By Dan Bayer
In the age of coronavirus quarantine, theaters are closed, film festivals have either been canceled or moved online, and everyone should be staying inside as much as possible. This is a perfect time to watch a lot of movies, which means it’s also time to play amateur film festival programmer. So here’s my first attempt at one day of a quarantine film festival, using films that are available on the Big Three streaming platforms (Netflix, Hulu, and Amazon Prime). Be ready for another day next month, and we will continue as long as we are without movie theaters. For this festival, I wanted to focus on the thought that has been getting me through most days the past couple of weeks: It could be worse! Specifically, dysfunctional families. I live alone in my own apartment, but I have plenty of friends and colleagues who are cooped up with their significant others, small children, and even their parents and grandparents, and they all say it’s driving them insane. So take a day, watch these movies, and it might just make you look at your own family with a newfound sense of appreciation.
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By Rebecca Daniel
As the Coronavirus looms each day, I constantly check Instagram, Facebook, and Twitter to see how people around the world are doing. Is everyone well? What do they do to pass the time socially distancing? One of the most common pastimes in isolation is watching movies. I love to see films that others recommend. It’s a great time to share our opinions, thoughts and personal favorites. While half of the country binge watches “Contagion” with full certainty that the Steven Soderbergh film predicted the future, that’s not exactly my quarantine film of choice (I would never sleep again if I watched that). In times of chaos, I fall back on the musical. There’s something about musicals that transport me to another place and time. For two hours, I stop checking the news reports. Instead, I’m laser-focused on the characters professing their feelings through song. I’ve always watched musicals as a means of escape from the painful realities of life. When I had my wisdom teeth out a few months ago, I immediately came home to watch “Moulin Rouge!”. Suddenly, I forgot about the searing pain in my jaw and turned my attention towards Christian and Satine. Anytime I got sick as a kid, my immediate go-to movie was “Grease”. (It’s the word!) When I sustained a nasty bout of pneumonia in school, I discovered “Phantom of the Opera,” which was watched approximately a million times at my house. Musicals have always been a comfort for me in times of chaos. It turns out, they are quite a comfort for the world as well. Let’s take a look back at different events in American history and musicals that have encouraged audiences along the way. 
By Nicole Ackman
Adaptations of books are a large part of each year’s new films, and 2020’s new releases are certainly no different. I’ve rounded up all of the book to film adaptations that have been announced for this year. Though all of these dates are subject to change – especially with coronavirus shutting down film sets – the films below should be eligible for Best Adapted Screenplay. Last year, we saw “Little Women” and “Jojo Rabbit” battle it out for the award, but right now, we can only make wild guesses as to what will take the 2020 prize. There have already been a selection of book to film adaptations released this year: “Dolittle,” “The Rhythm Section,” “The Turning” (an adaption of “The Turn of the Screw”), “P.S. I Still Love You,” “The Call of the Wild,” “Minamata,” “Timmy Failure: Mistakes Were Made,” “The Invisible Man,” “The Last Thing He Wanted,” “Emma.,” “All the Bright Places,” and “Lost Girls.” 
By Lauren LaMagna
As March nears a close, with an international pandemic and the film industry coming to a sudden halt, as well as with the rest of the major cities around the world, it can be hard to take your mind off of these crazy events. But March, no matter the events, is still Women's History Month and can be perfectly celebrated by watching your favorite female-centric films during self-isolation. I asked the Next Best Picture staff to list some of their favorites. In no particular order, here are some of Next Best Picture's favorite female-centric films. 
By Daniel Howat
In light of the COVID-19 shutdown of movie theaters, the Hollywood Foreign Press Association announced a new, adjusted period of eligibility for the Golden Globe Awards. From March 15 until April 30, films may qualify without the typical required theatrical release. Films may premiere on a nontheatrical platform such as a streaming service or even broadcast television as long as the distributor provides an official screening link for the members of the HFPA during this time. They also said that the time period will be subject to review, provided theaters remain closed into May as many expect. 
By Kenzie Vanunu
When I first saw the trailer for the remake of “The Invisible Man” and realized it was going to be covering the subject of domestic abuse, I won’t lie, my heart did sink a little. As long as I can remember, I have gravitated towards horror films to distract myself from anything going on in my personal life for a few hours at most. Obstacles in my personal life felt small in comparison when watching most horror films, as I was never facing anything like a madman with a chainsaw, a demon haunting my home or being staged in a ritual to stop an apocalypse from happening. However, Leigh Whannell's “The Invisible Man” remake takes this in a different direction for me and now that more people than ever are watching the film, previously at the theaters and now at home, I felt it was time for me to share my connection to this terrifying film. 
By Cody Dericks
Any avid movie watcher knows that consuming films sometimes involves performing a unique type of triage. We separate movies into “watch in theaters”, “watch at home” and “watch one day when I have a ton of free time”. Well, with a lot of us stuck at home in self-isolation, whether voluntary or not, it’s finally a good time to watch those movies we were saving for wisdom teeth recovery or an extreme blizzard. I’m here to help you narrow down your selection by showcasing some underseen movies from the last decade that you can stream at home. These movies won’t necessarily serve as a distraction from everything going on today; the only thing that unites them is that they are all readily available on streaming and are all excellent. 
By Michael Schwart
*Just as we were planning to post this preview of new musicals for the 2019/2020 Tony season, Broadway announced that it would shut down until at least April 13th due to concerns over COVID-19. While the theatre may currently be dark, let us take a look at what we can expect to enjoy in the coming months when society returns to a sense of normalcy.* Just as Oscar season tends to wait until the end of the calendar year to show off its finest offerings, the world of theater also waits until the end of their year to showcase the best of the best. Though in Broadway culture, the final rush happens to be March and April of every year. This season is no different as we see a barrage of new plays and musicals competing for Tony glory. As the American Theatre Wing prepares to release their Tony nominations ahead of the 74th annual ceremony, let’s take a look at the top offerings on the musical side. 
By Bianca Garner
On Monday we lost one of cinema’s most iconic actors, Max von Sydow. This was the man who took on the demon Pazuzu, who played chess with Death, gave advice to Bran Stark as the three-eyed raven, aided Robin Williams and Cuba Gooding Jr. on their journey into hell, and even crossed paths with Kylo Ren and the First Order. No role was too big or too small for von Sydow. And even when he was on screen for the briefest of moments, he would leave a lasting impression. 
By Bianca Garner
Cinema has always been an experimental art form and one which has seen creatives constantly pushing the boundaries of storytelling and embracing new technologies. The flavor of the month seems to be the one-shot film; whether it be Sam Mendes’s “1917” and Alejandro G. Iñárritu’s “Birdman,” which were edited to appear to be one continuous shot, or Sebastian Schipper’s “Victoria” and Erik Poppe’s “Utøya: July 22,” which actually were shot in a single continuous take. However, this hasn’t been a recent obsession of filmmakers. In fact, the master of suspense himself, Alfred Hitchcock, utilized the technique with his crime drama, “Rope,” way back in 1948. 
By Sam Howe
With the general worldwide release of Pixar's latest film "Onward," starring Tom Holland, Chris Pratt, and Julia Louis-Dreyfus, I wanted to write about how the film succeeds by uniquely and realistically presenting the dynamics of a single-parent family, specifically one where a parent passed away when the children were young. For almost the entire time they have been making films, Pixar have not just been trying to tell good and commercially viable stories, but have also been determined to present their audience (which is very often made up of lots of children who are still learning their way in the world) with important life messages, while also simultaneously making the adults in the audience sob with tears. Some of the more famous successful examples are "Up," where our character gradually learns to love again and realizes that it is the relationships we make that make life so special. In "Finding Nemo," we are taught that if we live life in fear then it will only be a life half lived. And the "Toy Story" franchise has consistently taught us the value of friendship, family, and accepting change. 
By Lauren LaMagna
Coming right off of the Oscar win for “Toy Story 4,” Pixar will soon release their next animated film, “Onward,” on March 6th. Even though it’s still incredibly early, the film currently has an overwhelming set of positive reviews with a constant rise of interest as we near its premiere date. So with “Onward” looking to be another Pixar success, the next question that comes to mind is a natural one: Will Pixar be on that Oscar stage this year once again? 
By Danielle Del Plato
It’s safe to say that most of us had childhood fears of monsters hiding under our beds – a boogeyman lurking in the darkest corner of our room. Even a draft from an open window posed as some sort of invisible monster. Over the years, movies have delivered quite the spectacle of scares. From practical effects in John Carpenter’s “The Thing,” to stunning visual effects in Alex Garland’s “Annihilation,” horror visuals have jumped through hoops to make us squirm. This month, with the release of Leigh Whannell’s “The Invisible Man” (the contemporary take on H.G. Welles’ novel of the same name) we beg to ask the question: why is what we can’t see on-screen often more chilling than what is presented to us? 
By Amanda Spears
The stars have to align perfectly for a film to win Best Picture at the Oscars – timing is everything. What wins one year may not have the year prior or the next. But to win Best Picture in a US election year is even more difficult. Of the 92 films that have been lucky enough to win Best Picture, 22 have done so in an election year. What films did the Academy prefer in the election years between 2000-2016? Generally, the Academy leaned towards feel-good films that left the audience happy or they leaned towards journeymen films. Clint Eastwood was able to pull off his second victory in an election year (1992 and 2004). (Ironic since his politics have in recent years made him unpopular). Below we take a look back at the candidates and the winning pictures. What might we learn about the type of film that will win in 2020? 
By Josh Williams
Leigh Whannell's "The Invisible Man" released this weekend and has received some massive praise from critics. Whannell's third directed effort is a riveting and terrifying take on a classic horror film anchored by an electrifying performance from Elisabeth Moss. The film portrays an abusive relationship in a very disturbing yet effective way. Delivering a powerful message about abusive relationships is the heart of the project and this works extremely well. It proves that sometimes the scariest thing in the world is something you can't see. 
By Rebecca Daniel
The date is February 27. On this day, I look back with a twinge of sorrow and think about what could have been. Oh, what could have been on this evening nine years ago at the Kodak Theater. Thousands of miles away from the swanky Los Angeles festivities, I sat anxiously watching the Oscars at home hoping that David Fincher’s masterpiece, “The Social Network,” would take home Best Picture. Surely it would, right? The film swept the Golden Globes, the Critics Choice Awards, received eight Oscar nominations and landed at the top of various critics’ lists. All I could do was wait to see the outcome. 
By Josh Parham
The upcoming release of “The Invisible Man” has stirred many feelings within me lately. There’s a genuine curiosity to see what Universal has in store for this quasi-reboot of its notorious Dark Universe franchise. There’s also a general annoyance at the continued pace at which Hollywood seems destined to keep remaking its own previously produced properties. Of course, there’s also a feeling of excitement to see a great actress like Elisabeth Moss hopefully be able to showcase once again the presence she has as a performer. However, above all else, this new film mostly recalls my nostalgic memories for the 1933 original 
By Jonah Evarts
The much sought-after Best Picture Oscar was awarded to Bong Joon Ho’s masterpiece "Parasite" this year, amid a flurry of strong opinions and controversial nominations for the films that fell to it. Now that the awards season is over, it’ll be a year until we see who will triumph over it next. This begs the question: how will we look back on this awards season a year from now? Historically, the perception of Best Picture winners takes shape over time, and some winners age well, while others flatten under the pressure of longevity. 
By Matthew Underwood
How many times have you watched Jane Fonda open the envelope and read "Parasite?" How many reaction videos have you come across on Twitter? And in the two weeks since its historic triumph at the 92nd Academy Awards, how many times have you turned on "Parasite" to descend into the basement with the Kim family? 
By Sam Howe
The Martin Scorsese discourse online has reared once again its ugly head, with this particular set of posts focusing on the notion that most Scorsese films are “the same” and that he repeats the same tropes over and over again. While anyone who has watched more than just a couple of Scorsese films could tell you this is a ridiculous statement, as very few people would say that “Raging Bull,” “The Last Temptation of Christ,” “Hugo,” and “The Wolf of Wall Street” are repeating themselves; it just so happens that some of the more famous Scorsese films are in the gangster genre and, therefore, people assume this is all he does. |
BEST PICTURE Parasite (30) - AACTA, AFCA, AFCC, AWFJ, BOFCA, CFCA, CIC, COFCA, DFCS, GALECA, GFCA, HFCS, LAFCA, LEJA, LFCC, NCFCA, NSFC, NYFCO, OAFFC, OFCS, OFTA, OSCAR, PCC, SAG, SEFCA, SFCS, TFCA, UFCA, VFCC, WAFCA Once Upon A Time In Hollywood (10) - CCA, GG, HFCS, IFCA, IPA, LVFCS, NDFS, OFCC, SFBAFCC, StLFCA 1917 (8) - BAFTA, DFCS, DFWFCA, GG, HCA, KCFCC, MCFCA, PGA The Irishman (5) - AARP, NBR, NTFCA, NYFCC, SDFCS Marriage Story (5) - DFCC, GWNYFCA, IFJA, IFP, NFCS Knives Out (2) - CIC, PFCC Portrait Of A Lady On Fire (2) - FFCC, WFCC Dolemite Is My Name - BFCC The Farewell - SPIRIT Ford v Ferrari - IPA For Sama - BIFA Harriet - WFCC Joker - PFCS Little Women - BSFC Us - AAFCA BEST DIRECTOR Bong Joon-ho (30) - AFCA, AFCC, AWFJ, BOFCA, BSFC, CCA, CFCA, CIC, COFCA, GALECA, GFCA, GWNYFCA, HFCS, IFJA, LAFCA, LEJA, LFCC, NCFCA, NDFS, NYFCO, OAFFC, OFCS, OFTA, OSCAR, PCC, SFBAFCC, SFCS, TFCA, VFCC, WAFCA Sam Mendes (11) - BAFTA, CCA, DFCS, DFWFCA, DGA, GG, KCFCC, MCFCA, NTFCA, PFCS, UFCA Martin Scorsese (7) - AARP, BFCC, DFCC, DFCS, OFCC, PFCC, SEFCA Quentin Tarantino (6) - AACTA, HFCS, IFCA, LVFCS, NBR, StLFCA Josh & Benny Safdie (3) - NYFCC, SDFCS, SPIRIT Noah Baumbach (2) - HCA, NFCS Greta Gerwig (2) - CIC, NSFC Laure de Clermont-Tonnerre - IFP Kassi Lemmons - BFCC James Mangold - IPA Jordan Peele - AAFCA Celine Sciamma - FFCC Olivia Wilde - HCA Waad al-Kateab & Edward Watts - BIFA BEST ACTOR Adam Driver (31) - AACTA, AFCC, AWFJ, CFCA, CIC, COFCA, DFCC, DFCS, DFWFCA, FFCC, GFCA, GWNYFCA, HFCS, IFJA, IFP, KCFCC, NCFCA, NFCS, OAFFC, OFCS, OFTA, PCC, PFCC, SDFCS, SEFCA, SFCS, TFCA, UFCA, VFCC, WAFCA, WFCC Joaquin Phoenix (17) - BAFTA, CCA, DFCS, GG, HCA, HFCS, IFCA, LEJA, LFCC, MCFCA, NDFS, NTFCA, NYFCO, OSCAR, PFCS, SAG, SDFCS Adam Sandler (9) - AARP, AFCA, BOFCA, BSFC, LVFCS, NBR, OFCC, SPIRIT, StLFCA Antonio Banderas (6) - EFA, GALECA, LAFCA, NSFC, NYFCC, SFBAFCC Taron Egerton (2) - GG, IPA Eddie Murphy (2) - AAFCA, BFCC Christian Bale - IPA Josh O'Connor - BIFA BEST ACTRESS Lupita Nyong'o (28) - AFCA, AAFCA, AWFJ, BFCC, BOFCA, CFCA, CIC, COFCA, FFCC, GFCA, HCA, IFJA, KCFCC, LAFCA, MCFCA, NCFCA, NYFCC, NYFCO, OFCC, OFCS, OFTA, PCC, SDFCS, SFBAFCC, SFCS, TFCA, WAFCA, WFCC Renée Zellweger (17) - AARP, AFCC, BAFTA, BIFA, CCA, GALECA, GG, HFCS, IFCA, LFCC, LVFCS, NBR, OSCAR, PFCS, SAG, SEFCA, SPIRIT Scarlett Johansson (12) - DFCC, DFCS, DFCS, DFWFCA, FFCC, GWNYFCA, IPA, NFCS, OAFCC, StLFCA, UFCA, VFCC Awkwafina (5) - GG, HFCS, IFP, IPA, LEJA Mary Kay Place (2) - LAFCA, NSFC Saoirse Ronan (2) - AACTA, BSFC Charlize Theron (2) - NFCS, NTFCA Cynthia Erivo - WFCC Florence Pugh - NDFS BEST SUPPORTING ACTOR Brad Pitt (36) - AACTA, AFCA, AFCC, AWFJ, BAFTA, BFCC, BOFCA, BSFC, CCA, CFCA, DFCS, DFWFCA, GG, HFCS, HFCS, IFCA, LEJA, MCFCA, NBR, NCFCA, NSFC, OFCC, OFCS, OFTA, OSCAR, PFCC, PFCS, SAG, SDFCS, SEFCA, SFBAFCC, StLFCA, TFCA, VFCC, WAFCA Joe Pesci (13) - DFCS, FFCC, GFCA, GWNYFCA, HCA, KCFCC, LFCC, NFCS, NYFCC, NYFCO, PFCC, SDFCS, UFCA Willem Dafoe (7) - COFCA, IFJA, IPA, LVFCS, NDFS, SFCS, SPIRIT Song Kang-ho (4) - CIC, GALECA, LAFCA, PCC Tom Hanks (2) - AARP, NTFCA Jamie Foxx - AAFCA Shia LaBeouf - OAFCC Hugh Laurie - BIFA BEST SUPPORTING ACTRESS Laura Dern (23) - AARP, AFCC, BAFTA, BSFC, CCA, DFCS, DFCS, DFWFCA, FFCC, GG, HFCS, IFCA, LFCC, NDFS, NSFC, NYFCC, NYFCO, OSCAR, PFCS, SAG, SEFCA, TFCA, VFCC Jennifer Lopez (15) - AFCA, GALECA, HCA, IFJA, IPA, LAFCA, LEJA, NFCS, OAFFC, OFCC, OFCS, OFTA, SFBAFCC, SFCS, WAFCA Florence Pugh (11) - AWFJ, BOFCA, CFCA, COFCA, DFCS, GFCA, GWNYFCA, LAFCA, MCFCA, NCFCA, UFCA Zhao Shuzhen (5) - CIC, HFCS, NTFCA, SDFCS, SPIRIT Da'Vine Joy Randolph (3) - AAFCA, BFCC, KCFCC Margot Robbie (3) - AACTA, LVFCS, StLFCA Kathy Bates - NBR Ruthxjiah Bellenea - BIFA Thomasin McKenzie - PCC BEST ADAPTED SCREENPLAY Little Women (17) - AFCA, AWFJ, BOFCA, CCA, CIC, COFCA, DFCS, FFCC, IFJA, KCFCC, LEJA, NCFCA, OFTA, UFCA, USC, WAFCA, WFCC The Irishman (10) - BFCC, GFCA, GWNYFCA, HFCS, NBR, OFCC, OFCS, SEFCA, StLFCA, TFCA Jojo Rabbit (9) - AACTA, BAFTA, HCA, NFCS, OAFFC, OSCAR, PFCS, SFBAFCC, WGA Joker - IPA Luce - SDFCS The Personal History Of David Copperfield - BIFA The Two Popes - LVFCS BEST ORIGINAL SCREENPLAY Parasite (23) - AFCA, AAFCA, AFCC, AWFJ, BAFTA, CFCA, COFCA, GALECA, GFCA, HCA, LEJA, MCFCA, NCFCA, NSFC, NYFCO, OFCS, OFTA, OSCAR, SEFCA, SFBAFCC, SFCS, UFCA, WGA Marriage Story (16) - AARP, DFCC, DFCS, DFWFCA, GWNYFCA, IFJA, IFP, IPA, LAFCA, LFCC, OAFFC, SDFCS, SPIRIT, StLFCA, VFCC, WAFCA Once Upon A Time In Hollywood (10) - BOFCA, BSFC, CCA, GG, HFCS, LVFCS, NDFS, NFCS, NYFCC, StLFCA Knives Out (8) - CIC, DFCS, HFCS, KCFCC, OFCC, PCC, PFCC, PFCS Uncut Gems (2) - FFCC, NBR Portrait Of A Lady On Fire - EFA Queen & Slim - BFCC BEST CINEMATOGRAPHY 1917 (37) - AFCA, AFCC, ASC, AWFJ, BAFTA, BFCC, CCA, CFCA, CIC, COFCA, DFWFCA, FFCC, GFCA, HCA, HFCS, HFCS, IPA, KCFCC, LEJA, LVFCS, MCFCA, NCFCA, NFCS, NTFCA, NYFCO, OAFFC, OFCS, OFTA, OSCAR, PCC, PFCS, SEFCA, SFBAFCC, SFCS, StLFCA, UFCA, WAFCA Portrait Of A Lady On Fire (5) - BSFC, GWNYFCA, LAFCA, NSFC, NYFCC The Lighthouse (4) - NDFS, PFCC, SDFCS, SPIRIT Once Upon A Time In Hollywood (2) - BOFCA, OFCC Ad Astra - DFCC Beats - BIFA BEST COSTUME DESIGN Dolemite Is My Name (8) - CCA, CIC, IPA, LEJA, LVFCS, OFTA, SDFCS, SFCS Little Women (3) - BAFTA, CFCA, OSCAR Rocketman (3) - HCA, HFCS, PFCS Jojo Rabbit - CDGA Knives Out - CDGA Maleficent: Mistress Of Evil - CDGA The Personal History Of David Copperfield - BIFA BEST FILM EDITING Ford v Ferrari (7) - BAFTA, IPA, LVFCS, OSCAR, SDFCS, SFBAFCC, WAFCA 1917 (5) - CCA, CIC, HCA, MCFCA, PFCS The Irishman (4) - AWFJ, BOFCA, BSFC, CFCA Parasite (4) - ACE, LEJA, OFCS, OFTA Uncut Gems (4) - AFCA, GWNYFCA, SFCS, SPIRIT Apollo 11 (3) - ACE, LAFCA, UFCA Once Upon A Time In Hollywood (2) - HFCS, StLFCA For Sama - BIFA Jojo Rabbit - ACE Knives Out - COFCA The Lighthouse - NDFS Toy Story 4 - ACE BEST MAKEUP & HAIRSTYLING Bombshell (8) - BAFTA, CCA, CIC, HCA, LEJA, MUAHS, OFTA, OSCAR Joker (2) - HFCS, MUAHS Downton Abbey - MUAHS The Personal History Of David Copperfield - BIFA BEST ORIGINAL SCORE Joker (12) - BAFTA, CCA, DFCS, GFCA, GG, HCA, HFCS, IPA, LVFCS, NDFS, OSCAR, PCC 1917 (10) - AFCA, AFCC, DFWFCA, HFCS, IFCA, LEJA, MCFCA, OFTA, PFCS, StLFCA Us (5) - CIC, COFCA, IFJA, OFCS, WAFCA Uncut Gems (4) - BOFCA, FFCC, OFCC, SFCS Little Women (2) - BSFC, CFCA Apollo 11 - UFCA I Lost My Body - LAFCA The Last Black Man In San Francisco - SFBAFCC Marriage Story - GWNYFCA BEST ORIGINAL SONG Rocketman (8) - CCA, GG, HFCS, IPA, LEJA, MCFCA, OFTA, OSCAR Wild Rose (7) - BIFA, CCA, DFCS, GFCA, HCA, HFCS, NDFS Always Be My Maybe - CIC Frozen II - PFCS Harriet - LVFCS Toy Story 4 - IFCA BEST PRODUCTION DESIGN Once Upon A Time In Hollywood (14) - ADG, CCA, CFCA, FFCC, LAFCA, LVFCS, MCFCA, NDFS, NFCS, OSCAR, SFBAFCC, SFCS, StLFCA, WAFCA 1917 (5) - BAFTA, GFCA, LEJA, PFCS, SDFCS Parasite (3) - ADG, HFCS, OFTA Avengers: Endgame - ADG Knives Out - CIC Motherless Brooklyn - IPA The Personal History Of David Copperfield - BIFA BEST SOUND EDITING 1917 (5) - BAFTA, LEJA, MCFCA, MPSE, OFTA Ford v Ferrari (4) - HFCS, IPA, MPSE, OSCAR BEST SOUND MIXING 1917 (5) - BAFTA, LEJA, MCFCA, OFTA, OSCAR Ford v Ferrari (3) - CAS, HFCS, IPA Beats - BIFA Toy Story 4 - CAS BEST VISUAL EFFECTS Avengers: Endgame (9) - CCA, HCA, LEJA, LVFCS, NCFCA, NFCS, OFTA, PFCS, StLFCA 1917 (5) - BAFTA, CIC, DFCS, HFCS, OSCAR Ad Astra (3) - CFCA, SDFCS, SFCS Alita: Battle Angel (3) - FFCC, HFCS, IPA The Irishman - VES The Lion King - VES BEST ANIMATED FEATURE Toy Story 4 (32) - AFCC, BOFCA, CCA, CFCA, COFCA, DFCS, DFCS, DFWFCA, GFCA, GWNYFCA, HCA, HFCS, HFCS, IFCA, KCFCC, LEJA, MCFCA, NCFCA, NFCS, NTFCA, OAFFC, OFCC, OFCS, OFTA, OSCAR, PCC, PFCC, PFCS, SEFCA, SFCS, StLFCA, WAFCA I Lost My Body (13) - AFCA, AWFJ, BFCC, BSFC, CIC, FFCC, LAFCA, NDFS, NYFCC, NYFCO, SDFCS, SFBAFCC, UFCA Missing Link (3) - GG, LVFCS, TFCA Klaus (2) - ANNIE, BAFTA How To Train Your Dragon: The Hidden World (2) - IFJA, NBR Abominable - AAFCA The Lion King - IPA BEST INTERNATIONAL FEATURE FILM Parasite (49) - AFCA, AAFCA, AFCC, AWFJ, BAFTA, BFCC, BIFA, BOFCA, BSFC, CCA, CFCA, CIC, COFCA, DFCS, DFWFCA, GALECA, GFCA, GG, GWNYFCA, HCA, HFCS, HFCS, IFJA, KCFCC, LEJA, LVFCS, MCFCA, NBR, NCFCA, NDFS, NTFCA, NYFCC, OFCC, OFCS, OFTA, OSCAR, PCC, PFCC, PFCS, SDFCS, SEFCA, SFBAFCC, SFCS, SPIRIT, StLFCA, TFCA, UFCA, VFCC, WAFCA Portrait Of A Lady On Fire (4) - FFCC, LFCC, NYFCO, WFCC Pain and Glory (2) - AARP, LAFCA Truth and Justice - IPA BEST DOCUMENTARY FEATURE Apollo 11 (36) - AFCA, AFCC, AWFJ, BOFCA, CCA, CFCA, CIC, COFCA, DFCC, DFCS, DFWFCA, FFCC, GFCA, GWNYFCA, HCA, HFCS, HFCS, IFCA, KCFCC, LVFCS, MCFCA, NCFCA, NFCS, NTFCA, NYFCO, OAFFC, OFCS, OFTA, PCC, PFCC, SEFCA, SFBAFCC, SFCS, StLFCA, UFCA, WAFCA Honeyland (7) - BSFC, DFCS, GALECA, NDFS, NSFC, NYFCC, VFCC American Factory (6) - IFP, LAFCA, OFCC, OSCAR, SPIRIT, TFCA For Sama (6) - BAFTA, BIFA, EFA, IDA, IFJA, LFCC One Child Nation (2) - PFCS, SDFCS 63 Up - IPA Amazing Grace - KCFCC The Black Godfather - AAFCA Knock Down The House - LEJA Linda Ronstadt: The Sound of My Voice - AARP Maiden - NBR Toni Morrison: The Pieces I Am - BFCC AuthorsNicole Ackman Archives
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