By Lauren LaMagna
On September 30th, “The Boys In The Band” will premiere on Netflix. The latest Ryan Murphy production stars Jim Parsons, Zachary Quinto, Matt Bomer, Andrew Rannells as well as the rest of the entire 2018 Broadway company. The story follows a group of gay men who attend their friend’s birthday party where things go wrong as the night progresses. What makes this film unique from other stage-to-screen adaptations, is not just the subject matter of the piece, but the fact that the entire Broadway cast is translating their production on screen.
Comments
By Matt Neglia
I mentioned in my reaction to Steve McQueen's "Lovers Rock" that if the same level of quality and empathy were shown in the other installments of his "Small Axe" Anthology that we would be heading for a revolutionary work of art that very well could stand as the already herald filmmaker's masterwork. Well, I am happy to report that the streak continues at this year's New York Film Festival with the premiere of "Mangrove." Clocking in at 126 minutes, this feature-length film (compared to "Lovers Rock's" 68-minute runtime) is a vital offering from McQueen that will inevitably suffer comparisons to a very similar type of movie being released this awards season, "The Trial Of The Chicago 7." However, in terms of narrative coherence, staying power, and its far more urgent call for Black justice, I would argue that this "trial" is the better of the two and one wholly worth checking out when it lands on Amazon Prime on November 20th. 
By Tilda Elliott
A soundtrack can make or break any film. From big-budget Hollywood movies to independent film productions, the video aspect of any film can only be as effective and impactful as the audio aspect allows it to be. While there are many film soundtracks that have been rightly recognized for marrying these two key aspects of cinema, there are many more that have been underrated or totally ignored. So, here are five of the most brilliant and underrated film soundtracks of the current century. 
By Ryan C. Showers
The 72nd Primetime Emmy Awards was unlike any other award show in history. Due to the COVID-19 pandemic that rendered the production of the entertainment immobile for months, there was no red carpet, nor was there was a massive audience filled with nominees waiting for their names to be called to the stage. The Television Academy went to great lengths to accommodate these safety restrictions while maintaining the integrity and entertainment value of the show. There was an ample amount of social distancing among the presenters and an elaborate virtual set-up for the nominees watching and literally accepting trophies from their homes. 
By Amanda Spears
Now the end is near and so we face our final curtain. The Creative Arts Emmys have been awarded and now, it’s time to predict the big ones: Outstanding Comedy, Drama and Limited Series Winners, and any last-minute changes. In the cage match for the most Emmys, HBO and Netflix enter the evening tied for 19 Emmy wins each. But HBO only needed three series to Netflix’s five. Not to be outdone is Disney+ debut with an impressive eight wins so far. While we’ve seen in the past three years a dominance by the Series nominees, the Creative Arts broadened their winners to include more than the Series nominees. It was the second win for Ron Cephas Jones in Outstanding Drama Guest Actor for “This Is Us” that gave hope to all actors trying on the main telecast to buck this trend. However, “This Is Us” has won that category three out of the past four years. And with the dominance established by the leading contenders for Outstanding Comedy, Drama and Limited Series, I don't expect any major surprises in the top 3 categories tonight. 
By Tom O'Brien
Well, that was a one-of-a-kind Emmys. As one would expect during the pandemic, the 2020 Creative Arts Emmys were awarded virtually this year, with host Nicole Byer, an Emmy nominee herself for hosting the reality show "Nailed It!," introducing presenters from outside the Television Academy building in North Hollywood, CA. 
By Bianca Garner
It was a strange year for film in 1980. It was the tail end of the new Hollywood era – a period of filmmaking that had run from 1967 up to the early ‘80s. During this period, the likes of Scorsese, Coppola, De Palma, Altman, and Ashby burst onto the screen, and we saw films such as “Taxi Driver,” “Carrie,” “Nashville,” and “Harold and Maude” dramatically change the cinematic landscape. However, by 1980, there had been several flops directed by the “New Hollywood” directors including Martin Scorsese’s musical misfire, “New York, New York,” Steven Spielberg’s “1941,” and perhaps the most famous “flop” of all time, Michael Cimino’s “Heaven’s Gate.” The 1980s would see the rise of the “brat pack” film and a new era of high budget, high concept action flicks. Gone were the days of the auteur-driven picture, and instead, the studios preferred to churn out slasher film after slasher film, knowing that they were quick to make and would earn big bucks. 
By Matt Neglia
Academy Award winner Steve McQueen's ("12 Years A Slave" & "Widows") newest film "Lovers Rock," the first part in a five-film anthology series titled "Small Axe" for Amazon Studios, has had its world premiere as the Opening Night film at the 58th New York Film Festival after it was delayed from its original premiere at the Cannes Film Festival due to COVID-19. Two other films in the anthology will play later at the festival, "Mangrove" & "Red, White and Blue." How is this first entry? Well, to be expected from Steve McQueen, it's quite excellent. It was also not at all what I was expecting, and the reasons why are exactly what makes "Lovers Rock" so great. 
By Lauren LaMagna
On September 4th, Charlie Kaufman’s latest film, “I’m Thinking of Ending Things,” premiered on Netflix and perplexed the entire film watching community. Some people loved it while others hated it – unable to formulate what the film itself was exactly about. Critics and audiences have used words like “mind-trip,” “confusing” or even “arrogant” to describe it. While the film is definitely ambiguous, at the same time, it also discusses topics about loneliness, love, life, and especially the what-if's – what Iain Reid’s novel touches on. How To Win Your Emmy Pool: Outstanding Lead Drama, Comedy & Limited Series/TV Movie Actor & Actress9/16/2020 
By Amanda Spears
I’m taking you television fans through how to methodically make your Emmy predictions and win your pool. Previously we looked at Outstanding Comedy, Drama, Limited Series/TV Movie Writing and Directing, Casting, Drama & Comedy Guest Actor and Actress & Supporting Actor & Actress. Next up are the Outstanding Lead Actor & Actress categories for Drama, Comedy & Limited Series/TV Movie. Five years ago, the Emmys moved to a plurality vote replacing the more level playing field of 80-100 person panels. Since we spend more time watching television than a film, it’s easier to let our personal preferences affect our predictions as we try to manifest a win for our favorites. 
By Robert Dougherty
Just over 20 years ago, Christopher Nolan and Charlie Kaufman became certified movie revolutionaries, behind the camera and the typewriter. Then after "Memento" and "Being John Malkovich" shook many a critic and fanbases, the likes of "Adaptation," "Batman Begins," "The Dark Knight," "Eternal Sunshine of the Spotless Mind," "Inception," "Anomalisa" and more made Nolan and Kaufman two of the leading cinematic voices of the 21st century. Unfortunately, the limits of their power may have started to show, at the dawn of the new decade. 20 years ago, Nolan and Kaufman were among the most original voices of their time, and many would still argue that "Tenet" and "I'm Thinking Of Ending Things" continue to prove that. However, a closer look at both lays bare another perspective – that these formerly original voices are on the brink of becoming predictable and unwilling or unable to adapt to the times. 
By Amanda Spears
I’m taking you television fans through how to methodically make your Emmy predictions and win your pool. Previously we looked at Outstanding Comedy, Drama, Limited Series/TV Movie Writing and Directing, Casting, Drama & Comedy Guest Actor and Actress. Next up are the Outstanding Supporting Actor and Actress categories for Drama, Comedy & Limited Series/TV Movie. Five years ago, the Emmys moved to a plurality vote replacing the more level playing field of 80-100 person panels. Since we spend more time watching television than a film, it’s easier to let our personal preferences affect our predictions as we try to manifest a win for our favorites. Trends can only take you so far when predicting the acting winners—instinct and buzz is also necessary. But patterns can help you narrow the field of possibilities. Let’s take a look at how to predict the winners for Outstanding Drama, Comedy & Limited Series/TV Movie Supporting Actor and Actress based on recent trends. 
By Danilo Castro
Music is the great unifier. Regardless of whether you’re the homecoming king, the band geek, or the burnout smoking behind the bleachers, the shared love of a song will melt away differences and amplify the beauty within each of us. The pivotal scene in Cameron Crowe’s “Almost Famous” (2000) is proof of this musical unity. The characters are stuck on a tour bus, bitter and divided by petty disagreements. Elton John’s “Tiny Dancer” floats into earshot over the radio, and within seconds the bus is transformed into a joyous concert. Harmony literally and metaphorically bursts off the screen. It’s a divine moment – a testament to the spiritual power of song, and the emotional power of the film as a whole. 
By Cody Dericks
September is here, which means that the fall film festival season is suddenly upon us. Besides the opportunity to see much-anticipated movies from big-name directors, it also means that it’s the official start to the awards season. The fall festival lineups and awards are often seen as the first important precursor for films that can either be the exciting beginning or the unceremonious end to Oscar prospects. But due to unbelievably obvious reasons, the festivals are a little bit different this year. Many films have been pushed back or removed from festivals, and festivals themselves have a different structure entirely. This means that their position as early awards indicators are inevitably going to be looked at in a different light than previous years. To know what to expect, even in this unusual season, let’s take a look at these festivals’ previous track records for being an early predictor of eventual Oscar success. 
By Amanda Spears
I’m taking you television fans through how to methodically make your Emmy predictions and win your pool. Previously we looked at Outstanding Comedy, Drama, Limited Series/TV Movie Writing and Directing, Casting & Drama Guest Actor and Actress. Next up is Outstanding Comedy Guest Actor and Actress. Five years ago, the Emmys moved to a plurality vote replacing the more level playing field of 80-100 person panels. Since we spend more time watching television than a film, it’s easier to let our personal preferences affect our predictions as we try to manifest a win for our favorites. The acting categories are where stats can only take you so far – instinct and buzz also matter. If there are two categories on the comedy side where anything can happen, it’s the Outstanding Comedy Guest Actor and Actress races. Hollywood A-listers and a posthumous nominee make these difficult to predict. Let’s take a look at how to predict the winners for Outstanding Comedy Guest Actor and Actress based on recent trends. 
By Dan Bayer
The Toronto International Film Festival has become one of the most popular places for Oscar hopefuls to make their presence known. Since 2007, only one of Oscar’s Best Picture winners did not play at TIFF: Alejandro González Iñárritu’s “Birdman.” So, with great anticipation, the film world waited to hear how Artistic Director Cameron Bailey and Executive Director Joana Vicente would make the festival happen amidst a global pandemic that has seen the cancelation of the venerable Cannes Film Festival as well as the Telluride Film Festival. The announcement that the festival would happen locally in Toronto alongside a digital component was met with skepticism, especially with a sparse lineup of premieres that include Thomas Vinterberg’s “Another Round,” a reunion with his “The Hunt” star Mads Mikkelsen; Halle Berry’s directorial debut, “Bruised”; and Francis Lee’s Oscar hopeful, “Ammonite,” starring Kate Winslet and Saoirse Ronan as lesbian lovers. Speculation abounded as to how digital screenings would work, how Press & Industry screenings would work, and what other big films Bailey, Vicente, and their team of Ambassadors could get. The announcement that the amount of accredited press would be severely reduced from normal years also raised quite a few eyebrows. 
By Tom O'Brien
One of the most interesting TV events of the fall will be just how ABC pulls off its primetime presentation of the 72nd Emmy Awards on September 20. As the show was originally scheduled to take place at the Microsoft Theater in Los Angeles, the COVID-19 pandemic has forced Emmy producers to rethink just how to televise the awards – still hosted by Jimmy Kimmel – and capture the magic moments of nominees winning that coveted trophy. With cameras at the homes of over 140 nominees, you figure out the logistics. Now that the Emmy voters have submitted their ballots (as an Emmy voter, I got my ballot in one day early – a new record for me), there's not much that viewers can do until the ceremony but catch up on the nominees. With a wide range of contenders this year, one of the most frequent questions I get is: "What channel is this show on?" 
By Michael Schwartz
The upcoming fall 2020 movie season will certainly be one for the books. In this current era of social distancing, access to entertainment has taken a drastic turn. Yet even as theatres remain closed in major regions across the country, we still have films to look forward to. Whether the viewing format is at home or in a theatre sometime in the distant future, the films will remain in the same condition they were filmed pre-pandemic. One of the notable highlights of the upcoming season is how many stage to screen adaptations we have on the horizon. From Tony-award winning musicals to small regional plays, there is a film to fill the niche of every theatre lover. There may even be potential to encourage some film fans to partake in the magic of live theatre post-pandemic. Let’s take a look at what titles have made the leap this season. 
By Amanda Spears
I’m taking you television fans through how to methodically make your Emmy predictions and win your pool. Previously we looked at Outstanding Comedy, Drama, Limited Series/TV Movie Writing and Directing & Casting. Next up is Outstanding Drama Guest Actor and Actress. Five years ago, the Emmys moved to a plurality vote replacing the more level playing field of 80-100 person panels. Since we spend more time watching television than a film, it’s easier to let our personal preferences affect our predictions as we try to manifest a win for our favorites. The acting categories are where stats can only take you so far – instinct and buzz also matter. Let’s take a look at how to predict the winners for Outstanding Drama Guest Actor and Actress based on recent trends. 
By Rose Dymock
Hong Khaou’s debut feature film, "Lilting" (2014), is an intimate, micro-budget drama that follows the story of Richard (Ben Whishaw) who, while still mourning the loss of his boyfriend Kai (Andrew Leung), takes it upon himself to create a relationship with Kai’s mother Junn (Cheng Pei-Pei), who is isolated in a care home now that her primary translator has died. The film’s narrative is driven by language differences and the complex issues of translation between two groups that cannot, but desperately want and need to, understand each other. 
By Will Mavity
Election season is well underway. Every day there are new polls and headlines. As we move closer to the election, we can guarantee we will see dozens of articles about “the best political movies of all time.” There is no shortage of impressive films involving politics. They range from the awful (“The Campaign”) to the bland (“Swing Vote”) to the stone-cold classics. The question is, how does Oscar feel about movies involving American politics? 
By Ryan C. Showers
Practically every element of David Fincher’s “Gone Girl” is of the highest cinematic quality. The formal elements are as perfectly carved out and aesthetically realized as possible; Fincher’s direction provides a crisp and thrilling vantage point for the beloved text and has one of the greatest film cast ensembles of the century. Rosamund Pike’s sensational breakthrough performance as Amy Dunne should have catapulted her into the career of someone like Marion Cotillard or Olivia Colman after their Oscar wins. But most of all, Gillian Flynn’s screenplay left such a mark on the screenwriting landscape with the adaptation of her own book in “Gone Girl,” and it’s an accomplishment that no adapted screenplay has lived up to since. 
By Amanda Spears
I’m going to take you television fans through how to methodically make your Emmy predictions and win your pool. Previously we looked at Outstanding Comedy, Drama & Limited Series/TV Movie Writing and Directing. Next up, the most important category not on the main telecast: casting. Five years ago, the Emmys moved to a plurality vote replacing the more level playing field of 80-100 person panels. No category has had more of a transformation than the casting categories. The winners used to typically come from first-year shows, which makes sense since they’re casting a series that could potentially go multiple seasons and the voters were casting directors. But then the television academy changed the rules allowing directors and producers as well as casting directors to vote. If you win, your series chances of winning increase; lose, and you better hope it’s an anomaly. 
By Nicole Ackman
2020 has been a year of mediocre but creative biopics of important scientists with first “Radioactive” and now “Tesla.” The release of Michael Almereyda’s “Tesla” this month marks the first time that a narrative feature film about the inventor has ever been made. But Nikola Tesla has been featured in a handful of films before including the much loved “The Prestige” and last year’s “The Current War.” While Tesla was often ignored in favor of Edison, both in his lifetime and after his death, and isn’t a historic figure typically covered in school, there are avid Tesla fans who have ensured that he is a part of popular culture. 
By Josh Parham
I usually thought that the idea of being heartbroken about the death of a celebrity felt like a silly endeavor. That is not to say there isn’t a place to mourn the loss of an artist and what they have contributed, but becoming so emotionally invested in the death of a person you have never met rings the tiniest bit as inauthentic. However, sometimes exceptions are made. Because there are moments when the life of one person whose path you’ve never crossed has had such a profound impact that knowing they are gone is meaningful. It had been quite some time since I last felt that. That sharp pain was felt again a few days ago when the world learned of the death of Chadwick Boseman. |
BEST PICTURE Parasite (30) - AACTA, AFCA, AFCC, AWFJ, BOFCA, CFCA, CIC, COFCA, DFCS, GALECA, GFCA, HFCS, LAFCA, LEJA, LFCC, NCFCA, NSFC, NYFCO, OAFFC, OFCS, OFTA, OSCAR, PCC, SAG, SEFCA, SFCS, TFCA, UFCA, VFCC, WAFCA Once Upon A Time In Hollywood (10) - CCA, GG, HFCS, IFCA, IPA, LVFCS, NDFS, OFCC, SFBAFCC, StLFCA 1917 (8) - BAFTA, DFCS, DFWFCA, GG, HCA, KCFCC, MCFCA, PGA The Irishman (5) - AARP, NBR, NTFCA, NYFCC, SDFCS Marriage Story (5) - DFCC, GWNYFCA, IFJA, IFP, NFCS Knives Out (2) - CIC, PFCC Portrait Of A Lady On Fire (2) - FFCC, WFCC Dolemite Is My Name - BFCC The Farewell - SPIRIT Ford v Ferrari - IPA For Sama - BIFA Harriet - WFCC Joker - PFCS Little Women - BSFC Us - AAFCA BEST DIRECTOR Bong Joon-ho (30) - AFCA, AFCC, AWFJ, BOFCA, BSFC, CCA, CFCA, CIC, COFCA, GALECA, GFCA, GWNYFCA, HFCS, IFJA, LAFCA, LEJA, LFCC, NCFCA, NDFS, NYFCO, OAFFC, OFCS, OFTA, OSCAR, PCC, SFBAFCC, SFCS, TFCA, VFCC, WAFCA Sam Mendes (11) - BAFTA, CCA, DFCS, DFWFCA, DGA, GG, KCFCC, MCFCA, NTFCA, PFCS, UFCA Martin Scorsese (7) - AARP, BFCC, DFCC, DFCS, OFCC, PFCC, SEFCA Quentin Tarantino (6) - AACTA, HFCS, IFCA, LVFCS, NBR, StLFCA Josh & Benny Safdie (3) - NYFCC, SDFCS, SPIRIT Noah Baumbach (2) - HCA, NFCS Greta Gerwig (2) - CIC, NSFC Laure de Clermont-Tonnerre - IFP Kassi Lemmons - BFCC James Mangold - IPA Jordan Peele - AAFCA Celine Sciamma - FFCC Olivia Wilde - HCA Waad al-Kateab & Edward Watts - BIFA BEST ACTOR Adam Driver (31) - AACTA, AFCC, AWFJ, CFCA, CIC, COFCA, DFCC, DFCS, DFWFCA, FFCC, GFCA, GWNYFCA, HFCS, IFJA, IFP, KCFCC, NCFCA, NFCS, OAFFC, OFCS, OFTA, PCC, PFCC, SDFCS, SEFCA, SFCS, TFCA, UFCA, VFCC, WAFCA, WFCC Joaquin Phoenix (17) - BAFTA, CCA, DFCS, GG, HCA, HFCS, IFCA, LEJA, LFCC, MCFCA, NDFS, NTFCA, NYFCO, OSCAR, PFCS, SAG, SDFCS Adam Sandler (9) - AARP, AFCA, BOFCA, BSFC, LVFCS, NBR, OFCC, SPIRIT, StLFCA Antonio Banderas (6) - EFA, GALECA, LAFCA, NSFC, NYFCC, SFBAFCC Taron Egerton (2) - GG, IPA Eddie Murphy (2) - AAFCA, BFCC Christian Bale - IPA Josh O'Connor - BIFA BEST ACTRESS Lupita Nyong'o (28) - AFCA, AAFCA, AWFJ, BFCC, BOFCA, CFCA, CIC, COFCA, FFCC, GFCA, HCA, IFJA, KCFCC, LAFCA, MCFCA, NCFCA, NYFCC, NYFCO, OFCC, OFCS, OFTA, PCC, SDFCS, SFBAFCC, SFCS, TFCA, WAFCA, WFCC Renée Zellweger (17) - AARP, AFCC, BAFTA, BIFA, CCA, GALECA, GG, HFCS, IFCA, LFCC, LVFCS, NBR, OSCAR, PFCS, SAG, SEFCA, SPIRIT Scarlett Johansson (12) - DFCC, DFCS, DFCS, DFWFCA, FFCC, GWNYFCA, IPA, NFCS, OAFCC, StLFCA, UFCA, VFCC Awkwafina (5) - GG, HFCS, IFP, IPA, LEJA Mary Kay Place (2) - LAFCA, NSFC Saoirse Ronan (2) - AACTA, BSFC Charlize Theron (2) - NFCS, NTFCA Cynthia Erivo - WFCC Florence Pugh - NDFS BEST SUPPORTING ACTOR Brad Pitt (36) - AACTA, AFCA, AFCC, AWFJ, BAFTA, BFCC, BOFCA, BSFC, CCA, CFCA, DFCS, DFWFCA, GG, HFCS, HFCS, IFCA, LEJA, MCFCA, NBR, NCFCA, NSFC, OFCC, OFCS, OFTA, OSCAR, PFCC, PFCS, SAG, SDFCS, SEFCA, SFBAFCC, StLFCA, TFCA, VFCC, WAFCA Joe Pesci (13) - DFCS, FFCC, GFCA, GWNYFCA, HCA, KCFCC, LFCC, NFCS, NYFCC, NYFCO, PFCC, SDFCS, UFCA Willem Dafoe (7) - COFCA, IFJA, IPA, LVFCS, NDFS, SFCS, SPIRIT Song Kang-ho (4) - CIC, GALECA, LAFCA, PCC Tom Hanks (2) - AARP, NTFCA Jamie Foxx - AAFCA Shia LaBeouf - OAFCC Hugh Laurie - BIFA BEST SUPPORTING ACTRESS Laura Dern (23) - AARP, AFCC, BAFTA, BSFC, CCA, DFCS, DFCS, DFWFCA, FFCC, GG, HFCS, IFCA, LFCC, NDFS, NSFC, NYFCC, NYFCO, OSCAR, PFCS, SAG, SEFCA, TFCA, VFCC Jennifer Lopez (15) - AFCA, GALECA, HCA, IFJA, IPA, LAFCA, LEJA, NFCS, OAFFC, OFCC, OFCS, OFTA, SFBAFCC, SFCS, WAFCA Florence Pugh (11) - AWFJ, BOFCA, CFCA, COFCA, DFCS, GFCA, GWNYFCA, LAFCA, MCFCA, NCFCA, UFCA Zhao Shuzhen (5) - CIC, HFCS, NTFCA, SDFCS, SPIRIT Da'Vine Joy Randolph (3) - AAFCA, BFCC, KCFCC Margot Robbie (3) - AACTA, LVFCS, StLFCA Kathy Bates - NBR Ruthxjiah Bellenea - BIFA Thomasin McKenzie - PCC BEST ADAPTED SCREENPLAY Little Women (17) - AFCA, AWFJ, BOFCA, CCA, CIC, COFCA, DFCS, FFCC, IFJA, KCFCC, LEJA, NCFCA, OFTA, UFCA, USC, WAFCA, WFCC The Irishman (10) - BFCC, GFCA, GWNYFCA, HFCS, NBR, OFCC, OFCS, SEFCA, StLFCA, TFCA Jojo Rabbit (9) - AACTA, BAFTA, HCA, NFCS, OAFFC, OSCAR, PFCS, SFBAFCC, WGA Joker - IPA Luce - SDFCS The Personal History Of David Copperfield - BIFA The Two Popes - LVFCS BEST ORIGINAL SCREENPLAY Parasite (23) - AFCA, AAFCA, AFCC, AWFJ, BAFTA, CFCA, COFCA, GALECA, GFCA, HCA, LEJA, MCFCA, NCFCA, NSFC, NYFCO, OFCS, OFTA, OSCAR, SEFCA, SFBAFCC, SFCS, UFCA, WGA Marriage Story (16) - AARP, DFCC, DFCS, DFWFCA, GWNYFCA, IFJA, IFP, IPA, LAFCA, LFCC, OAFFC, SDFCS, SPIRIT, StLFCA, VFCC, WAFCA Once Upon A Time In Hollywood (10) - BOFCA, BSFC, CCA, GG, HFCS, LVFCS, NDFS, NFCS, NYFCC, StLFCA Knives Out (8) - CIC, DFCS, HFCS, KCFCC, OFCC, PCC, PFCC, PFCS Uncut Gems (2) - FFCC, NBR Portrait Of A Lady On Fire - EFA Queen & Slim - BFCC BEST CINEMATOGRAPHY 1917 (37) - AFCA, AFCC, ASC, AWFJ, BAFTA, BFCC, CCA, CFCA, CIC, COFCA, DFWFCA, FFCC, GFCA, HCA, HFCS, HFCS, IPA, KCFCC, LEJA, LVFCS, MCFCA, NCFCA, NFCS, NTFCA, NYFCO, OAFFC, OFCS, OFTA, OSCAR, PCC, PFCS, SEFCA, SFBAFCC, SFCS, StLFCA, UFCA, WAFCA Portrait Of A Lady On Fire (5) - BSFC, GWNYFCA, LAFCA, NSFC, NYFCC The Lighthouse (4) - NDFS, PFCC, SDFCS, SPIRIT Once Upon A Time In Hollywood (2) - BOFCA, OFCC Ad Astra - DFCC Beats - BIFA BEST COSTUME DESIGN Dolemite Is My Name (8) - CCA, CIC, IPA, LEJA, LVFCS, OFTA, SDFCS, SFCS Little Women (3) - BAFTA, CFCA, OSCAR Rocketman (3) - HCA, HFCS, PFCS Jojo Rabbit - CDGA Knives Out - CDGA Maleficent: Mistress Of Evil - CDGA The Personal History Of David Copperfield - BIFA BEST FILM EDITING Ford v Ferrari (7) - BAFTA, IPA, LVFCS, OSCAR, SDFCS, SFBAFCC, WAFCA 1917 (5) - CCA, CIC, HCA, MCFCA, PFCS The Irishman (4) - AWFJ, BOFCA, BSFC, CFCA Parasite (4) - ACE, LEJA, OFCS, OFTA Uncut Gems (4) - AFCA, GWNYFCA, SFCS, SPIRIT Apollo 11 (3) - ACE, LAFCA, UFCA Once Upon A Time In Hollywood (2) - HFCS, StLFCA For Sama - BIFA Jojo Rabbit - ACE Knives Out - COFCA The Lighthouse - NDFS Toy Story 4 - ACE BEST MAKEUP & HAIRSTYLING Bombshell (8) - BAFTA, CCA, CIC, HCA, LEJA, MUAHS, OFTA, OSCAR Joker (2) - HFCS, MUAHS Downton Abbey - MUAHS The Personal History Of David Copperfield - BIFA BEST ORIGINAL SCORE Joker (12) - BAFTA, CCA, DFCS, GFCA, GG, HCA, HFCS, IPA, LVFCS, NDFS, OSCAR, PCC 1917 (10) - AFCA, AFCC, DFWFCA, HFCS, IFCA, LEJA, MCFCA, OFTA, PFCS, StLFCA Us (5) - CIC, COFCA, IFJA, OFCS, WAFCA Uncut Gems (4) - BOFCA, FFCC, OFCC, SFCS Little Women (2) - BSFC, CFCA Apollo 11 - UFCA I Lost My Body - LAFCA The Last Black Man In San Francisco - SFBAFCC Marriage Story - GWNYFCA BEST ORIGINAL SONG Rocketman (8) - CCA, GG, HFCS, IPA, LEJA, MCFCA, OFTA, OSCAR Wild Rose (7) - BIFA, CCA, DFCS, GFCA, HCA, HFCS, NDFS Always Be My Maybe - CIC Frozen II - PFCS Harriet - LVFCS Toy Story 4 - IFCA BEST PRODUCTION DESIGN Once Upon A Time In Hollywood (14) - ADG, CCA, CFCA, FFCC, LAFCA, LVFCS, MCFCA, NDFS, NFCS, OSCAR, SFBAFCC, SFCS, StLFCA, WAFCA 1917 (5) - BAFTA, GFCA, LEJA, PFCS, SDFCS Parasite (3) - ADG, HFCS, OFTA Avengers: Endgame - ADG Knives Out - CIC Motherless Brooklyn - IPA The Personal History Of David Copperfield - BIFA BEST SOUND EDITING 1917 (5) - BAFTA, LEJA, MCFCA, MPSE, OFTA Ford v Ferrari (4) - HFCS, IPA, MPSE, OSCAR BEST SOUND MIXING 1917 (5) - BAFTA, LEJA, MCFCA, OFTA, OSCAR Ford v Ferrari (3) - CAS, HFCS, IPA Beats - BIFA Toy Story 4 - CAS BEST VISUAL EFFECTS Avengers: Endgame (9) - CCA, HCA, LEJA, LVFCS, NCFCA, NFCS, OFTA, PFCS, StLFCA 1917 (5) - BAFTA, CIC, DFCS, HFCS, OSCAR Ad Astra (3) - CFCA, SDFCS, SFCS Alita: Battle Angel (3) - FFCC, HFCS, IPA The Irishman - VES The Lion King - VES BEST ANIMATED FEATURE Toy Story 4 (32) - AFCC, BOFCA, CCA, CFCA, COFCA, DFCS, DFCS, DFWFCA, GFCA, GWNYFCA, HCA, HFCS, HFCS, IFCA, KCFCC, LEJA, MCFCA, NCFCA, NFCS, NTFCA, OAFFC, OFCC, OFCS, OFTA, OSCAR, PCC, PFCC, PFCS, SEFCA, SFCS, StLFCA, WAFCA I Lost My Body (13) - AFCA, AWFJ, BFCC, BSFC, CIC, FFCC, LAFCA, NDFS, NYFCC, NYFCO, SDFCS, SFBAFCC, UFCA Missing Link (3) - GG, LVFCS, TFCA Klaus (2) - ANNIE, BAFTA How To Train Your Dragon: The Hidden World (2) - IFJA, NBR Abominable - AAFCA The Lion King - IPA BEST INTERNATIONAL FEATURE FILM Parasite (49) - AFCA, AAFCA, AFCC, AWFJ, BAFTA, BFCC, BIFA, BOFCA, BSFC, CCA, CFCA, CIC, COFCA, DFCS, DFWFCA, GALECA, GFCA, GG, GWNYFCA, HCA, HFCS, HFCS, IFJA, KCFCC, LEJA, LVFCS, MCFCA, NBR, NCFCA, NDFS, NTFCA, NYFCC, OFCC, OFCS, OFTA, OSCAR, PCC, PFCC, PFCS, SDFCS, SEFCA, SFBAFCC, SFCS, SPIRIT, StLFCA, TFCA, UFCA, VFCC, WAFCA Portrait Of A Lady On Fire (4) - FFCC, LFCC, NYFCO, WFCC Pain and Glory (2) - AARP, LAFCA Truth and Justice - IPA BEST DOCUMENTARY FEATURE Apollo 11 (36) - AFCA, AFCC, AWFJ, BOFCA, CCA, CFCA, CIC, COFCA, DFCC, DFCS, DFWFCA, FFCC, GFCA, GWNYFCA, HCA, HFCS, HFCS, IFCA, KCFCC, LVFCS, MCFCA, NCFCA, NFCS, NTFCA, NYFCO, OAFFC, OFCS, OFTA, PCC, PFCC, SEFCA, SFBAFCC, SFCS, StLFCA, UFCA, WAFCA Honeyland (7) - BSFC, DFCS, GALECA, NDFS, NSFC, NYFCC, VFCC American Factory (6) - IFP, LAFCA, OFCC, OSCAR, SPIRIT, TFCA For Sama (6) - BAFTA, BIFA, EFA, IDA, IFJA, LFCC One Child Nation (2) - PFCS, SDFCS 63 Up - IPA Amazing Grace - KCFCC The Black Godfather - AAFCA Knock Down The House - LEJA Linda Ronstadt: The Sound of My Voice - AARP Maiden - NBR Toni Morrison: The Pieces I Am - BFCC AuthorsNicole Ackman Archives
September 2020
Categories
All
|
RSS Feed
|
Contact Us |
Subscribe To Our Newsletter |