, DFCC, DFCS, DFWFCA, GWNYFCA, IFJA, IFP, IPA, LAFCA, LFCC, OAFFC, SDFCS, SPIRIT, StLFCA, VFCC, WAFCA Once Upon A Time In Hollywood (10) - BOFCA, BSFC, CCA, GG, HFCS, LVFCS, NDFS, NFCS, NYFCC, StLFCA Knives Out (8) - CIC, DFCS, HFCS, KCFCC, OFCC, PCC, PFCC, PFCS Uncut Gems (2) - FFCC, NBR Portrait Of A Lady On Fire - EFA Queen & Slim - BFCC BEST CINEMATOGRAPHY 1917 (37) - AFCA, AFCC, ASC, AWFJ, BAFTA, BFCC, CCA, CFCA, CIC, COFCA, DFWFCA, FFCC, GFCA, HCA, HFCS, HFCS, IPA, KCFCC, LEJA, LVFCS, MCFCA, NCFCA, NFCS, NTFCA, NYFCO, OAFFC, OFCS, OFTA, OSCAR, PCC, PFCS, SEFCA, SFBAFCC, SFCS, StLFCA, UFCA, WAFCA Portrait Of A Lady On Fire (5) - BSFC, GWNYFCA, LAFCA, NSFC, NYFCC The Lighthouse (4) - NDFS, PFCC, SDFCS, SPIRIT Once Upon A Time In Hollywood (2) - BOFCA, OFCC Ad Astra - DFCC Beats - BIFA BEST COSTUME DESIGN Dolemite Is My Name (8) - CCA, CIC, IPA, LEJA, LVFCS, OFTA, SDFCS, SFCS Little Women (3) - BAFTA, CFCA, OSCAR Rocketman (3) - HCA, HFCS, PFCS Jojo Rabbit - CDGA Knives Out - CDGA Maleficent: Mistress Of Evil - CDGA The Personal History Of David Copperfield - BIFA BEST FILM EDITING Ford v Ferrari (7) - BAFTA, IPA, LVFCS, OSCAR, SDFCS, SFBAFCC, WAFCA 1917 (5) - CCA, CIC, HCA, MCFCA, PFCS The Irishman (4) - AWFJ, BOFCA, BSFC, CFCA Parasite (4) - ACE, LEJA, OFCS, OFTA Uncut Gems (4) - AFCA, GWNYFCA, SFCS, SPIRIT Apollo 11 (3) - ACE, LAFCA, UFCA Once Upon A Time In Hollywood (2) - HFCS, StLFCA For Sama - BIFA Jojo Rabbit - ACE Knives Out - COFCA The Lighthouse - NDFS Toy Story 4 - ACE BEST MAKEUP & HAIRSTYLING Bombshell (8) - BAFTA, CCA, CIC, HCA, LEJA, MUAHS, OFTA, OSCAR Joker (2) - HFCS, MUAHS Downton Abbey - MUAHS The Personal History Of David Copperfield - BIFA BEST ORIGINAL SCORE Joker (12) - BAFTA, CCA, DFCS, GFCA, GG, HCA, HFCS, IPA, LVFCS, NDFS, OSCAR, PCC 1917 (10) - AFCA, AFCC, DFWFCA, HFCS, IFCA, LEJA, MCFCA, OFTA, PFCS, StLFCA Us (5) - CIC, COFCA, IFJA, OFCS, WAFCA Uncut Gems (4) - BOFCA, FFCC, OFCC, SFCS Little Women (2) - BSFC, CFCA Apollo 11 - UFCA I Lost My Body - LAFCA The Last Black Man In San Francisco - SFBAFCC Marriage Story - GWNYFCA BEST ORIGINAL SONG Rocketman (8) - CCA, GG, HFCS, IPA, LEJA, MCFCA, OFTA, OSCAR Wild Rose (7) - BIFA, CCA, DFCS, GFCA, HCA, HFCS, NDFS Always Be My Maybe - CIC Frozen II - PFCS Harriet - LVFCS Toy Story 4 - IFCA BEST PRODUCTION DESIGN Once Upon A Time In Hollywood (14) - ADG, CCA, CFCA, FFCC, LAFCA, LVFCS, MCFCA, NDFS, NFCS, OSCAR, SFBAFCC, SFCS, StLFCA, WAFCA 1917 (5) - BAFTA, GFCA, LEJA, PFCS, SDFCS Parasite (3) - ADG, HFCS, OFTA Avengers: Endgame - ADG Knives Out - CIC Motherless Brooklyn - IPA The Personal History Of David Copperfield - BIFA BEST SOUND EDITING 1917 (5) - BAFTA, LEJA, MCFCA, MPSE, OFTA Ford v Ferrari (4) - HFCS, IPA, MPSE, OSCAR BEST SOUND MIXING 1917 (5) - BAFTA, LEJA, MCFCA, OFTA, OSCAR Ford v Ferrari (3) - CAS, HFCS, IPA Beats - BIFA Toy Story 4 - CAS BEST VISUAL EFFECTS Avengers: Endgame (9) - CCA, HCA, LEJA, LVFCS, NCFCA, NFCS, OFTA, PFCS, StLFCA 1917 (5) - BAFTA, CIC, DFCS, HFCS, OSCAR Ad Astra (3) - CFCA, SDFCS, SFCS Alita: Battle Angel (3) - FFCC, HFCS, IPA The Irishman - VES The Lion King - VES BEST ANIMATED FEATURE Toy Story 4 (32) - AFCC, BOFCA, CCA, CFCA, COFCA, DFCS, DFCS, DFWFCA, GFCA, GWNYFCA, HCA, HFCS, HFCS, IFCA, KCFCC, LEJA, MCFCA, NCFCA, NFCS, NTFCA, OAFFC, OFCC, OFCS, OFTA, OSCAR, PCC, PFCC, PFCS, SEFCA, SFCS, StLFCA, WAFCA I Lost My Body (13) - AFCA, AWFJ, BFCC, BSFC, CIC, FFCC, LAFCA, NDFS, NYFCC, NYFCO, SDFCS, SFBAFCC, UFCA Missing Link (3) - GG, LVFCS, TFCA Klaus (2) - ANNIE, BAFTA How To Train Your Dragon: The Hidden World (2) - IFJA, NBR Abominable - AAFCA The Lion King - IPA BEST INTERNATIONAL FEATURE FILM Parasite (49) - AFCA, AAFCA, AFCC, AWFJ, BAFTA, BFCC, BIFA, BOFCA, BSFC, CCA, CFCA, CIC, COFCA, DFCS, DFWFCA, GALECA, GFCA, GG, GWNYFCA, HCA, HFCS, HFCS, IFJA, KCFCC, LEJA, LVFCS, MCFCA, NBR, NCFCA, NDFS, NTFCA, NYFCC, OFCC, OFCS, OFTA, OSCAR, PCC, PFCC, PFCS, SDFCS, SEFCA, SFBAFCC, SFCS, SPIRIT, StLFCA, TFCA, UFCA, VFCC, WAFCA Portrait Of A Lady On Fire (4) - FFCC, LFCC, NYFCO, WFCC Pain and Glory (2) - AARP, LAFCA Truth and Justice - IPA BEST DOCUMENTARY FEATURE Apollo 11 (36) - AFCA, AFCC, AWFJ, BOFCA, CCA, CFCA, CIC, COFCA, DFCC, DFCS, DFWFCA, FFCC, GFCA, GWNYFCA, HCA, HFCS, HFCS, IFCA, KCFCC, LVFCS, MCFCA, NCFCA, NFCS, NTFCA, NYFCO, OAFFC, OFCS, OFTA, PCC, PFCC, SEFCA, SFBAFCC, SFCS, StLFCA, UFCA, WAFCA Honeyland (7) - BSFC, DFCS, GALECA, NDFS, NSFC, NYFCC, VFCC American Factory (6) - IFP, LAFCA, OFCC, OSCAR, SPIRIT, TFCA For Sama (6) - BAFTA, BIFA, EFA, IDA, IFJA, LFCC One Child Nation (2) - PFCS, SDFCS 63 Up - IPA Amazing Grace - KCFCC The Black Godfather - AAFCA Knock Down The House - LEJA Linda Ronstadt: The Sound of My Voice - AARP Maiden - NBR Toni Morrison: The Pieces I Am - BFCC AuthorsNicole Ackman Archives
July 2020
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