By Lauren LaMagna
Yes, I am aware that it is September, and some would consider it "too early" to discuss this topic, but after the Venice, Telluride, and Toronto Film Festivals, Oscar pundits finally got to see some of the anticipated films of the season. This means we finally know some of these films are legitimate Oscar contenders. After the last few weeks, it is apparent that we may possibly have a major race in one of the top categories: Best Actress, between former Academy Award nominee Jessica Chastain for "The Eyes Of Tammy Faye" and seeking her first nomination, Kristen Stewart for "Spencer."
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By Robert Dougherty
The last two years yielded unconventional Best Picture winners in "Parasite" and "Nomadland"; the two most unconventional back-to-back winners since "Moonlight" and "The Shape of Water" in 2016 and 2017. But as many will remember, whether they'd like to or not, the Academy snapped right back into conventional thinking in 2018 by getting behind "Green Book," in a formula that might well repeat itself in 2021. "Green Book" began its contentious march to Best Picture with a surprise Audience Award win at the Toronto International Film Festival. In contrast, "Belfast" was a near-unanimous pick to win the 2021 Audience Award before TIFF ever opened, and the experts turned out right to pick it. As such, while "Belfast" may not have been the most acclaimed movie at TIFF, it is clearly the first frontrunner of the season. 
By Amanda Spears
The 73rd annual Primetime Emmy Awards concluded last night with rewarding the three shows we expected them to reward all season long: "The Queen's Gambit," "Ted Lasso," and "The Crown." Below is a breakdown of the good and the bad from last night's awards ceremony. 
By Bianca Garner
This year marks the 30th anniversary of "The Fisher King," which is perhaps one of Terry Gilliam's most intimate and personal films. Gilliam's films all shared a unique commonality in terms of their themes and focus. In many of his pictures, the main character seems lost and isolated in the broader world that they find themselves in, and more often than not, they find themselves escaping into a fantasy world to live out their wildest dreams. Characters in Gilliam's films are often obsessive, depressed, and eccentric. As a result, Gilliam's films aren't always the most accessible to a general audience. However, if there's one of his films that I urge you to see, it's "The Fisher King." 
By Danilo Castro
The comprehension of self is constantly out of reach in the works of Paul Schrader. The filmmaker once described the ability to understand one's self as an "illusion." Yet, he's spent the last five decades presenting characters who are obsessed with their own identity (or lack thereof). The promise of self-discovery is too strong to resist, and the characters who occupy Schrader's films go to extreme, often violent ends to justify these transcendent means. The irony, of course, is that each of these characters are tethered to the mortal coil of the workplace. There's a reason Schrader refers to his rogues' gallery as "Night Workers"; their professions are their only connection to the outside world and thus come to define who they are. Where most people work for a living, these men work to feel alive. 
By Robert Dougherty
Ridley Scott's four-plus decades of beloved films surely means he has nothing left to prove for himself. Having also survived a share of unpopular and divisive movies, it shouldn't destroy his legacy if he releases two more within the span of a few weeks later this fall. But if both "The Last Duel" and "House of Gucci" turn out better than that, it may well be one of Scott's more impressive career landmarks, whether or not the Oscars take notice. However, the recent first looks at both "The Last Duel" and "House of Gucci" show what a tremendous tightrope Scott has to walk for both. If he falls off one or both of them, critics and certain corners of the Internet may not let up on Scott for a good long while. This would make it all the more remarkable if he stays on both, whether or not the Academy is so easily impressed. 
By Brian Skutle
Bennett Miller's "Moneyball" has all the pedigree of an Oscar contender- an acclaimed director, two Oscar-winning screenwriters adapting a best-seller, one of the industry's most respected cinematographers, and one of Hollywood's biggest stars. It's a prestigious biopic in every sense of the phrase. It's also the best example in a long time of how philosophical the underdog sports formula can be in the right hands. A decade after its release, that's what continues to resonate, even if audiences don't really think about it at first. I know I didn't look at "Moneyball" quite like that at first; now, I cannot see it any other way. 
By Matt Neglia
2019 was the first time I had ever attended the Telluride Film Festival. I should've attended many times before. Whether it was because of the cost or the lack of self-confidence that I could belong there amongst other critics who are so integral to shaping the early Oscar narratives, I stayed away. I became addicted to the open mountain air, the rush of seeing many of the best films of the year in such a short period of time (only four days over the Labor Day Weekend), the sense of community amongst the many film lovers who attend the festival, whether they're fellow Oscar bloggers, film critics, patrons or filmmakers. Of all of the film festivals I've attended, it's by far the best one. So, it gutted me to find out that the 2020 festival would be canceled due to the COVID-19 pandemic. However, two years later, I finally returned to Telluride, Colorado, and somehow managed to eclipse my previous experience. This is a recap of that journey. 
By Eve O'Dea
Early reactions to Kenneth Branagh's "Belfast" arrived Thursday evening soon after its world premiere screening at the Telluride Film Festival. Over a week before its originally scheduled premiere at TIFF, Telluride audiences emerged from the Werner Herzog Theatre, with their expectations met seemingly exactly as predicted. Critic Tomris Laffly noted that it was "sweet if somewhat unremarkable" and a story Branagh "had to get out of his system," as Kris Tapley labeled it as "One from the heart." Both indicated an inevitable comparison to Alfonso Cuaron's "Roma," one made even stronger given the recently released poster of bright yellow text on a black-and-white photograph. It's clear what Focus Features is going for here. 
By Zach Gilbert
Although theaters are still struggling to recover from the ongoing coronavirus pandemic, that hasn't stopped several high-profile releases from premiering this summer, from sequels in fan-favorite franchises ("F9," and "Black Widow") to heralded horror hits ("A Quiet Place Part II," and "The Conjuring: The Devil Made Me Do It") to fun family fare ("Cruella" and "Jungle Cruise") and everything in between. However, with so much attention on "the return of big-budget blockbusters," several smaller indies seem to have fallen through the cracks, unable to match the overwhelming attention these larger-scale titles generate. As the summer movie season comes to a close and we head into a bit of a "waiting period" before the next wave of franchise flicks arrive, there's no better time to revisit the critically acclaimed releases that don't have the advantage of the mighty marketing campaigns major studios can afford. Below, we've outlined ten films that fit that bill perfectly, representing an array of genres and shining a light on stories commonly swept aside. 
By Cameron Lee
The fall festival season starts today with Venice, and with it comes many musical scores that will likely be nominated for the big awards come early next year. But there are plenty of film scores already out that deserve to be considered and will most likely be forgotten in favor of more heavyweight contenders coming out during peak awards season. Hopefully, this article will serve as a reminder to any voter or critic not to forget about these fantastic film scores as we go through awards season. 
By Amanda Spears
If you remember from last year's Emmys and my Golden Globe, SAG Awards, and Oscars predictions, I try my best to leave emotion out of making my predictions. I'm going to take you television fans through how to make your Emmy predictions and win your pool methodically. Next up in this series of articles is Outstanding Comedy Writing and Directing. 
By Tom O'Brien
As the nation's leading theater chains began to lure back audiences with a string of studio-backed tentpoles early this summer, arthouses took a much different approach, relying on a slew of documentaries, most of which were celebrity-driven, to lure back older audiences. In the past few months, we have seen such notable works as "Roadrunner: A Film About Anthony Bourdain," "Val" about actor Val Kilmer, and "Rita Moreno: Just a Girl Who Decided to Go for It," as well as documentaries on choreographers Alvin Ailey and Bill T. Jones. So, amidst all of these new documentaries, it stands to reason that any good Oscarologist would naturally turn to what it all means to the upcoming Oscar race for Best Documentary Feature. Among documentaries already released in theaters, a consensus is beginning to form that only three films have a real shot at an Oscar nomination... 
By Bianca Garner
It's been 604 days since a mysterious cluster of pneumonia cases began appearing in the city of Wuhan, China. Since then, the world has dramatically changed to adapt to COVID-19. Every aspect of our lives has been affected, from how we greet our friends to how we use public transport. It has changed the way we work and what activities we can participate in. For many avid cinephiles, it has impacted the way we watch films. The pandemic has also affected how we define a Box Office hit. As a result, what would have been considered major tentpole movies have earned themselves the reputation of being flops. However, as I will be exploring in this article, it's hardly fair to wipe off films such as "Jungle Cruise," "Space Jam: A New Legacy," and "Cruella" as Box Office bombs when the entire film industry is struggling to stay afloat. 
By Matt Neglia
After being forced to cancel its in-person festival last year due to the COVID-19 pandemic, the Telluride Film Festival returns this week with a lineup that promises to be bigger than ever to make up for the lack of last year. Paying patrons, Oscar bloggers, film critics, and eager audience members from all over the world will be traveling to the mountains of Colorado for the four-day festival (9/2-9/6), which runs in the middle of the Venice International Film Festival (9/1-9/11), bringing us the unofficial kickoff to the 2021 awards season. The Toronto International Film Festival (TIFF) will soon follow on September 9th and run until the 18th, followed by the New York Film Festival (NYFF) from September 24th, taking us into October until the 10th. It's always an overwhelming, busy time, and this year I'm proud to say I'll be personally covering three out of the four, which is a new record for me (Telluride, TIFF & NYFF), but it all starts with Telluride. Famous for keeping its lineup a secret until audience members arrive, what might be playing at this year's festival? I've been doing some investigative work, analyzing the lineups for the other festivals, and paying close attention to the premiere status of each film. Click below to see what I think will be playing at this year's Telluride Film Festival. 
By Danilo Castro
"Candyman" has been on the lips of moviegoers more often than it has been in decades, thanks to Nia DaCosta's sequel/soft reboot releasing this weekend. Much of the conversation has revolved around the dated aspects of the 1992 original, particularly regarding the "white savior" trope. However, there's still plenty about the film that's compelling and worth remembering. With that said, let's track down a mirror and tempt fate by summoning the film that first bore the name of "Candyman" (studios are going to have to get a little more creative with their reboot titles). 
By Robert Dougherty
"The Power of the Dog" had its teaser trailer debut yesterday, right before it's selected to play at the Venice, Toronto, and New York film festivals. Because it's the rare film to screen at all the major festivals in the next few weeks, it may well be the preseason favorite to 'win' film festival season and set the early bar for the Oscar race. Being the big breakout of film festival season carried "Nomadland" all the way last year and has worked for pretty much every Best Picture winner since the mid-2000s. "The Power of the Dog" would have a long way to go to match that, even if it is the major contender that all its festival bookings suggest. Nonetheless, all the signs are there to suggest it could be. 
By Matt Neglia
It's that time of the year. One week from today, I'll be in Telluride, Cody Dericks will be at the Venice Film Festival, and soon after that, Dan Bayer and I will be covering Toronto and New York. It's going to be one hell of a September as our most anticipated films of the year screen for audience members and critics in person or digitally for the first time. Before the madness begins, the team over at Next Best Picture has put together their first Oscar predictions of the year for you to absorb and dissect before official reactions roll in. Let's take a look at where the race stands on the eve of the fall film festivals. 
By Bianca Garner
The world's oldest film festival is set to return one week from today, from September 1st-11th. One of the "Big Three" film festivals, alongside the Cannes Film Festival and the Berlin International Film Festival, the Venice Film Festival is part of the Venice Biennale (a celebration of art set up by the Venice City Council way back in April 1893). While the festival did occur last year, with restrictions in place, this year, things are pretty much back to normal – Variety reporting that the festival's artistic director Alberto Barbera feels confident that "the situation will be much less complicated than Cannes." There are set to be free COVID tests on-site in different locations, but testing is not mandatory. This could be a sign that some normalcy is returning to the festival circuit. Bearing this in mind, it seems like a good time to revisit the past and explore the complex history of the Venice Film Festival. Beware, however, as the festival's early days aren't exactly pretty. 
By Zach Gilbert
Having your film nominated for the Oscar for Best Picture is one of the great honors of any director's career. To have that happen twice is even more extraordinary. But to have two of your films receive Best Picture nominations in the same year? That's an astounding accomplishment only nine directors have ever achieved and an event that has only occurred ten times in Oscar history. Because it hasn't happened since two Steven Soderbergh films scored Best Picture nods at the 73rd Academy Awards ("Erin Brockovich" and "Traffic"), some Oscar fans may forget that this used to be quite common in the Academy's early years. And, because there's a possibility we might see such a situation this year as well - with Ridley Scott gunning for Oscar glory with both the Lady Gaga-led "House of Gucci" and his dark historical drama "The Last Duel" - it's worth looking back at the past and seeing which directors have walked this path before him. 
By Amanda Spears
The Emmy Awards are exactly a month away, and Netflix's "The Crown" earned a whopping 24 nominations for its fourth and most acclaimed season. Each of the previous three seasons received 13 nominations, making this year almost double their usual nomination haul. Season four was its most highly anticipated with the debut of Princess Diana and the Iron Lady, Margaret Thatcher. After failing to get that first big win in the Drama Series category, "The Crown" has risen to the occasion and is now the frontrunner for the category. With COVID taking out most of its competition, a new question has emerged: Can "The Crown" sweep the top awards at the Emmys? 
By Bianca Garner
Some film titles are so catchy, memorable, and iconic that they instantly intrigue a person. "Snakes on a Plane" was a title that got everyone buzzing back in 2006. Regarding the film's clever title, screenwriter John Heffernan stated in an interview that it was "so simple, so unvarnished, so unapologetically sui generis. Just those four words: snakes on a plane. Again, you got it, or you didn't. And people definitely got it." The film's title, premise, and star power (Samuel L. Jackson was the main pull) managed to set the internet aflame before the film's release, as film critic Mark Brown put it, "Snakes on a Plane" was "perhaps the most internet-hyped film of all time." To celebrate the film's 15th anniversary, let's discuss its journey to the big screen. 
By Robert Pius
Two embattled Hollywood Foreign Press members that present the Golden Globes permanently quit the group a few weeks ago. It seems that rats are fleeing the sinking ship or perhaps a ship that has already sunk. The Globes have long had a history of scandal and a general feeling that the awards could be bought. This has caused them to be dumped from network TV in the past, but this time seems much more severe and perhaps insurmountable. While the past controversies of voters being easily swayed by gifts and fancy parties must have annoyed other nominees who lost, the current accusations of racial discrimination and sexual demeaning behavior towards women just won't stand in a post-#metoo/George Floyd America. NBC has already announced they won't air the show next year, and it remains to be seen if the awards will even be presented. Bad news for the Hollywood Foreign Press, but this may just be the best thing that has happened to the Oscars in years. 
By Lauren LaMagna
Growing up is hard. It is one of the first major transformative times in one's life. From graduating high school to figuring out your next steps, a lot of change happens in a once steady and predictable life. All this variation is the perfect setting for a story. It is no wonder why the coming-of-age genre, which usually follows a high school senior towards the end of the school year, is so popular. This time is prone to drama and conflict – the perfect blend for a film – and most in the genre center on the young individual and the first big choice they must make by the time the end credits roll. In reality, this is just as transformative a time for young adults as it is for the family surrounding them. The latest coming-of-age story is "CODA," the Sundance Grand Jury Prize Winner released on Apple TV+. It follows Ruby (Emilia Jones), a high school senior who is the only hearing member of her family. In addition to being a delightful addition to the genre, the film tackles this journey not just with Ruby but with her entire family, especially her parents. 
By Zach Gilbert
After sweeping the 2021 Sundance Film Festival awards (earning the U.S. Grand Jury Prize - Dramatic, Directing Award - U.S. Dramatic, U.S. Audience Award, and a U.S. Dramatic Special Jury Award for its ensemble cast) and breaking records for its $25 million sale to Apple, it's safe to say that hype for Sian Heder's "CODA" has been through the roof. Could any film possibly live up to such lofty expectations? Thankfully, so far, "CODA" seems to be doing just that and more. |
BEST PICTURE Nomadland (42) - AFCC, AWFJ, BAFTA, BOFCA, BSFC, CCA, CFCA, CIC, DFCS, DFWFCA, GALECA, GFCA, GG, GOTHAM, GWNYFCA, HFCS, IFCA, IFJA, IPA, KCFCC, LEJA, LFCC, LVFCS, MFCA, NDFS, NSFC, NTFCA, OFCS, OSCAR, PFCS, PGA, SEFCA, SFBAFCC, SFCS, SPIRIT, StLFCA, TFCA, TIFF, VENICE, VFCC, WAFCA, WFCC Promising Young Woman (10) - AACTA, COFCA, HCA, KCFCC, MCFCA, NFCS, OAFFC, SCA, SDFCS, WFCC Minari (7) - AFCA, NCFCA, NYFCO, OFCC, OFTA, PCC, UFCA Ma Rainey's Black Bottom (3) - BFCC, CIC, PFCC The Trial Of The Chicago 7 (3) - DFCS, HFCS, SAG Da 5 Bloods (2) - CIC, NBR First Cow (2) - FFCC, NYFCC Judas And The Black Messiah (2) - AAFCA, BRA Another Round - EFA Bad Boys For Life - NAACP Dwelling In The Fuchun Mountains - ICS Rocks - BIFA Small Axe - LAFCA The United States vs. Billie Holiday - AARP BEST DIRECTOR Chloé Zhao (53) - AACTA, AFCC, AWFJ, BAFTA, BOFCA, BFCC, BSFC, CCA, CFCA, COFCA, DFCS, DFCS, DFWFCA, DGA, FFCC, SALECA, GFCA, GG, GWNYFCA, HCA, HFCS, IFCA, IFJA, IPA, KCFCC, LAFCA, LEJA, LVFCS, MFCA, MSFCA, NCFCA, NDFS, NSFC, NTFCA, NYFCC, NYFCO, OAFFC, OFCC, OFCS, OFTA, OSCAR, PCC, PFCC, PFCS, SEFCA, SDFCS, SFBAFCC, SFCS, SPIRIT, StLFCA, TFCA, VFCC, WAFCA Regina King (4) - AAFCA, BFCC, BRA, UFCA Spike Lee (3) - CIC, HFCS, NBR Lee Isaac Chung - AFCA Emerald Fennell - NFCS Darius Marder - SCA Steve McQueen - LFCC Andrew Patterson - GOTHAM Gina Prince-Bythewood - NAACP Kelly Reichardt - ICS Aaron Sorkin - AARP Thomas Vinterberg - EFA Remi Weekes - BIFA BEST ACTRESS Carey Mulligan (29) - AACTA, AFCA, AFCC, CCA, COFCA, DFCS, DFWFCA, GALECA, GFCA, HCA, HFCS, KCFCC, LAFCA, LEJA, MCFCA, MFCA, NBR, NFCS, NTFCA, NYFCO, OAFFC, OFTA, PCC, PFCS, SCA, SDFCS, SPIRIT, StLFCA, WFCC Frances McDormand (26) - AWFJ, BAFTA, BOFCA, CFCA, DFCS, FFCC, GWNYFCA, HFCS, IFCA, IFJA, IPA, LFCC, LVFCS, NCFCA, NDFS, NSFC, OFCC, OFCS, OSCAR, SEFCA, SFBAFCC, SFCS, TFCA, UFCA, VFCC, WAFCA Viola Davis (6) - BFCC, BRA, CIC, NAACP, PFCC, SAG Andra Day (2) - AAFCA, GG Sidney Flanigan (2) - BSFC, NYFCC Maria Bakalova - IPA Paula Beer - EFA Nicole Beharie - GOTHAM Sophia Loren - AARP Rosamund Pike - GG Wunmi Mosaku - BIFA Isabel Sandoval - ICS BEST ACTOR Chadwick Boseman (29) - AACTA, AAFCA, AWFJ, BFCC, BRA, CCA, CFCA, CIC, DFCS, DFWFCA, GALECA, GG, IFCA, LAFCA, LEJA, LFCC, MFCA, MSFCA, NAACP, OFTA, PCC, PFCS, SAG, SEFCA, SFBAFCC, StLFCA, VFCC, WAFCA, WFCC Riz Ahmed (22) - AFCA, AFCC, COFCA, GFCA, GOTHAM, GWNYFCA, HFCS, IPA, KCFCC, LVFCS, NBR, NDFS, NFCS, NYFCO, OAFFC, OFCC, SCA, SDFCS, SFCS, SPIRIT, TFCA, UFCA Delroy Lindo (11) - BOFCA, DFCS, HCA, HFCS, IFJA, MFCA, NCFCA, NSFC, NYFCC, OFCS, PFCC Anthony Hopkins (7) - AARP, BAFTA, BIFA, BSFC, FFCC, NFCS, OSCAR Sacha Baron Cohen (2) - GG, IPA Mads Mikkelsen - EFA Aditya Modak - ICS Steven Yeun - NTFCA BEST SUPPORTING ACTRESS Youn Yuh-jung (37) - AFCA, AWFJ, BAFTA, BFCC, BSFC, COFCA, DFCS, GALECA, GFCA, GWNYFCA, HCA, IFCA, KCFCC, LAFCA, LEJA, MCFCA, MFCA, NBR, NCFCA, NTFCA, NYFCO, OAFFC, OFCC, OFTA, OSCAR, PCC, PFCS, SAG, SCA, SEFCA, SDFCS, SFBAFCC, SFCS, SPIRIT, StLFCA, VFCC, WAFCA Maria Bakalova (16) - AFCC, BOFCA, CCA, CFCA, CIC, FFCC, HFCS, IFJA, LFCC, MCFCA, NDFS, NSFC, NYFCC, OFCS, TFCA, UFCA Amanda Seyfried (4) - DFWFCA, IPA, LVFCS, PFCC Ellen Burstyn (2) - DFCS, NYFCO Dominque Fishback (2) - AAFCA, BRA Jodie Foster (2) - AARP, GG Kosar Ali - BIFA Sônia Braga - ICS Glenn Close - NFCS Olivia Colman - AACTA Olivia Cooke - HFCS Phylicia Rashad - NAACP BEST SUPPORTING ACTOR Daniel Kaluuya (22) - AAFCA, AFCA, BAFTA, BRA, CCA, DFCS, DFWFCA, GALECA, GG, LEJA, LVFCS, MFCA, NFCS, OAFFC, OFTA, OSCAR, PCC, PFCS, SAG, SFCS, TFCA, VFCC Paul Raci (19) - AFCC, BOFCA, BSFC, CFCA, COFCA, FFCC, GFCA, GWNYFCA, HCA, HFCS, IFCA, NBR, NSFC, OFCC, SCA, SDFCS, SFBAFCC, SPIRIT, StLFCA Leslie Odom Jr. (9) - AWFJ, BFCC, HFCS, IFJA, KCFCC, NYFCO, OFCS, UFCA, WAFCA Sacha Baron Cohen (7) - AACTA, DFCS, MCFCA, NCFCA, NDFS, NTFCA, SEFCA Chadwick Boseman (5) - CIC, IPA, NAACP, NYFCC, PFCC Francisco Barreiro - ICS Demián Bichir - AARP D’angelou Osei Kissiedu - BIFA Shaun Parkes - LFCC Glynn Turman - LAFCA BEST ADAPTED SCREENPLAY Nomadland (20) - AFCA, AWFJ, CCA, CFCA, COFCA, DFCS, GFCA, GWNYFCA, HFCS, IFJA, KCFCC, LFCC, NCFCA, OAFFC, OFCC, OFCS, OFTA, SEFCA, USC, WAFCA The Father (7) - BAFTA, BIFA, IPA, NFCS, OSCAR, SCA, SDFCS One Night In Miami (6) - AAFCA, HCA, LEJA, LVFCS, PCC, PFCS I'm Thinking Of Ending Things (5) - BOFCA, BSFC, FFCC, StLFCA, UFCA First Cow (4) - DFCS, ICS, PFCC, SFBAFCC Ma Rainey's Black Bottom (2) - BFCC, CIC Borat Subsequent Moviefilm - WGA News Of The World - NBR BEST ORIGINAL SCREENPLAY Promising Young Woman (28) - AFCC, AWFJ, BAFTA, CCA, CIC, COFCA, DFWFCA, GALECA, GFCA, HCA, HFCS, IPA, KCFCC, LAFCA, MFCA, NDFS, NFCS, NYFCO, OAFFC, OFCC, OFCS, OFTA, OSCAR, SFCS, SPIRIT, StLFCA, WAFCA, WGA Minari (11) - AFCA, BFCC, DFCS, FFCC, LEJA, NBR, NCFCA, SDFCS, SEFCA, SFBAFCC, TFCA The Trial Of The Chicago 7 (10) - AACTA, AARP, CIC, DFCS, GG, HFCS, MCFCA, PFCS, UFCA, VFCC Never, Rarely, Sometimes, Always (7) - CFCA, GWNYFCA, IFJA, NSFC, NYFCC, OAFFC, WFCC The Forty-Year-Old-Version (3) - BRA, GOTHAM, NAACP Another Round - EFA Bacurau - ICS Fourteen - GOTHAM Judas And The Black Messiah - LVFCS BEST CINEMATOGRAPHY Nomadland (36) - AFCA, AFCC, AWFJ, BAFTA, BOFCA, BSFC, CCA, CFCA, CIC, COFCA, DFWFCA, GFCA, GWNYFCA, HCA, HFCS, LEJA, LVFCS, MCFCA, MFCA, NBR, NCFCA, NDFS, NSFC, NYFCO, OAFFC, OFCS, OFTA, PFCC, PFCS, SDFCS, SEFCA, SFCS, SPIRIT, StLFCA, UFCA, WAFCA Mank (6) - ASC, FFCC, IPA, OFCC, OSCAR, SCA Tenet (4) - BFCC, HFCS, NFCS, NTFCA Small Axe (2) - LAFCA, NYFCC Dwelling In The Fuchun Mountains - ICS First Cow - SFBAFCC Hidden Away - EFA I'm Thinking Of Ending Things - PCC Malcolm & Marie - BRA Saint Maud - BIFA The Vast Of Night - KCFCC BEST COSTUME DESIGN Ma Rainey's Black Bottom (10) - BAFTA, CCA, CDG, CIC, HFCS, LVFCS, OFTA, OSCAR, PFCS, SFCS Emma. (3) - CFCA, LEJA, SDFCS The Personal History Of David Copperfield (2) - HCA, IPA Hidden Away - EFA Jingle Jangle - BRA Misbehaviour - BIFA Mulan - CDG Promising Young Woman - CDG BEST FILM EDITING Nomadland (11) - AFCA, AWFJ, BOFCA, GWNYFCA, LEJA, NDFS, OFCS, SFBAFCC, SFCS, SPIRIT, StLFCA The Trial Of The Chicago 7 (10) - ACE, CCA, CIC, COFCA, HCA, HFCS, IPA, MCFCA, PFCS, UFCA Sound Of Metal (6) - BAFTA, CCA, LVFCS, MFCA, OFTA, OSCAR The Father (2) - BIFA, LAFCA I'm Thinking Of Ending Things (2) - BSFC, CFCA The Invisible Man (2) - MCFCA, SDFCS Once More Unto The Breach - EFA Palm Springs - ACE Tenet - WAFCA The Wasteland - ICS BEST MAKEUP & HAIRSTYLING Ma Rainey's Black Bottom (7) - BAFTA, CCA, CIC, HCA, LEJA, MUAHS, OSCAR Birds Of Prey (2) - MUAHS, OFTA The Endless Trench - EFA Mank - HFCS Misbehaviour - BIFA Pinocchio - MUAHS BEST ORIGINAL SCORE Soul (34) - AFCA, AFCC, BAFTA, BOFCA, BRA, CCA, CFCA, CIC, COFCA, DFCS, FFCC, GFCA, GG, GWNYFCA, HCA, HFCS, HMMA, LAFCA, LEJA, LVFCS, MFCA, NCFCA, OFCC, OFCS, OFTA, OSCAR, PCC, PFCS, SCL, SFBAFCC, SFCS, StLFCA, UFCA, WAFCA Tenet (4) - HMMA, IFJA, MCFCA, SCA Mank (3) - DFWFCA, HFCS, NDFS David Attenborough: A Life On Our Planet (2) - HMMA, IFMCA Minari (2) - BSFC, HMMA Berlin Alexanderplatz - EFA Blizzard Of Souls - SCL The Call Of The Wild - IFMCA Fukushima 50 - IFMCA The Invisible Man - HMMA The Midnight Sky - IPA News Of The World - HMMA Nomadland - IFCA The Personal History Of David Copperfield - IFMCA Preparations To Be Together For An Unknown Period Of Time - ICS Wolfwalkers - IFMCA Wonder Woman 1984 - IFMCA BEST ORIGINAL SONG One Night In Miami (12) - BRA, CCA, CIC, DFCS, GFCA, HFCS, HFCS, IFCA, LEJA, MCFCA, OFTA, PFCS The Life Ahead (3) - GG, HMMA, IPA Eurovision (2) - HCA, SCL Judas And The Black Messiah (2) - LVFCS, OSCAR Giving Voice - HMMA The Outpost - HMMA Over The Moon - NDFS Trolls: World Tour - HMMA BEST PRODUCTION DESIGN Mank (23) - ADG, BAFTA, CCA, CFCA, CIC, FFCC, GFCA, HCA, HFCS, IPA, LAFCA, LVFCS, MCFCA, NDFS, NFCS, OFTA, OSCAR, PFCS, SDFCS, SDSA, SFCS, StLFCA, WAFCA Tenet (2) - ADG, SDSA Birds Of Prey - MFCA Da 5 Bloods - ADG First Cow - SFBAFCC His House - BIFA Jingle Jangle - BRA Ma Rainey's Black Bottom - LEJA The Personal History Of David Copperfield - EFA Promising Young Woman - SDSA A Portuguesa - ICS Soul - ADG BEST SOUND Sound Of Metal (10) - BAFTA, CAS, DFCS, HFCS, ICS, IPA, LEJA, MFCA, OFTA, OSCAR Greyhound - MPSE Little Girl - EFA The Reason I Jump - BIFA BEST VISUAL EFFECTS Tenet (14) - BAFTA, CCA, DFCS, HFCS, HFCS, IPA, MFCA, NCFCA, NFCS, OSCAR, PFCS, SDFCS, SFCS, StLFCA The Invisible Man (6) - CFCA, CIC, HCA, LEJA, LVFCS, OFTA Mank - VES The Midnight Sky - VES Mulan - VES The One And Only Ivan - VES The Platform - EFA Possessor - FFCC Project Power - VES Soul - VES BEST ANIMATED FEATURE Soul (39) - AAFCA, AFCC, ANNIE, AWFJ, BAFTA, BFCC, CCA, CIC, DFCS, DFCS, DFWFCA, FFCC, GFCA, GG, HFCS, IFCA, IFJA, LEJA, LVFCS, MSFCA, NAACP, NBR, NCFCA, NDFS, NFCS, NTFCA, NYFCO, OFCC, OFCS, OFTA, OSCAR, PCC, PFCC, PFCS, PGA, SEFCA, SFBAFCC, StLFCA, WAFCA Wolfwalkers (17) - AFCA, ANNIE, BOFCA, CFCA, COFCA, GWNYFCA, HCA, IPA, KCFCC, LAFCA, MFCA, NYFCC, OAFFC, SDFCS, SFCS, TFCA, UFCA Josep (2) - EFA, ICS The Wolf House - BSFC BEST INTERNATIONAL FEATURE FILM Another Round (19) - AFCC, AWFJ, BAFTA, CFCA, EFA, GFCA, IFJA, KCFCC, LFCC, LVFCS, MCFCA, NCFCA, OSCAR, PFCS, SEFCA, SFBAFCC, StLFCA, UFCA, WAFCA Minari (15) - AFCA, CCA, COFCA, DFCS, DFWFCA, GALECA, GG, GWNYFCA, NTFCA, NYFCO, OFCS, OFTA, PCC, SFCS, VFCC La Llorona (6) - BSFC, HCA, IPA, LEJA, NBR, WFCC Night Of The Kings (4) - AAFCA, BFCC, BRA, NAACP Bacurau (3) - BOFCA, NYFCC, TFCA Collective (2) - AARP, NSFC The Life Ahead (2) - HFCS, SDFCS And Then We Danced - NDFS A Sun - HFCS Beanpole - LAFCA His House - CIC Identifying Features - GOTHAM Jumbo - PFCC Los Fuertes - FFCC Martin Eden - OFCC Quo Vadis Aida? - SPIRIT BEST DOCUMENTARY FEATURE Time (14) - AFCC, BFCC, BRA, DFWFCA, GFCA, GOTHAM, GWNYFCA, LAFCA, NBR, NYFCC, OFTA, PFCC, SDFCS, SEFCA Collective (10) - BSFC, CEHA, EFA, IPA, LFCC, OAFFC, SFBAFCC, StLFCA, TFCA, VFCC Dick Johnson Is Dead (9) - CCA, CFCA, COFCA, DFCS, IFCA, IFJA, NCFCA, OFCS, UFCA Boys State (8) - AFCA, CIC, DFCS, LVFCS, OFCC, PCC, PFCS, WAFCA All In: The Fight For Democracy (5) - AAFCA, AWFJ, HCA, NDFS, NTFCA My Octopus Teacher (4) - BAFTA, HFCS, OSCAR, PGA The Dissident (2) - KCFCC, NFCS The Painter And The Thief (2) - AWFJ, BOFCA Crip Camp - (2) IDA, SPIRIT Beastie Boys Story - HFCS Class Action Park - HCA Disclosure - GALECA The History of the Seattle Mariners: Supercut Edition - SFCS Mucho Amor - LEJA John Lewis: Good Trouble - NAACP The Reason I Jump - BIFA A Secret Love - AARP The Social Dilemma - MCFCA Stuntwomen: The Untold Holywood Story -WFCC A Thousand Cuts - GOTHAM The Way I See It - NYFCO Welcome To Chechnya - GALECA The Year Of The Discovery - ICS You Don't Nomi - FFCC AuthorsNicole Ackman Archives
September 2021
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